Lee Hazlewood - Friday's Child [Vinyl New]
$
25
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Description
Lee Hazlewood - Friday's Child [Vinyl New]
Label: 1972
Format: LP
Release Date: 05 Aug 2014
The Item is brand new and unplayed. If you check out and pay before 1PM Eastern (excluding weekend and holidays) we will prepare and ship out your order the same business day. Expected ship time may vary and is based on seller's order cut-off time.
Album Tracks
1. Fridays Child
2. Hutchinson Jail
3. By the Way
4. Four Kinds of Lonely
5. Houston
6. Sally Was a Good Girl
7. Since Youre Gone
8. A Real Live Fool
9. Im Blue
10. The Fool
11. That Old Freight Train
12. Me and Charlie
Limited vinyl LP repressing of this 1965 album from the late great Pop/Country singer, songwriter, and record producer. Sanford Clark, Dean Martin and Nancy Sinatra, the ever-industrious Lee Hazlewood still found time to release his excellent third solo album in 1965. His second solo recording for the Reprise label, Friday's Child indulges his signature country-pop flare and pioneering use of vocal reverb. With electric guitar leads, harp and female backup vocals, the album finds Hazlewood embellishing his arrangements, though some of its strongest moments draw their impact only from his rich timbre. Some artists develop their voice for years; Hazlewood's third album proves it was an innate and irrevocable gift. Weepy guitar leads kick off the title track and Hazlewood takes up the story of twinkling sorrow and bad luck. He often speckles pain with humor, but "Friday's Child" is one of his most purely somber ballads. Elsewhere, with finger snaps, sparse backup vocals and Hazlewood's emotive intonation, the intro of "Houston" alone could carry on entirely a cappella and still endure as a classic. The composition made a hit for Dean Martin, but the Friday's Child version shows Hazlewood's inimitable skill as a vocal stylist. Mostly lacking the dada-esque humor of his first two albums, Friday's Child places Hazlewood in league with the era's greatest traditional songwriters, though one for whom pop conventions were to be bucked and cast aside.
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