LEE MORGAN [Sidewinder] BLUE NOTE [DG/mono/NY/ear] RVG?
  $   34

 


$ 34 Sold For
Jan 9, 2010 Sold Date
Jan 2, 2010 Start Date
$   10 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description




innersleeve1 Store

1963 BLUE NOTE records BLP 4157

DEEP GROOVE * MONO ORIGINAL
[one sided deep groove]

"VAN GELDER" stamps in dead wax
"EAR" or "P" for Plastylite in dead wax

NEW YORK USA labels

43 West 61st St., New York 23
[back cover]

*

VINYL is VG
listen! plays with
only occasional
light background,
no serious marks, or marks
that can be felt
fine starter copy!

 COVER is VG-
seams split w/clear tape
on top & bottom,
small cc?

side 2 label has a slight color loss
on part of an edge, probably from lp cleaning,
not bad

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Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military. Henderson makes a major contribution to the album, especially on "Totem Pole," where his solos showed off his singular style, threatening to upstage Morgan, who is also fairly impressive here. Barry Harris, Bob Cranshaw, and Billy Higgins are all in good form throughout the album as well, and the group works together seamlessly to create an album that crackles with energy while maintaining a stylish flow.



All Music Guide

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