LP-BOBBY "BLUE" BLAND-AIN"T NOTHING YOU CAN DO-DUKE-78
$
30
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
"OLDSKOOLRECORDS"
"45's, 78's, lp's"
JAZZ, BLUES. R & B,DEW-WOP, SOUL, AND ROCK
?
''TAKE A WALK DOWN MEMORY LANE WITH ME"
?
ARTIST: BOBBY "BLUE" BLAND
LABEL DUKE 78
TITLE AIN"T NOTHING YOU CAN DO
SIDE A: TO MANY TO LIST
SIDE B: TO MANY TO LIST
GRADE: EXCELLENT
"PLEASE READ BEFORE YOU BID"
GRADING IS VISUAL ONLY UNLESS OTHER WISE STATED
"note grading 45's and lp's"
Mint-sealed or unplayed-Excellent-has been played, but very clean, with very fine hair line scratches-Good-played, with lite surface marks, and lite scratches-Poor-scartches, surface marks, more likely some background noise
"note grading 78 rpm"
EXCELLENT-looks barley played, with lots of shine and gloss-EXCELLENT MINUS-still has lot's of shine, with only minor surface mark and lite straches-VERY GOOD-has surface marks and lite straches and some lite graying-GOOD-a filler for collector's can played and fill a voided until a better copy come along
'THINGS I BET YOU DIDN'T KNOW ABOUT THIS
Bobby's first Duke single, "It's My Life, Baby," was released in 1955. Two years later, he scored with the seminal Texas shuffle "Farther Up The Road" (115 k, 10 sec.), which went to number 1 on the R&B charts. Follow-up records included two 1961 hits, "I Pity the Fool," which also made it to number 1 on the R&B charts, and "Turn on Your Love Light," which went to number 2. "That's the Way Love Is," a 1963 release, gave Bland his third number 1 hit.
From 1957 to 1961 Bland played the chitlin' circuit with Junior Parker and his band, the Blue Flames. But in 1961 Bland broke with Parker, went out on his own, and rose to his greatest popularity. Because Bland neither composed nor played an instrument, he relied on others for songs and inspired instrumentation. Joe Scott, his bandleader and arranger, and for years one of Duke label owner Don Robey's chief talent scouts, helped create Bland's big-band sound. Just as important to Bland's sound was guitarist Wayne Bennett, who complemented the horns and Bland's vocals with jazz-influenced solos,a la T-Bone Walker and B.B. KingBobby's first Duke single, "It's My Life, Baby," was released in 1955. Two years later, he scored with the seminal Texas shuffle "Farther Up The Road" (115 k, 10 sec.), which went to number 1 on the R&B charts. Follow-up records included two 1961 hits, "I Pity the Fool," which also made it to number 1 on the R&B charts, and "Turn on Your Love Light," which went to number 2. "That's the Way Love Is," a 1963 release, gave Bland his third number 1 hit.
From 1957 to 1961 Bland played the chitlin' circuit with Junior Parker and his band, the Blue Flames. But in 1961 Bland broke with Parker, went out on his own, and rose to his greatest popularity. Because Bland neither composed nor played an instrument, he relied on others for songs and inspired instrumentation. Joe Scott, his bandleader and arranger, and for years one of Duke label owner Don Robey's chief talent scouts, helped create Bland's big-band sound. Just as important to Bland's sound was guitarist Wayne Bennett, who complemented the horns and Bland's vocals with jazz-influenced solos,a la T-Bone Walker and B.B. KingBobby's first Duke single, "It's My Life, Baby," was released in 1955. Two years later, he scored with the seminal Texas shuffle "Farther Up The Road" (115 k, 10 sec.), which went to number 1 on the R&B charts. Follow-up records included two 1961 hits, "I Pity the Fool," which also made it to number 1 on the R&B charts, and "Turn on Your Love Light," which went to number 2. "That's the Way Love Is," a 1963 release, gave Bland his third number 1 hit.
From 1957 to 1961 Bland played the chitlin' circuit with Junior Parker and his band, the Blue Flames. But in 1961 Bland broke with Parker, went out on his own, and rose to his greatest popularity. Because Bland neither composed nor played an instrument, he relied on others for songs and inspired instrumentation. Joe Scott, his bandleader and arranger, and for years one of Duke label owner Don Robey's chief talent scouts, helped create Bland's big-band sound. Just as important to Bland's sound was guitarist Wayne Bennett, who complemented the horns and Bland's vocals with jazz-influenced solos,a la T-Bone Walker and B.B. King.
?
"PLEASE READ BEFORE YOU BID"
?
POLICYS
i'am not responsible for any item not insured, or for it"s delivery time after mailing, as i have no control at that point
SHIPPING
USA
MEDIA MAIL $4.00- PRORITY MAIL $9.00
FIRST CLASS INTERNATIONAL-BASED ON COUNTRY-FOR TRACKING ADD $11.50
"PLEASE READ"
REFUND OFFERED, WITH THE RETURN OF ITEM,LESS SHIPPING COST
ANY QUESTION PLEASE EMAIL ME AT OLDSKOOLRECORDS@SBCGLOBAL.NET
price rating