LITTLE FEAT "DIXIE CHICKEN" 1973 WARNER BROS.RARE WHITE LABEL PROMO EX/VG- LP

$

53

INTERNATIONAL SHIPPING HAS BEEN AFFECTED BY THE VIRUS SO I AM OFFERING LIMITED SHIPPING, PLEASE CHECK THE SHIPPING TAB TO MAKE SURE I DO SHIP TO YOUR COUNTRY. THANKS FOR LOOKING!

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING.

NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI, OR OTHER SOURCES ETC. (SORRY 'BOUT THAT!)

CLEANING OUT SOME CLASSIC ROCK LP'S. SOME FROM THRIFT STORES, SOME FROM LIBRARY'S MY RADIO FRIENDS HAVE SOLD OR GIVEN ME, SOME FROM THE NETWORK I WAS AT.

ARTIST: LITTLE FEAT

TITLE- “DIXIE CHICKEN” WHITE LABEL PROMO

TRACK LISTING-SEE PHOTOS & BELOW:

A1

Dixie Chicken

3:55

A2

Two Trains

3:06

A3

Roll Um Easy

2:30

A4

On Your Way Down

5:31

A5

Kiss It Off

2:56

B1

Fool Yourself

3:10

B2

Walkin All Night

3:35

B3

Fat Man In The Bathtub

4:29

B4

Juliette

3:20

B5

Lafayette Railroad

3:40

Notes

Promo edition with black & white label with WB 'shield' logo.
Originally released with a promotional insert written by Lowell George and folded under the shrink-wrap on the back panel.

Barcode and Other Identifiers

• Matrix / Runout (Side 1): BS 2686-40398-A 1B

• Matrix / Runout (Side 2): BS 2686-40399-B 1A

YEAR OF RELEASE- 1973

LABEL- WARNER BROS. RECORDS

CAT.#: BS 2686

RECORD CONDITION: THE RECORD IS IN EX/EX- CONDITION, NICE SHINEY BLACK LUSTER. NO MARKS OR SCRATCHES,BOTH LABELS IN EXCELLENT CONDITION.NICE SHINEY LUSTER TO THE VINYL. THE SPACE BETWEEN THE TRACKS IS SUPER CLEAN ALSO, SONGS PLAY SUPER CLEAN. THERE IS A VERY VERY VERY TINY “CHIP” IN THE EDGE/RIM ON SIDE 1, I TRIED TO TAKE A PIC, BUT VERY SMALL, IT DOESN'T AFFECT PLAY AT ALL AS IT IS BEFORE THE LEAD IN GROOVE, BUT IS A BLEM VISUALLY.

JACKET CONDITION: IS IN VG/VG- CONDITION. SUPER CLEAN STRAIGHT EDGES, CLEAN STRONG CORNERS, NO WRITING, BENDS, CREASES ETC. THERE IS SOME VISIBLE WEAR, MAINLY FROMS TORAGE, LIGHT EDGE WEAR, MAINLY ON THE LEFT. ALSO SOME VERY LIGHT RING WEAR.

MORE INFO : THIS RECORD IS CURRENTLY OUT OF PRINT. INCLUDES ORIGINAL W.B. “LOSS LEADER” INNER SLEEVE. I GUESS THIS IS MISSING A PROMO ONLY INSERT THAT CAME WITH THE ORIGINAL RELEASE TO RADIO STATIONS. THIS VERSION NOT SOLD TO GENERAL PUBLIC. PRINTED ON BOTH LABELS IS “PROMOTION-NOT FOR SALE”

ARTIST/ALBUM INFO:Feat’s story began in 1969 when songwriter, performer, multi-instrumentalist, and all around colorful character Lowell George, formerly of Frank Zappa’s Mothers of Invention, set out to form his own band -- at Zappa’s suggestion. The brilliant and often idiosyncratic George connected with keyboard master Bill Payne, and, along with drummer Richie Hayward and Roy Estrada, founded Little Feat. They were soon signed to Warner Bros., where Little Feat, in various configurations, would remain for twelve of their sixteen albums.

