LOVE ARTHUR LEE FIRST UK ELEKTRA ORIGINAL MONO NR. MINT

	£		263
	$		348

Thank you for visiting my listing. The section immediately below sets out information specific to the particular album / record offered in this listing. This is followed by my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular ‘mother’; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first ‘mother(s)’ and ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; it may have very slight changes, if they were made within the first production run or, if the album was issued with a choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

Condition & Grading: Regular visitors to my listings will know that I offer albums that range from very good to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is  outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual gradings and check that you are satisfied before placing your bid.

Album / Record Title: LOVE (SELF TITLED DEBUT ALBUM)

Rarity: ONE OF THE RAREST AND MOST HIGHLY COLLECTABLE ALBUMS OF THE GENRE AND HAS A CREDIBLE CLAIM TO BEING THE ULTIMATE RARITY IN THIS – THE ONLY GENUINE FIRST UK ORIGINAL – VARIANT WITH A VINYL IN NEAR MINT CONDITION – I think it is quite likely that this is the best example of this album you are ever likely to find – THE COVER IS IN FIRST RATE CONDITION AND THE 43 YEAR OLD VINYL LOOKS AS THOUGH IT WAS PRESSED YESTERDAY. Although this album made #57 in the American Billboard it did not enter the UK album charts and made little impact with all but a niche market of the UK record buying public; as a result very few UK first pressings of this album were made – industry sources suggest they numbered in the hundreds, of those, few will still be in circulation today and it is hard to imagine that there are more than a handful like this in existence. The Elektra UK label designs and covers were a little confusing during the mid to late 60’s so I will offer a brief explanation for those who are interested. Pre 1966 the Elektra UK releases had the ‘guitar player’ logo gold label with a white ‘toothed’ perimeter design, in 1966 on a small number of the ‘4000’ series releases – a series launched by this album – Elektra introduced their ‘E’ logo on an all gold label. The gold base colour was short lived in the UK being quickly replaced by orange with the black ‘E’ and then orange with the silver ‘E’ and then red with a white ‘E’ – these were followed by a complete re-design for the 70’s when the ‘butterfly was introduced. So the original UK golds were short lived and incredibly rare. During these initial mid 60’s forays into the UK market Elektra chose not to have the covers made in the UK at launch, probably because they were unsure of sales volumes, so while they pressed the vinyls in their UK plant they shipped American made covers over – presumably to avoid the expense of tooling and outsourcing locally in small quantities. Later, with albums where there was considerable follow through demand, they transferred to UK made covers – therefore the earliest Elektra pressings from this period are generally found with American made covers. Also, in late 1966/7 they reached agreement with Polydor which resulted in subsequent pressings having a Polydor credit on the labels – the earliest ‘E’ logo label pressings like this do not have the Polydor credit. This particular album is one of the earliest and rarest examples and a cornerstone of any serious collection of 60’s psychedelic and progressive rock. This is not just a great example, it has one of the best vinyls I have ever seen – and they number in many thousands over the years – A DEFINITIVE UK FIRST WITH FIRST MATRICES & ORIGINAL PRESSING DATE IMPRINTED ON A SUPREME HEAVYWEIGHT VINYL BEARING THE ORIGINAL GOLD ELEKTRA LABELS AND EKL MONO CATALOGUE NUMBER PREFIX; AND IT IS HOUSED IN THE ORIGINAL AMERICAN MADE NON LAMINATED CARD COVER (there were no UK made covers for the first issue originals of this album).  This is QUITE POSSIBLY A UNIQUE OPPORTUNITY TO ACQUIRE A PRE-EMINENT EXAMPLE OF A GENRE DEFINING CLASSIC - AN OFFER WHICH MAY NEVER BE REPEATED.

