LEONARD COHEN SONGS FROM ROOM RARE ORIG 1969 COLUMBIA PROMO LP w/TIME STRIP MINT

$

78

    
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·       LEONARD COHEN - SONGS FROM THE ROOM  (COHEN’S SECOND ALBUM, WHICH INCLUDES “BIRD ON A WIRE”) - COLUMBIA RECORDS 1968 STEREO LP CS-9767

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL TIMING STRIP ON THE COVER CLEARLY IDENTIFIES THE ITEM  AS PROMOTIONAL ***

·       ORIGINAL RED & WHITE "360 STEREO" COLUMBIA LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1C/-1C'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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What a delightfully dark album! But if you know any Leonard Cohen songs, you already knew that, right? Wrong. This is dark even by his standards, a remarkable look at Vietnam and the 1960s generation gap from the enigmatic Canadian. Cohen being Cohen, of course, that can't be seen on the surface, which is what keeps the brilliant album brilliant instead of relentlessly depressing. The production style is extremely austere, apparently in reaction to what Cohen considered the excessive instrumental flourishes of his first album; whether intentional or not, this fits the lyrical atmosphere perfectly and adds to it.

Leonard Cohen followed up his debut album with another masterpiece, this collection of magnificent songs of solitude, despair and resignation. Besides The Partisan, a song about the French resistance with its beautiful French verses and female vocals, all compositions are by Cohen.

The most popular number here is Bird On A Wire that has been covered by artists as diverse as Johnny Cash, Joe Cocker, Judy Collins, Rita Coolidge, Tim Hardin, The Neville Brothers and Jennifer Warnes.

While there is nothing overtly topical about the then-current issues at hand, youth alienation and war are addressed metaphorically throughout the set. "Story of Isaac," "A Bunch of Lonesome Heroes" and "The Old Revolution" are best seen through this lens. The album's token cover, "The Partisan," is a more transparent take on the horrors of war, and it fits well between the others. Perhaps most macabre is "Seems So Long Ago, Nancy," a chilling tale of a long-ago love affair that came to a tragic ending (and, characteristically, he remembers the year and what she was wearing!) This one hasn't turned up on any greatest-hits album that I know of, as good a reason as any to buy Songs From A Room. Amusingly, the album ends on an almost-cheerful note with "Tonight Will Be Fine" - perhaps even Leonard Cohen has his limits.

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical information on this album, including track listing ►click here

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover shows some yellowing on both sides, apparently from aging.

-         Minor shelf wear noted on the bottom seam (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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