The record is located in Italy.

NOTE: This important compilation includes 2 different versions of Iron Maiden's Sanctuary and Wrathchild featuring Doug Sampson on drums and Tony Parsons on guitar.

Record conditions  (VISUAL): EX+ (or better)

Description: Great condition, no scratch or sign under normal daylight, under a strong light bulb there are few wispy non sounding removal hairlines visible when angled. The vinyl lays perfectly flat on the turntable and is free of any warping. Record play perfect. Do not jump or other. (Playgrade is Mint minus)

Cover conditions : EX

Description: No major defects, minor signs of aging, light ring wear on front and back cover, light shelf wear on the edges. (see photos )

Label conditions : EX+

Description: Just a few light spindle hole lines visible.

‎NOTE:        Various – Metal For Muthas

Altre immagini

Etichetta: EMI – EMC 3318, EMI – OC 062-07 202 Serie: Metal For Muthas (2) Formato: Vinile, LP, Compilation Paese: UK Uscita: 1980 Genere: Rock Stile: Heavy Metal

Elenco tracce

Nascondi riconoscimenti A1 Iron Maiden– Sanctuary Producer – Neal Harrison Written-By – Harris* Producer – Neal Harrison Written-By – Harris* 3:30 A2 Sledgehammer (3)– Sledgehammer Producer – Mike Cooke Written-By – Cooke* Producer – Mike Cooke Written-By – Cooke* 3:08 A3 E.F. Band– Fighting For Rock And Roll Written-By – Fischer*, Dufort* Written-By – Fischer*, Dufort* 3:29 A4 Toad The Wet Sprocket (2)– Blues In A Written-By – M. Ridout*, M. Mustafa* Written-By – M. Ridout*, M. Mustafa* 3:46 A5 Praying Mantis (3)– Captured City Producer – Alan Leaming Written-By – Praying Mantis (3) Producer – Alan Leaming Written-By – Praying Mantis (3) 5:25 B1 Ethel The Frog– Fight Back Producer – Ethel The Frog Written-By – Sheppard* Producer – Ethel The Frog Written-By – Sheppard* 2:56 B2 Angelwitch*– Baphomet Producer – Chris Roger Written-By – Heybourne* Producer – Chris Roger Written-By – Heybourne* 4:55 B3 Iron Maiden– Wrathchild Producer – Neal Harrison Written-By – Harris* Producer – Neal Harrison Written-By – Harris* 3:04 B4 Samson (3)– Tomorrow Or Yesterday Producer – J. McCoy* Written-By – McCoy*, Samson* Producer – J. McCoy* Written-By – McCoy*, Samson* 5:27 B5 Nutz– Bootliggers Producer – Nutz Written-By – Davenport* Producer – Nutz Written-By – Davenport* 4:39 Total Time: 40:19

Società, ecc.

• Copyright © – EMI Records Ltd.
• Copyright fonografico ℗ – EMI Records Ltd.
• Copyright © – Laser Records (2)
• Copyright fonografico ℗ – Laser Records (2)
• Registrato presso – EMI Studios
• Inciso presso – EMI Records
• Stampato presso – Garrod & Lofthouse Ltd.

Crediti

• Compiled By, Executive-Producer – Ashley Goodall
• Design, Art Direction – Rob Burt
• Engineer – Dave Flower (tracce: A1 to A4, B2, B3), Ron Hill (tracce: A1 to A4, B2, B3)
• Illustration – Peter Campbell (5)
• Sleeve Notes – Neal Kay

Note

All tracks engineered at EMI Studios, Manchester Square except tracks A5, B1, B4 & B5.
Tracks A1 & B3 recorded in November 1979 at EMI Manchester Square.
Liner notes printed on backcover.

Also released on cassette.

Made in Gt. Britain.

Codice a barre e altri identificatori

• Matrice / Runout (Side A runout, Variant 1): EMC 3318 A - 1 1 FIRST OF MANY
• Matrice / Runout (Side B runout, Variant 1): EMC 3318 B - 1 21 2
• Matrice / Runout (Side A runout, Variant 2): EMC 3318 A - 1 1 FIRST OF MANY
• Matrice / Runout (Side B runout, Variant 2): EMC 3318 B - 1 4 I
• Matrice / Runout (Side A runout, Variant 3): EMC 3318 A - 1 4 2 2 FIRST OF MANY
• Matrice / Runout (Side B runout, Variant 3): EMC 3318 B - 1 0 2 2
• Altro (Sleeve print date): 8001 TM

The record is located in Italy

My grading scale is :  M-, EX, VG+,VG, G

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

 

 

 

 

NM

 

95%

 

 

 

Ex

 

 

85%

 

 

VG

 

 

 

75%

 

G

 

 

 

 

50%

Check  out my Other itemsi! 

Dai una occhiata ai miei  altri oggetti!

Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.

I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.

Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.

 

Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro

Appropriate Feedback Is Left AFTER Yours Is Left.

Good luck!!!

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

 

 

 

 

NM

 

95%

 

 

 

Ex

 

 

85%

 

 

VG

 

 

 

75%

 

G

 

 

 

 

50%

 

Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. 

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. 

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. 

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.