LOU REED, Lou Reed Live - Take No Prisoners USA 1st pressing Excellent- 2LP
$
39
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Description
Lou Reed - Lou Reed Live - Take No Prisoners Label: Arista – AL 8502 Format: 2 x Vinyl, LP, Album, Terre Haute Pressing Country: US Released: Nov 1978 Genre: Rock Style: Art Rock A1 Sweet Jane 8:18 A2 I Wanna Be Black 6:21 A3 Satellite Of Love 6:54 B1 Pale Blue Eyes 6:23 B2 Berlin 5:46 B3 I'm Waiting For My Man 13:50 C1 Coney Island Baby 8:21 C2 Street Hassle 11:58 D1 Walk On The Wild Side 16:53 D2 Leave Me Alone 7:18 Record Company – Columbia Pictures Industries, Inc. Copyright © – Arista Records, Inc. Phonographic Copyright ℗ – Arista Records, Inc. Phonographic Copyright ℗ – RCA Records Produced For – Sister Ray Enterprises, Ltd. Recorded At – The Bottom Line Recorded By – Record Plant Mobile Studio Mixed At – Delta Studio, Wilster Mastered At – Sterling Sound Lacquer Cut At – Sterling Sound Mastered At – Customatrix Pressed By – Columbia Records Pressing Plant, Terre Haute Art Direction – Donn Davenport Bass, Vocals – Ellard "Moose" Boles* Design – Dennis Weeden, Phenographix Inc. Drums – Michael Suchorsky Electric Piano [Yamaha] – Michael Fonfara Engineer – Gregg Caruso, Jay W. Krugman*, Julie Last, Manfred Schunke Engineer [Assistant] – Rene Tinner* Guitar, Guitar Synthesizer [Roland Guitar Synthesizer], Vocals – Lou Reed Guitar, Vocals – Stuart Heinrich Illustration [Cover Illustration] – Brent Bailer Illustration [Cover, Uncredited] – Nazario (2) Mastered By – Lou Reed, Manfred Schunke Mastered By [With] – Ted Jensen Mixed By – Lou Reed, Manfred Schunke Mixed By [Bottom Line Audience Mix] – Steve Savageau Mixed By [With] – Ellard "Moose" Boles*, Michael Fonfara Producer – Lou Reed Recording Supervisor [Binaural Recording Supervised By] – Manfred Schunke Saxophone [Electric] – Marty Fogel Vocals – Chrissy Faith Vocals, Tambourine – Angela Howell Written-By – Lou Reed Columbia Records Pressing Plant, Terre Haute, pressing denoted by "T" and "CT" etched in runouts. Remainder of runouts etched, mastering and some plating letters (e.g., A, B, etc.) stamped. Label variation, with "℗ 1978 Arista Records, Inc. and RCA Records" below label matrices. Issued in gatefold cover with printed inner sleeves.
USA DOUBLE VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL PRINTED INNER SLEEVES.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. EDGE CUT. INNER SLEEVES VERY GOOD+ WITH NO SEAM SPLITS.
DISCS: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY EBAY
price rating
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