LINDA RONSTADT Hand Sown Home Grown SOLO DEBUT-PART CALIFORNIA PART NASHVILLE
$
21
$ 21
Sold For
Oct 20, 2016
Sold Date
Sep 25, 2016
Start Date
$ 23
Start price
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
LINDA RONSTADT Hand Sown Home Grown SOLO DEBUT-PART CALIFORNIA PART NASHVILLE
A MINT MINUS LP ON CAPITOL ST 208
HER SOLO DEBUT AFTER THE STONE PONEYS
FROM 1968 IN STEREO
PRODUCED BY CHIP DOUGLAS
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
When Linda Ronstadt recorded her solo debut Hand Sown…Home Grown in 1969, the Stone Poneys hadn't disbanded so much as dispersed, leaving Ronstadt holding a record contract. Fortunately, she was also the member with the clearest star potential, a powerhouse singer who also happened to be gorgeous. Hand Sown…Home Grown didn't make her a star -- it didn't chart and its one single, "The Long Way Around," went no further than 70 on the charts -- but it showcases her potential quite effectively. Working with producer Chip Douglas, who had previously helmed some Monkees records, Ronstadt crafts a Californian country-rock that recalls the Flying Burrito Brothers -- her version of John D. Loudermilk's "Break My Mind" isn't far removed from that of Parsons and company -- but it also has elements of L.A.'s folk-rock scene (on the front cover, she does look like she descended down the hill from Laurel Canyon). The songs stick a couple of classic country tunes -- "Silver Threads and Golden Needles," "Only Mama That'll Walk the Line" -- between a couple of Dylan covers, Wayne Raney's "We Need a Lot More of Jesus (And a Lot Less Rock & Roll)," Fred Neil's "Dolphins," and Randy Newman's "Bet No One Ever Hurt This Bad." Similarly, the sound is part California, part Nashville and it's best when it doesn't reach for authentic twang: "Silver Threads" has real propulsion, "Bet No One" has a lithe, slinky sexiness, and "We Need a Whole Lot More of Jesus (And a Lot Less Rock & Roll)" strikes precisely the right blend of the two. Hand Sown…Home Grown might not quite hit the mark -- it not only has one foot in L.A. and one in Nashville, Ronstadt still has the folk affectations of the Stone Poneys -- but it's often entertaining to hear he stretch out and find her own voice, and its best moments point the way toward her future.
COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. EDGES WITH SOME FRAYING AND SMALL OUTER LAYER LOSSES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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