LP BOB DYLAN debut Col. 8579 stereo 6 eye
$
255
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Description
VERY NICE STRONG VG+ COPY OF SUPER RARE STEREO VERSION
Bob Dylan self-titled album in stereo on Columbia CS 8579. All "6 eye" copies of his first album from 1962 are very hard to find but the stereo is nearly impossible. This is a true stereo recording with full, complete separation. This mix, in my opinion, makes this otherwise lo-fi acoustic recording a bit more exciting and adds to the listening experience. Plays equal or better than visual grade.I'm listing a group of albums with only $1.00 bids and this is one them. I might be crazy to list this one for a $1.00 minimum but it shouldn't stay at the level for long.
About the Album: Bob Dylan's first album is a lot like the debut albums by the Beatles and the Rolling Stones — a sterling effort, outclassing most, if not all, of what came before it in the genre, but similarly eclipsed by the artist's own subsequent efforts. The difference was that not very many people heard Bob Dylan on its original release (originals on the early '60s Columbia label are choice collectibles) because it was recorded with a much smaller audience and musical arena in mind. At the time of Bob Dylan's release, the folk revival was rolling, and interpretation was considered more important than original composition by most of that audience. A significant portion of the record is possessed by the style and spirit of Woody Guthrie, whose influence as a singer and guitarist hovers over "Man of Constant Sorrow" and "Pretty Peggy-O," as well as the two originals here, the savagely witty "Talkin' New York" and the poignant "Song to Woody"; and it's also hard to believe that he wasn't aware of Jimmie Rodgers and Roy Acuff when he cut "Freight Train Blues." But on other songs, one can also hear the influences of Bukka White, Blind Lemon Jefferson, Blind Willie Johnson, and Furry Lewis, in the playing and singing, and this is where Dylan departed significantly from most of his contemporaries. Other white folksingers of the era, including his older contemporaries Eric Von Schmidt and Dave Van Ronk, had incorporated blues in their work, but Dylan's presentation was more in your face, resembling in some respects (albeit in a more self-conscious way) the work of John Hammond Jr., the son of the man who signed Dylan to Columbia Records and produced this album, who was just starting out in his own career at the time this record was made. There's a punk-like aggressiveness to the singing and playing here. His raspy-voiced delivery and guitar style were modeled largely on Guthrie's classic 1940s and early 1950s recordings, but the assertiveness of the bluesmen he admires also comes out, making this one of the most powerful records to come out of the folk revival of which it was a part. Within a year of its release, Dylan, initially in tandem with young folk/protest singers like Peter, Paul & Mary and Phil Ochs, would alter the boundaries of that revival beyond recognition, but this album marked the pinnacle of that earlier phase, before it was overshadowed by this artist's more ambitious subsequent work. In that regard, the two original songs here serve as the bridge between Dylan's stylistic roots, as delineated on this album, and the more powerful and daringly original work that followed. One myth surrounding this album should also be dispelled here — his version of "House of the Rising Sun" here is worthwhile, but the version that was the inspiration for the Animals' recording was the one by Josh White. — Bruce Eder
Record Grade: VG+, the record retains almost all of its original gloss, some hairlines and needle marks. Close to my VG++ grade. I would grade this album 6.5 on a 1-10 scale. Playgrades better than visual grade.
Cover Grade: VG+, minor to average wear, slight ring wear
Label: Original stereo "6 eye" labels are flawless
Song Titles:
- 1. You're No Good (Fuller) - 1:36
- 2. Talkin' New York (Dylan) - 3:17
- 3. In My Time of Dyin' - 2:37
- 4. Man of Constant Sorrow (Traditional) - 3:05
- 5. Fixin' to Die (White) - 2:18
- 6. Pretty Peggy-O - 3:21
- 7. Highway 51 (Jones) - 2:49
- 8. Gospel Plow - 1:43
- 9. Baby, Let Me Follow You Down (Davis/VonSchmidt) - 2:33
- 10. House of the Rising Sun (Holmes/White) - 5:16
- 11. Freight Train Blues - 2:16
- 12. Song to Woody (Dylan) - 2:40
- 13. See That My Grave Is Kept Clean (Jefferson) - 2:40
MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.
GRADING DESCRIPTIONS
RECORDS:- GRADING Grading is based on the following criteria
- Sealed = store stock new
- Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
- Mint- = extremely nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
- VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
- VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
- VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
- VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
- Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
- Fair = you’re getting this record just to own but not to play
- Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some labels such as RCA, Capitol, Colpix, Atlantic, MGM were pressed on better quality vinyl and will sound better than a record which visually appears the same on labels such as Crown, Score or Design. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on RCA graded VG+ may sound far better than an album on Crown graded Near Mint. I have no problem issuing a refund if you are dissatisfied with the sound on a record as long as it’s requested as per my stated return policy below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.
COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:
- I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
- No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
- I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song The Twist); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
- If I write that a cover has a bb hole, I’m talking about a small cut out hole
- A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
- The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.
Shipping Costs:
As before, the buyer pays for shipping. For one or two albums, the cost for priority mail in the United States is $6.50. for media rate postage within the U.S. the cost will be $3.00.The cost for shipping a 7” record via 1st class is $2.50 and the cost for shipping a compact disc via 1st class is $3.20. Save money when I mail 2 or more records or items in the same package.
Insurance is optional but highly recommended for “high ticket” purchases. The cost for insurance in the U.S. is $1.30 for up to $50; $2.20 for up to $100; $3.20 for up to $200 and $1.00 additional for each additional $100 of insurance. Rates are quoted in my winning bid notices. The shipping charges for box sets, multi-record sets and other items of non-standard size and weight will be quoted.
If you live in a foreign country, please provide me with your address after the auction closes and I will give you postage rates.
Please check out my other eBay auctions
. I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.My return policy: I don’t get many returns but customers are important to me so I like to offer a relatively hassle-free return policy. However, in order to return the record or other item, you must notify me by e-mail of your intent shortly after your receipt of the record or other item and within a reasonable time after the auction’s close. Also, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item - that’s why you have the option of obtaining insurance.
Any other questions? About anything? Please e-mail me at ibuyvinyl@nc.rr.com .
On Oct-23-03 at 05:53:13 PDT, seller added the following information:Western Union®BidPaySM - auction payments made easy.
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