The key features are listed below:

• COMPLETE UK ORIGINAL ALBUM FIRST PRESS & FIRST ISSUE
• FIRST MATRICES, FIRST MOTHERS AND FIRST STAMPERS
• SUPERB HEAVYWEIGHT VINYL IN NEAR MINT CONDITION
• MONO RECORDING FORMAT DELIVERING SENSATIONAL AUDIO
• UK ORIGINAL ELEKTRA 4000 SERIES GOLD ‘E’ LOGO LABELS
• ORIGINAL AMERICAN NON-LAMINATED SINGLE SLIP COVER
• ORIGINAL ERA SPECIFIC INNER SLEEVE POLY-LINER INTACT
• POSSIBLY A UNIQUE EXAMPLE OF A GENRE DEFINING CLASSIC

Artiste(s): LOVE – Arthur Lee, John Echols, Bryan Maclean, Ken Forssi, Alban ‘Snoopy’ Pfisterer

Produced by: Jac Holzman & Mark Abramson

Disc Format & Playing Speed: 12” LP & 33 1/3 r.p.m.

Recording Format: MONO

Record label: ORIGINAL UK ELEKTRA 4000 SERIES ‘METALLIC’ GOLD TEXTURED LABELS WITH BLACK ‘E’ LOGO & BLACK TEXT

Catalogue Number: EKL 4001

Country of origin and first published date: Made in UK 1966

Vinyl ‘run off’ matrices side 1:     EKL 4001 A-1

Vinyl ‘run off’ matrices side 2:     EKL 4001 B-1

Vinyl ‘run off’ mother / stamper side 1:    1   1   1   1

Vinyl ‘run off’ mother / stamper side 2:    1   1   1   1

Vinyl ‘run off’ initials / cryptic / other side 1:  28.4   3 66 (pressing date)

Vinyl ‘run off’ initials / cryptic / other side 2:  28.4   3 66 (pressing date)

N.B. Please note that all vinyl ‘run off’ data is hand etched which is the correct method for Elektra albums from this era.

Track listing as per label: SIDE 1: MY LITTLE RED BOOK / CAN’T EXPLAIN / A MESSAGE TO PRETTY / MY FLASH ON YOU / SOFTLY TO ME / NO MATTER WHAT YOU DO / EMOTIONS / SIDE 2: YOU I’LL BE FOLLOWING / GAZING / HEY JOE / SIGNED D. C. / COLORED BALLS FALLING / MUSHROOM CLOUDS / AND MORE

My opinion and summary of condition: I have included all relevant details in the leader paragraph on rarity, and as this is a specialist collectors piece bidders are unlikely to be influenced by my opinion of the content – suffice it to say that I think it is one of the most important, influential and brilliant genre classics – a masterpiece. This is an AMAZING EXAMPLE OF THE UK FIRST MONO VARIANT WITH A VINYL THAT COMFORTABLY ACHIEVES THE NEAR MINT GRADE IN BOTH APPEARANCE AND AUDIO DELIVERY, AND IN MY OPINION YOU ARE UNLIKELY TO IMPROVE ON THIS.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2008’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either a PLUS or a MINUS to indicate slight variations either side of a grade). I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Vinyl Visual side 1: NEAR MINT, practically unblemished, as close to mint as you may see short of new.

Vinyl Visual side 2: NEAR MINT, two short, wispy, superficial surface lines on the first track – no audio consequence - otherwise practically unblemished, as close to mint as you may see short of new.

Label Visual side 1: NEAR MINT, practically unblemished, as close to mint as you may see short of new.

Label Visual side 2: NEAR MINT, practically unblemished, as close to mint as you may see short of new.

N.B. Please note that I make no adjustment or allowance in grading for minor marks or slight shrinkage marks / lines on labels caused in original pressing; they are quite normal and in my opinion are individual characteristics – not defects.

Outer Cover: EXCELLENT TO PLUS, the original American made stiff card construction, surface printed, non-laminated single slip cover of the type which is highly vulnerable to wear – but this one has survived the years and remains in better than excellent condition. There is some light surface rub wear on the front and back which tends to mimic the outer edge of the vinyl for a short distance top and bottom – but it is minor and certainly not unsightly or unpleasant. The corners have a tiny amount of fraying and the edges have some minor rub wear. Apart from the wear which you may expect from careful use, handling and storage over time there is nothing significant to mention – which is a real result on this type of cover - really an outstanding example which comfortably grades above excellent. Please take a look at the super-sized photographs and make your own assessment as well.

