LOUIS SMITH wSONNY CLARK+CHARLIE ROUSE SMITHVILLE RARE ORIG'58 BLUE NOTE MONO LP
$
610
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· LOUIS SMITH with SONNY CLARK, CHARLIE ROUSE, PAUL CHAMBERS AND ART TAYLOR – SMITHVILLE – ORIGINAL 1958 BLUE NOTE RECORDS MONO LP BLP-1594
· ORIGINAL U.S. PRESSING
· ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH '63RD STREET., NEW YORK', ADDRESS ON THE LABEL
· DEEP GROOVE PRESSING
· The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Like his debut, Smithville is another set of thoroughly winning straight-ahead bop from the underappreciated trumpeter Louis Smith. Stylistically, there are no surprises here -- this is mainstream bop and hard bop, comprised of original and contemporary bop numbers, as well as standards ("There'll Never Be Another You," "Embraceable You") -- but since the music is performed so well, it doesn't matter. There is genuine passion to this music, not only from Smith, but also from pianist Sonny Clark, tenor saxophonist Charlie Rouse, bassist Paul Chambers and drummer Art Taylor. It's a first-rate hard bop set that deserves wider distribution than it has received.
(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings)
(c) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(d) The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastilite Corporation’s pressing plant.
(e) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
(g) Important disclosure: VISUALLY, THE RECORD is STRONG VERY GOOD+(+). HOWEVER, WE CAUTION THAT a bad groove causes the record to skip (only once!) on side 2. Only a single-spin is affected; we reckon that about 4 seconds of music has been lost. The buyer can probably correct this by using a different stylus, adjusting the proper tone arm calibration, tracking force or pressure.
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (VISIBLE ON BACK SIDE ONLY)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Minor shelf wear noted on the bottom seam and spine (nothing significant)
- Cover has two corners slightly worn / dinged (nothing significant)
- Cover has a partially split spine (less than 1 inch / 2.5 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape
- Back cover has a small peel-off mark, probably from the careless removal of the price sticker (less than ¼ square inch in size).
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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