LP FIVE SATINS -Sing, Ember 100 group cover, red label

$

250

THIS VINTAGE, COLLECTIBLE ALBUM IS PART OF A LARGE & FABULOUS PRIVATE COLLECTION CONTAINING MANY RARE RECORDS IN REMARKABLY FINE CONDITION. I WILL BE OFFERING 100s AND 100s OF THESE CAREFULLY PRESERVED LP's OVER THE NEXT FEW MONTHS. MANY WILL BE UP FOR AUCTION BUT A MAJORITY WILL BE FIRST LISTED IN MY STORES WITH A 'BEST OFFER' OPTION. PLEASE BOOKMARK MY SELLER NAME - IBUYVINYL - AND CONTINUE TO WATCH FOR MY eBAY STORE LISTINGS AND AUCTIONS AS I WILL ADDING ALBUMS EACH WEEK. THANKS FOR LOOKING.

The Five Satins- "Sing" in mono on Ember ELP 100. First cover, first pressing.

Record Grade: VG++, vinyl has almost all of its original gloss, a few hairlines and surface marks

Cover Grade: VG, minor to average wear, fully split top seam, 3" bottom seam split

Labels: Red and black

About the Artist: by Stephen Thomas Erlewine

The Five Satins are best known for the doo wop classic "In the Still of the Night," a song that was popular enough to make the group one of the most famous doo wop outfits, although they never had another hit of the same magnitude. The origins of the Five Satins lie in the Scarlets, a New Haven, CT, doo wop group led by Fred Parris. The Scarlets formed in 1953, while Parris was still in high school. The group had a local hit with "Dear One" the following year. In 1954, Parris formed the Five Satins with vocalists Al Denby, Ed Martin, and Jim Freeman. Within the next year, Parris had the group record "In the Still of the Night," a song he had recently written in the basement of a local church. The first single the group released was "In the Still of the Night." The single was released on Standard Records in the spring of 1956. By the end of the year, it had been leased to Ember and became a huge hit, peaking at number three on the R&B charts and number 25 on the pop charts. By the time "In the Still of the Night" scaled the charts, Parris had been drafted into the army. He was stationed in Japan when the song became a hit, and he was still stationed in Japan when the group recorded the follow-up single, "To the Aisle." For that single, Bill Baker handled the lead vocals. "To the Aisle" became a Top Ten R&B hit in the summer of 1957. Parris returned from the army in 1958. Upon his return, he reorganized the group, adding Richie Freeman, Sylvester Hopkins, West Forbes, and Lou Peeples. This incarnation of the group had a minor hit in the fall of 1959 with "Shadows." In 1960, "In Still of the Night" re-entered the pop charts thanks to its exposure on Art Laboe's first Oldies but Goodies compilation. The repeated success of the single sparked another minor hit for the band in 1960, a cover of the standard "I'll Be Seeing You." During the remainder of the '60s and early '70s, Parris led various incarnations of the Five Satins through oldies revues in America and Europe; they also recorded occasionally during this time. In 1974, the group signed a contract with Kirsner Records and released a single, "Two Different Worlds." Two years later, they briefly changed their name to Black Satin and released a single called "Everybody Stand Up and Clap Your Hands (For the Entertainer)," which became a Top 50 R&B hit. Shortly afterward, the group reverted to the Five Satins name. In 1982, the Five Satins had their last hit with a doo wop medley entitled "Memories of Days Gone By." The single, which was released on Elektra Records, peaked at number 71 on the pop charts. For the remainder of the '80s and the '90s, Fred Parris led various lineups of the Five Satins and the group performed regularly at oldies shows in America and Europe.

MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.

GRADING DESCRIPTIONS

• GRADING Grading is based on the following criteria
• Sealed = store stock new
• Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
• Mint- = extremely nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
• VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
• VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
• VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
• VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
• Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
• Fair = you’re getting this record just to own but not to play
• Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

  VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some major labels were pressed on better quality vinyl and will sound better than a record which visually appears the same on "budget" labels which were pressed on lower quality vinyl. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on a high quality label that was visually graded VG+ may sound better than an album on a budget label that was visually graded Mint- or even Near Mint. Please refer to my return policy, below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.

  COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:

  • I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
  • No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
  • I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song Expressway to Your Heart); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
  • If I write that a cover has a bb hole, I’m talking about a small cut out hole
  • A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
  • The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.

    Shipping Costs: NEW SHIPPING RATES AS OF MAY 14, 2007.

    The buyer pays for shipping. For one or two (one disc) albums, the cost for priority mail in the United States is $7.50 ($9.00 if you live in zip codes beginning with '8' or '9'). For media rate postage within the U.S. the cost will be $4.50 for one or two albums. Double albums count as two.

    The cost for shipping a 7” record via 1st class is $3.25 and the cost for shipping a compact disc via 1st class is $3.50.

    Save money when I mail 2 or more records in the same package.

    Insurance is optional for purchases of $10.00 or more shipped within the U.S.but it is highly recommended for “high ticket” purchases. Insurance is available only on purchases of over $50.00. The cost for insurance is $1.30 for up to $50; $2.20 for up to $100; $3.20 for up to $200 and $1.00 additional for each additional $100 of insurance. Rates are quoted in my winning bid notices.

    The shipping charges for box sets, multi-record sets and other items of non-standard size and weight will be quoted.

    International Shipments: Overseas customers are welcome to bid. Postage WORLDWIDE (except Canada) for First-Class International is $14.00 for a one-record album. 7“ records (45's) are $6.50 for First-Class International anywhere in the world. CANADA- Postage for First-Class International for a one-record album is $7.50 and for a 45 r.p.m. record is $4.50. Surface mail is no longer available for overseas. Priority Mail International is available - rates are substantially higher and will be quoted for each purchase if buyer requests this service. Registered mail is available for "high end" purchases. Save on shipping cost per record when I mail two or more records in one package.

    SHIPPING - "HIGH END PURCHASES" - PLEASE READ CAREFULLY -

    As I'll be listing and shipping many highly collectible and valuable albums in the coming months, standard shipping rates do not apply to expensive purchases. This is both for your benefit and mine. Here are the changes and additions:
    1. All shipments within the U.S. over $500 must be insured (under $500, insurance is still optional).
    2. All shipments of records totalling over $1,000 sent overseas will be mailed REGISTERED; while the postage costs will be substantially higher, this should ensure safe delivery of these valuable items
    3. All packages where the purchase exceeds $1,000 will be double boxed. This applies to both domestic and foreign shipments. Shipments within the U.S. may be sent either via priority mail or media rate - the choice is up to the buyer. All overseas shipments must be sent via airmail.
    4. The postage charges for these "high end" shipments will be the actual cost plus an approximate 20% mark-up to cover the cost of packing supplies and handling.

       Please check out my other eBay auctions

       . I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.

       My return policy: I don’t get many returns but customers are important to me so I like to offer a relatively hassle-free return policy. However, in order to return the record or other item, you must notify me by e-mail of your intent shortly after your receipt of the record or other item and within a reasonable time after the auction’s close. Also, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item - that’s why you have the option of obtaining insurance.

       My Feedback Policy: I'll be glad to return positive feedback if you would be so kind to leave me same.

       Any other questions? About anything? Please e-mail me at ibuyvinyl@nc.rr.com .