LOLLIPOP SHOPPE JUST COLOURS INSANELY RARE ORIGINAL 1968 UNI STEREO LP NEAR MINT

$

141

    
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·       THE LOLLIPOP SHOPPE – JUST COLOURS – THE GROUP’S INSANELY RARE  FIRST (AND ONLY) ALBUM –  ORIGINAL 1968 UNI RECORDS STEREO LP 73019

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW / MULTICOLOR “SWIRL” UNI LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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"You Must Be a Witch" by the Lollipop Shoppe was one of the most ferocious garage punk singles of the 1960s, a savage blast of paranoia and electric guitar that became a sought-after collectable among garage fanatics and one of the high points of the Nuggets box set. The tune was powerful enough that one had to wonder how a group so fierce would come up with a name as silly as the Lollipop Shoppe, and the truth is they didn't: they were known as the Weeds until their manager scored them a deal with Uni Records, who found their original moniker too outré (the marijuana reference didn't help) and saddled them something a bit more "mod." The Lollipop Shoppe cut just one album, 1967's Just Colour, and "You Must Be a Witch" is easily the most hard-edged cut on the record, but if the Lollipop Shoppe don't hit quite as hard on the other 11 tunes, the material is strong enough to impress any fan of vintage garage or psychedelia. Fred Cole's vocals boast an emotional urgency and force that set him far apart from most of his contemporaries, and the band's blend of garage rock thunder, folk-rock melodies, and psychedelic introspection puts this in the same league as Love and the 13th Floor Elevators. Within a year of releasing Just Colour, the Lollipop Shoppe were history, and years later Cole went on to front one of the finest bands in the garage punk underground, Dead Moon; this album offers a powerful early confirmation of his talents, and if Cole's music got leaner and more muscular with time, he'd already learned how to play rock & roll that was as urgent and heartfelt as anything you're likely to encounter. [Rev-Ola's 2008 reissue of Just Colour includes two bonus tracks drawn from the Lollipop Shoppe's final single, which dressed up the songs "Someone I Know" and "Though My Window" in string arrangements. The results are surprisingly effective, though the strings buffer the sharper edges of Cole's songs; with or without the bonus tunes, this is an album worth owning

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Led by singer Fred Cole, who had formerly been in the Northwest punk band the Weeds, the Lollipop Shoppe's sole album (from 1968) ranks as one of the better psych-punk LPs, and also as one of the better one-shot rock records of the late '60s. Featuring Cole's choked, bitter phrasing, the group staked out the middle ground between the Seeds (who shared the same manager) and Love, with a bit of fellow L.A. psych-punkers the Music Machine thrown in. If comparisons must be made, they were definitely closer in tone to Love than the Seeds, with a mixture of raunch and reflection in the spirit of Arthur Lee. Cole was one of the few psychedelic performers to make a contribution during the punk era, surfacing in the Portland punk band the Rats in the late '70s.

 (EXCERPT FROM AN ONLINE BIO OF THE GROUP BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new. (minor, superficial, scuff noted on one track: 'Don't close the door on me')

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4 (front side) and 2 (back side)

-         Cover has two corners slightly worn / dinged  / bent  (nothing significant)

-         Cover has a few tiny wrinkles along the spine

-         Visible shelf wear noted on the seams

-         Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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