LEE KONITZ REAL LEE KONITZ ULTRA-RARE ORIG '57 ATLANTIC BLACK LABEL MONO LP MINT

$

41

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       LEE KONITZ - THE REAL LEE KONITZ - ULTRA-RARE ORIGINAL 1956 ATLANTIC RECORDS MONO LP 1273

·       ORIGINAL U.S. PRESSING

·       ORIGINAL  BLACK ATLANTIC MONO  LABEL WITH SILVER PRINT.

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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This set is the product of Lee Konitz' decision to record his quartet during the second half of a two-week stint in 1961 at the Midway Lounge in Pittsburgh. Bassist Peter Ind served as recording engineer, which essentially involved his pressing the record button on the tape machine in the dressing room and then running to join the others on stage. The result of this low-tech production is a fine document of Konitz playing live in a fairly straight-ahead setting. The sound is good and places the leader's alto sax at the forefront, as he floats his sinewy, pleasantly acerbic sound over the attentive work of the rhythm section. Konitz edited the tapes to preserve the best of the group's work, and to exclude technical glitches. For this reason, some of the tracks are not complete performances: two have fadeout endings, and one ends somewhat abruptly. To Konitz' credit, though, the edits do not jar, the fades are smooth, and the set remains a cohesive representation of this group at work. Ind, drummer Dick Scott, and guitarist Billy Bauer provide resourceful, responsive support. While Bauer's inventive rhythm work is its customarily attractive contribution, it would have been nice to have had more of his solo work included here. Even on a duet with Konitz on "You Go to My Head," Bauer's role is strictly accompaniment. That said, he's brilliant in the supporting role and the track is a highlight. Trumpeter Don Ferrara plays on two tracks, but he is not critical to the main event of Konitz captured live with a knowing, simpatico rhythm team.

 (EXCERPT FROM AN ONLINE REVIEW BY JIM TODD, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new (minor zig-zag scratch noted on 'You go to my head', not expected to be audible)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record comes in the original stock inner sleeve.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-        Cover shows some light yellowing on both sides, apparently from aging.   (nothing significant)

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2   (VISIBLE ON BACK SIDE ONLY) .

-        Cover has a few tiny wrinkles along the spine  (nothing significant)

-        Cover has a minor wrinkle (crease) in the cardboard base on the front panel  

-        The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers  (nothing significant)

-        Cover has a few minor wrinkles (bubbles in paper slick) on the back panel

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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