LOST AND FOUND Everybody's Here LP Garage Psych

	£		22
	$		29

** RECORD COLLECTOR **

LOST AND FOUND

Everybody's Here

US (?) Reissue LP released on International Artists Records. Looks like an 80s pressing.

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The Lost And Found were one of the several obscure Texas psychedelic groups recorded by the International Artists label, most famous as the home of the 13th Floor Elevators. Like their label mates the Golden Dawn, they also sounded very similar to the Elevators. Listening to the Lost And Found and Golden Dawn LPs, in fact, one almost suspects that the Elevators were an International Artists house band masquerading under different names, although it's known that this was not the case. Like the Elevators, the Lost And Found's psychedelic sound was assuredly drug-inspired; one of the reasons they signed with International Artists, in fact, was because the label offered to have its lawyers help clear three of the band members of LSD-related charges (a serious offence in the mid-'60s).

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The 13th Floor Elevators were the biggest thing on the Texas psychedelic scene in 1967, and far and away the most successful act on International Artists Records, so it's no great shock that Houston's Lost & Found, who were signed to IA in the wake of the Elevators' hit single "You're Gonna Miss Me," bore a certain resemblance to Roky Erickson's crew of inner space explorers. It didn't hurt that the Elevators befriended Lost & Found during their early days as the Misfits, or that they were persuaded to cover the Elevators' "Don't Look Down" during the sessions for their first (and only) album, Everybody's Here.

However, this album suggests the band was best served when they were trying to clear a musical trail of their own. Vocalist Peter Black was incapable of replicating Erickson's feral howl but on poppier tunes like "I Realize" and "Forever Lasting Plastic Words," he summons up a fine folk-rock croon, and at its best, the guitar interplay between Black and Jimmy Frost suggests John Lennon and George Harrison as much as anyone in the psychedelic Southwest.

The trippy final cut, "Living Eye" was named for a hip Houston nightspot of the day. The band called it quits by mid-1968, with Peter Black and bassist James Harrell going on to form another act beloved by fans of Texas psychedelia, Endle St. Cloud.

Tracks Are :-

Side One

Forever Lasting Plastic Words

Everybody's Here

There Would Be No Doubt

Don't Fall Down

Zig Zag Blues

Let Me Be

Side Two

I Realize

2 Stroke Blues

I'm So Hip To Pain

Living Eye

Released on 'International Artists Records'

Catalogue No. IA-LP 3

Disc is in EX++ condition

Sleeve is in EX+ condition

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