LORETTA LYNN Van Lear Rose LP THIRD MAN 2011 US orig+inner+insert JACK WHITE
€
50
$
58
€ 50
Sold For
Aug 11, 2023
Sold Date
Jul 26, 2023
Start Date
1
Number Of Bids
Italy
Country Of Seller
eBay
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Description
Published in 2004 as CD, but first released on vinyl in 2011 only, THIS IS THE US ORIGINAL PRESSING on THIRD MAN Records. PARTIALLY IN SHRINK SINGLE COVER + INNER SLEEVE + FOLDOUT INSERT. The cover is in EX condition: normal wear and without any major deterioration BUT light discolouration/wear on right corners (where missing shrink), left spine is fully readable; INNER without splits but mild creases and surface ring-halo; INSERT with mild creases; for details see photos. The vinyl is in EX condition and plays wonderfully.
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LORETTA LYNN
Few performers in country music have proved as influential and iconic as Loretta Lynn. At a time when women usually took a back seat to men in Nashville, Lynn was a voice of strength, independence, and sometimes defiance, writing and singing songs that spoke to the concerns of working-class women with unapologetic honesty. She could sing of her hardscrabble childhood ("Coal Miner's Daughter"), deal with the realities of relationships ("Fist City," "You Ain't Woman Enough"), deliver proto-feminist anthems ("The Pill"), and explore mature romance (her series of duets with Conway Twitty) and sound perfectly authentic at every turn. Lynn's voice, strong but naturalistic and matched to tough, lively honky tonk arrangements, reinforced the home truths of her songs, and her success blazed trails for other female country artists. As a member of the Grand Ol' Opry and the Country Music Hall of Fame, she's been honored by the country music establishment while still doing things her own way."VAN LEAR ROSE"
2011 LP THIRD MAN RECORDS STEREO TMR063
PRINTED IN USA ORIGINAL & FIRST PRESSING on VINYL
PARTIALLY IN SHRINK SINGLE COVER + INNER SLEEVE + FOLDOUT INSERT
HEAVY CARDBOARD COVERNOTES: Published in 2004 as CD, but first released on vinyl in 2011 only. Not all copies include the barcode sticker. THIS ONE WITHOUT. Barcode sticker on rear bottom right hand corner next to Third Man logo. Released on a red GNR
Barcode and Other Identifiers Barcode: none Pressing Plant ID (Etched in runouts): ⓤ
LABEL: THIRD MAN - BLACK LABEL w/ARTWORK on TOP - WHITE/YELLOW TEXT
Catalog on cover: TMR063 Catalog on labels: TMR063
Matrix / Runout (Side A, Etched): TMR-063-A CAUSE THEY DO WHAT THEY WANT TO DO WG/NRP ⓤ Matrix / Runout (Side B, Etched): TMR-063-B CONGRATULATIONS? FOR WHAT? WG/NRP ⓤ
On labels: rim text "© & ℗ 2011 LORETTA LYNN.........NASHVILLE, TN"
On back cover: Tracklist Produced and Arranged by Jack White III ℗ & © 2010 Third Man Records, LLC..........prosecution.
tracklisting Side A: VAN LEAR ROSE - PORTLAND OREGON - TROUBLE ON THE LINE FAMILY TREE - HAVE MERCY - HIGH ON A MOUNTAIN TOP - LITTLE RED SHOES Side B: GOD MAKES NO MISTAKES - WOMENìS PRISON - THIS OLD HOUSE MRS. LEROY BROWN - MISS BEING MRS. - STORY OF MY KIFE grading RECORD EX but (please, read above description) SLEEVE EX but (please, see pictures and read above description)
Loretta Lynn retired from the music business in the '90s, returning to her home in Nashville. By the time Lynn decided to return to recording in 2000, Cash's path had been followed by other veterans like Merle Haggard, but Loretta turned out a fairly pedestrian comeback on Audium called Still Country, which garnered little attention, but then a funny thing happened. The following year, Detroit garage punk duo the White Stripes dedicated their breakthrough album, White Blood Cells, to Loretta and covered her "Rated X" as a B-side. Word worked its way back to Lynn, and soon she invited Jack and Meg White down to her home and, not long after that, she agreed to cut a new album with Jack as the producer, which wound up being 2004's Van Lear Rose. On paper, this sounds like a strange pairing, yet upon further inspection, it makes sense. Loretta Lynn has always been an independent spirit, taking risks within the confines of Nashville country, yet respecting the rules of Music City. Jack White works much the same way, adhering to traditional American musical conventions yet pushing against their borders, while imposing strict aesthetic rules for each of the White Stripes albums with the intent of giving each its own distinct feel. The brilliance of Van Lear Rose is not just how the two approaches complement each other, but how the record captures the essence of Loretta Lynn's music even as it has flourishes that are distinctly Jack, such as the slide guitar that powers their duet, "Portland Oregon"...(AllMusic)
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