Spine: EXCELLENT TO PLUS, in first rate physical shape with just a few small chips – all text is clean, clear and fully readable.

Inner Sleeve: EXCELLENT, the original era specific white inner with centre window used as standard by Elektra with ‘Patents Applied For’ text, still fitted with antistatic poly-liner, slight evidence of handling and lightly creased with age.

Vinyl Warp: none visible when eye tested on a moving turntable.

Vinyl Weight: 155 grammes (an electrifying ELEKTRA heavyweight)

Play Grade: I consider all aspects of an albums condition and grading to be highly important and I place particular emphasis on the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. It is quite possible with vinyl to experience great ‘clarity’ and reality without the sound being exceptionally ‘clean’ - that’s ok with me, but it may not satisfy the audiophile. So, a NEAR MINT & NEAR MINT will be the best grade with VERY GOOD PLUS & VERY GOOD PLUS or better being highly satisfactory.

For CLARITY the audio from this vinyl grades: NEAR MINT

For CLEANLINESS the audio from this vinyl grades: EXCELLENT PLUS

Audio Performance: IN ALL HONESTY THIS IS ALONGSIDE THE VERY BEST AUDIO DELIVERY I HAVE EVER HEARD FROM ANY MEDIUM DURING THE LAST 43 YEARS – IT WOULD NOT BE POSSIBLE TO OVER EMPHASIZE THE BRILLIANCE OF THE SOUND REPRODUCED FROM THIS VINYL. HUGELY IMPRESSIVE AUDIO OF GREAT PRESENCE, CLARITY AND QUALITY – YOU ARE UNLIKELY TO HEAR AUDIO BETTER THAN THIS. THERE’S MINIMAL LOW LEVEL CRACKLE ON THE NON-RECORDED SECTIONS BUT THIS IS JUST THE ‘NEWNESS’ OF THE VINYL FROM ORIGINAL PRESSING – IT HAS PROBABLY ONLY BEEN PLAYED TWO OR THREE TIMES AND I HAVE NO DOUBT IT WILL BECOME ALMOST PERFECTLY CLEAN WITH A LITTLE MORE PLAY TIME. AS REGULAR VISITORS TO MY LISTINGS WILL KNOW I ALWAYS SAY PLEASE BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, AND OCCASIONALLY A LITTLE LIGHT CRACKLE WHICH IS OFTEN STATIC; OR EVEN A RANDOM SOFT TICK - BUT THIS IS A SUBLIME AUDIO TOUR DE FORCE WHICH WILL DELIGHT VINYL LOVERS OF ALL PERSUASIONS AND EVEN THOSE WITH THE MOST DEMANDING STANDARDS – UNRESERVEDLY MY HIGHEST RECOMMENDATION.

Other: I seriously doubt whether I will ever see or hear another example of this variant of this album which will even compare favourably with this one in any respect.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: This has become something of a ‘fashion accessory’ for many of the albums listed on eBay and, as with fashion, there are many imitators. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings but otherwise this was not usually the case. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test pressings so the commercial releases started at ‘2’, are well documented now but there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. This weight difference can also be indicative where different symbols were used in the matrices. For example some record companies first denoted early pressings with A61 & B61 and then soon after changed to A // 1 & B // 1, in these cases weight of the vinyl is often very helpful with identification. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Finally: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play the ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. Unless the prospective bidder / buyer states a preference I always quote Airmail as Surface Mail does not usually cost much less and takes a long time (again more risk of damage or loss I think). Also please note that for British Pounds £3.30 extra you can have an International Signed for service which includes insurance up to £32. Insurance quotations to a value you specify in advance of shipping are available on request.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. I will always try to be fair with buyers on p&p costs but if you do not want to pay the prices on the listings or quotations please do not bid.  I am not interested in hearing from successful bidders afterwards questioning and complaining about cost of packing and postage! I always keep proof of posting but unless you pay for Recorded Delivery, International Signed For, Special Delivery or Full Insurance I may not be able to assist you with recovery of the item or any of the costs.

Where postal insurance is included it is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance or premiums to cover increased values are available on request

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs below to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Larger Picture’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.