This initial line-up recorded the band’s first two LPs--their rootsy, 1971 self-titled debut, featuring the classic cut ”Willin,“ and its follow-up, Sailin’ Shoes, which added ”Easy To Slip,“ ”Trouble,“ ”Tripe Face Boogie,“ ”Cold Cold Cold“ and the infectious title track to their repertoire. Upon Estrada’s departure in 1972, Paul Barrere, Sam Clayton and Kenny Gradney (all still in Feat today) signed on, and the rest, as they say, is history…and many more great albums.

Next up was Dixie Chicken (’73), a New Orleans-influenced gumbo of greatness that offered up the signature title track and ”Fat Man In The Bathtub,“ among other delights. The two LPs that followed, Feats Don’t Fail Me Now (’74) and The Last Record Album (’75) served up ”Rock & Roll Doctor,“ ”Oh, Atlanta,“ and ”All That You Dream,“ respectively, while 1977’s Time Loves a Hero offered up, in fine Feats fashion, another unforgettable title track. That same year delivered the aforementioned Waiting For Columbus, forever memorializing their legendary stage prowess.

During Little Feat’s recording of their eighth album as a group, 1979’s Down On The Farm, founding member Lowell George—who had already been veering towards solo work-- met a tragic and untimely passing. Except for Hoy, Hoy, a 1981 full-length assemblage of rarities, live performances, previously overlooked tracks, and a new song apiece from Payne and Barrere, Little Feat disbanded until the mid-‘80s. At that point, their own lyrics from ”Hangin’ On To The Good Times Here,“ ”…although we went our own ways, we couldn’t escape from where we came, so we find ourselves back at the table again, telling stories of survivors and friends,“ proved very telling. Barrere and Payne remember that a chance jam session in 1986 brought them together again, when they were reminded of how deeply Little Feat’s music was ingrained in them.

In 1988, the reformed band—with new members Craig Fuller (handling George’s vocal duties) and Fred Tackett--rekindled Feat’s magic for fans old and new alike. That year, they released the lively reunion album Let It Roll, and the singles ”Hate To Lose Your Lovin’,“ and, of course, the title track. The 1989 follow-up, Representing The Mambo, would prove to be their last for Warner Bros. Next came 1991’s Shake Me Up (on Morgan Creek), after which Fuller departed the band. Little Feat added a new lead singer, Shaun Murphy, in 1993, and released an acclaimed studio album, Ain’t Had Enough Fun in 1995 (this time on Zoo). Shaun was with Little Feat from 1993 to 2009. Shaun’s feminine energy and powerful, seasoned, bluesy vocalizations certainly upped the fun quotient for a recharged Little Feat.

This incarnation of the band was captured live to great effect on ‘96’s Live From Neon Park, a two-CD set culling performances from multiple concert venues including San Francisco’s fabled Fillmore Auditorium, Portland, Oregon’s Roseland Ballroom, and House of Blues Sunset Strip. Named after the renowned album cover artist whose striking images gracing Little Feat’s releases was a time-honored tradition (until his death from ALS in 1993), this live-fest featured all the band’s best-loved songs as well as their contemporary material. The collection proved how vital they remained after all the changes time had wrought.

In 1998, Little Feat released Under The Radar, their first album on CMC International. Spotlighting a confident and well-oiled configuration of first-rate talents, Under The Radar delivered a consistently strong set of songs including new Feat favorites ”Home Ground,“ ”Eden’s Wall,“ and ”Calling The Children Home.“ With 2000’s Chinese Work Songs, also on CMC, Little Feat’s ever-evolving repertoire grew even more, featuring original compositions including ”Marginal Creatures,“ ”Eula,“ and ”Another Sunday,“ as well as vibrant covers of Bob Dylan, The Band and Phish songs.

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