LED ZEPPELIN II 2nd ALBUM MINT MFSL AUDIOPHILE LP PROMO

$

164

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·       LED ZEPPELIN – LED ZEPPELIN II (SECOND ALBUM) - ORIGINAL 1979 MOBILE FIDELITY SOUND LABS (MFSL) HIGH-QUALITY 'ORIGINAL MASTERS' AUDIOPHILE, EXTENDED DYNAMIC RANGE VIRGIN VINYL LP MFSL-1-065

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE GOLD PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL WHITE MFSL LABEL

·       INCLUDES THE FOLLOWING INSERTS:

(1)          ORIGINAL "RICE PAPER" MFSL INNER SLEEVE

(2)          INNER, CUSTOM-MADE MFSL CARDBOARD COVER

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. MFSL PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)

·       BEAUTIFUL, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND.

This is a rare opportunity to acquire this great album in its FINEST audio format, no longer in print, and no longer easily obtainable.

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When the album was released in November 1969, it marked – literally - the beginning of the new era and the new sound: Heavy Metal. And, while Heavy Metal existed as a genre even before Led Zeppelin II (Blue Cheer, Vanilla Fudge, Steppenwolf) it was heavily beholden to psychedelia and bore a heavy burden of debt to the previous era`s exaggerations and idiosyncracies.

Not so with Led Zeppelin II. From the opening blast of `Whola Lotta Love` to the final fade of `Bring it on Home`, the listener knows that he is not in Kansas anymore. This is a whole new, uncharted territory. In fact, the album makes a clean break even with the band`s first album: on their first album, one can easily hear remnants of British psychedelia (Black Mountain Top), progressive rock (Your time is gonna come) urban electric blues (You shook me; How many more times; I can`t quit you), folk music (Babe, I`m gonna leave you) and other styles the band members were into at a time. However, you won’t find such excursions on Led Zeppelin II: the album is a monolithic slab of primo metal: an all-out, in-your-face assault from start to finish. Even the ballads exude the spirit of burning Metal.

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

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The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            THE VINYL IS ABSOLUTELY, PERFECTLY MINT, as if never played before. The original luster is totally intact, and the vinyl shines and sparkles like brand new. The labels look perfect, simply gorgeous, with absolutely no trace of wear around the spindle hole. The record is TOTAL PERFECTION - ABSOLUTE VISUAL NIRVANA! We are confident that, in this condition, the record we present here is truly once-in-a-lifetime find.

(b)            The record is STILL in its original inner, hi-grade MFSL PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)             The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(d)            In addition, the record is pressed on a fairly thick, relatively inflexible vinyl.

(e)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS STRONG NEAR MINT

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has a tiny "wrinkle" (crease) in one of the corners (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No yellowing from aging

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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