LIGHTNIN' HOPKINS & SPIDER KILPATRICK RARE ORIGINAL '62 ARHOOLIE MONO LP w/BOOK

$

456

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·       LIGHTNIN’ HOPKINS – LIGHTNIN' "SAM" HOPKINS" (ALSO KNOWN UNDER THE ALTERNATIVE TITLE: "LIGHTNIN' SAM HOPKINS AND SPIDER KILPATRICK", ALTHOUGH SPIDER KILPATRICK IS NOT OFFICIALLY CO-CREDITED IN THE ALBUM'S TITLE) – ORIGINAL 1962 ARHOOLIE MONO LP F-1011

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GLOSSY, RED AND BLACK ARHOOLIE LABEL WITH THE 'GUITAR' LOGO

·       NOTE: THIS ALBUM IS THE ORIGINAL AMERICAN PRESSING OF THE TITLE LATER RELEASED IN GREAT BRITAIN AS "BURNIN' IN L.A. " AND WITH A COMPLETELY DIFFERENT COVER ARTWORK

·       INCLUDES ORIGINAL 4-PAGE ARHOOLIE BROCHURE / BOOKLET

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This recording is one of the best attempts to combine the eccentric blues structures of Houston's Lightnin' Hopkins with some kind of band backup. As blues idioms became more urbanized, the country bluesmen who were used to performing alone or in small acoustic combinations often experimented with recording with full bands, sometimes resulting in performances of such a lost nature that neither a compass nor a seeing-eye dog would be sufficient to get the group back on the same chord at the same time. The duets with drummer Spider Kilpatrick seemed a revelation at the time, as finally here was a musician who could follow Hopkins wherever he went, plus one providing a snappier beat that the guitarist could hang phrases of a bit more aggressive nature than usual on. These duets, of which two are included here, lose nothing of their brilliance with repeated listenings, and, of course, part of the endeavor's success is the absence of a bass player. A bassist actually does show up for four of the trio tracks, but these were instances where Hopkins took advantage of the group sound to play in a little bit different manner, and although these blues have a more set and normal blues structure, at least by Hopkins' standard, they work quite well and are recorded with quite a lot of impact. The bass is a bit low in the mix, probably intentionally. Something in the bridge of Hopkins' guitar makes one of his strings buzz like a sitar on these tracks, which might not have been intentional but certainly is a great effect. A bit of piano doodling and two beautifully intense guitar solos fill out the package.

 (EXCERPT FROM AN ONLINE REVIEW BY EUGENE CHADBOURNE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album comes with its original 4-page Arhoolie booklet / brochure

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++ (VG+++).

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Visible shelf wear noted on the spine

-         Minor shelf wear noted on the top and bottom seams (nothing significant)

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging  (nothing significant).

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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