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Technical Specifications for Logic Pro 6

General

• High-precision 32-bit internal processing
• Event resolution:1/3840 note
• Tempo resolution:accurate to 1/10,000 bpm (0.05 to 9999 bpm)
• Customisable user interface
• 90 configurable screensets per song
• More than 800 user-definable key and MIDI commands for all important program functions
• Flexible, interactive edit window behavior
• Individually zoomable/resizable tracks
• Online help system
• Localised menus and multilingual interface
• Synchronised QuickTime video support
• Adaptive, self-configuring track mixer for MIDI and audio
• Comprehensive support for hardware controllers:Tascam’s FW-
• 1884, US-428, US-224; Mackie HUI and the HUI emulation of Yamaha’s DM2000/1000 and 02R96; MotorMix from CM; Roland SI-24; and Radical SAC-2k and SAC-2.2

MIDI

• Virtually unlimited number of MIDI tracks
• Real-time MIDI quantise, Groove templates
• Matrix editor, Event List editor, Hyper editor,Transform window
• Time Signature and Key Change editor
• Score editor:real-time notation, colored notes, step-time input window, professional layout and printout
• HyperDraw for all event types in Arrange, Matrix, and Score editors
• Sophisticated MIDI processing environment
• Touch tracks:live playing of folders and sequences
• Support for up to 128 MIDI input and output ports
• Full synchronisation options with MTC, MMC, SMPTE

Automation

• Sample-accurate, track-based automation engine for virtually every parameter including effect plug-ins and audio instruments
• Independence from sequencer record status
• Read, write, latch, and touch modes
• 32-bit automation data resolution
• Automated parameters are displayed with full name and value
• Color-coded automation data is displayed directly in Arrange window as envelope with breakpoints
• Breakpoints can be freely drawn, edited, and scaled
• Automation curves are freely adjustable between convex, concave, s-form, and linear shapes
• Automation data can be moved or copied with corresponding audio data or independently

Plug-Ins and audio instruments

• More than 50 effect plug-ins: delays, reverbs, distortions, dynamics, modulation effects, BitCrusher, Auto Filter, Enveloper, Spectral Gate, and more; new plug-ins include Phase/Clip Distortion, Denoiser, DeEsser,Tremolo, Stereo Spread, Exciter, SubBass, Limiter, Adaptive Limiter, and Multiband Compressor
• Up to 64 audio instruments for insertion of Emagic and Audio Units (Mac OS X) virtual instruments
• 15 inserts for plug-ins and 8 sends per audio instrument
• 3 new Emagic instruments:ESM (monophonic), ESP (polyphonic), ESE (for ensemble sounds)
• ES1, ES2, EXS24 mk II, EVP88, EVB3, EDV6
• Audio Units real-time plug-in support
• EVOC20 vocoder/filter bank package
• Sidechains for plug-ins and audio instruments
• ReWire2 support for ReBirth and Reason

Audio

• Audio resolution up to 24 bit/192kHz
• Support for up to 255 stereo audio tracks (multiple hardware support)
• High-end dithering with POW-r algorithms
• Hardware-independent audio scrubbing
• 8-channel surround mixing in any of 12 formats
• Comprehensive Channel EQ with 8 bands per track
• 15 FX inserts per track; 8 effect sends per track
• Audio input objects with 15 FX inserts and 8 sends
• 64 stereo busses for subgroups and FX returns
• 16 inserts per bus; 16 inserts per output object
• Bouncing with real-time effects
• Integrated Stereo Sample editor with Time and Pitch Machine II with formant correction, Audio to Score, Quantise Audio/Groove Machine, and more
• Cycle-recording for audio, quick punch on the fly
• Fit MIDI tempo to audio; Strip Silence function
• REX2 file support in Arrange window and EXS24
• OMF (Avid/Pro Tools) and Open TL import/export
• Dual access to host- and TDM-based plug-ins

Logic Pro Instruments

General

• 32 Bit sound engine for high-end sound quality
• Sample accurate playback timing
• Perfectly integrated into Logic’s digital mixer including full automation and access to all Logic effects
• Intuitive, ergonomic user interface
• Logic Control support

EXS24 mk II

General

• Up to 64 EXS24 mk II with up to 64 voice polyphony each*
• Integrated Logic stereo sample editor with loop editing
• Intelligent automapping of samples
• Flexible library management using hierarchical menus

Compatibility

• Reads AIFF, WAV and SDII with 8 to 24 Bit, 11 to 192 kHz
• Imports REX2, AKAI S1000/S3000, GigaSampler, SampleCell II and SoundFont 2 sample formats
• Provides an interface for the Vienna Symphonic Library Performance Tool
• Sound Processing per Voice
• Multimode filter (highpass, lowpass, bandpass) with adjustable slope, Fatness circuit for full bass response
• Simultaneous control of filter cutoff and resonance
• Filter may be switched off to increase polyphony
• Extensive modulation section with modulation source, destination and additional source to modulate amount
• 2 ADSR envelopes with key tracking and variable attack phases with linear or logarithmic curves
• 1 polyphonic LFO with decay/delay envelope, 2 monophonic LFOs run freely or in tempo-synced note values
• Analog feel, tuning and glide with pitch envelope
• Poly, mono or legato mode

ES2

General

• Optimised for Macintosh Velocity engine
• Up to 64 ES2 units each with up to 32 note polyphony
• Poly, mono and unison modes with Glide and Legato for automatic portamento
• Intelligent random sound programming with adjustable intensity and destination

Effects

• Adjustable, powerful distortion effect with soft and hard characteristics
• High-quality modulation effects such as chorus, phaser or flanger

Oscillators per Voice

• 3 Oscillators with classic analogue and 100 digital waveforms, plus noise
• Frequency Modulation, Oscillator Synchronisation, Pulse Width Modulation and Ring Modulation
• Dynamic Wavetable Scanning of the digital waves via freely selectable modulation sources
• Dynamic Vector control of oscillator mix and two additional, freely selectable parameters

Filters per Voice

• 1 multimode filter (N/BP/HP/LP/Peak) with overdrive
• 1 lowpass filter (12,18,24 dB) with filter FM and unique Fatness circuit
• Filters can be connected in serial or parallel modes

Modulations per Voice

• 2 ADSR envelopes with sustain time parameter, velocity can control level and attack
• 1 monophonic or polyphonic AD/AR envelope, velocity can control attack
• 2 LFOs with 7 waveforms
• LFO1 is polyphonic with key-sync, and offers its own decay/delay envelope
• LFO2 is monophonic, and can be synced to song tempo
• 10 freely definable modulation paths (20 sources and 30 destinations) with modulatable intensities
• 1 Vector envelope with 15 points, loop mode and adjustable tempo sync controls oscillator mix and two additional, freely selectable parameters

ES1

General

• Up to 64 ES1 units each with up to 16 note polyphony*
• Portamento with poly, mono or legato mode
• Integrated emulation of “classic” Chorus/Ensemble effects
• Variable simulation of analog circuitry

Per Voice

• Main Oscillator with 3 waveforms – saw, triangle, variable pulse wave with pulse width modulation
• Oscillator range from 2 to 32 feet
• Sub Oscillator with 5 waveform plus noise and external audio input via the side chain
• One monophonic LFO (can run freely or in adjustable bar/ beat values with sync to tempo)
• 6 LFO wave forms including stepped sine, sample& hold, smoothed sample&hold, triangle, up/down sawtooth as well as an input for an external audio modulation signal, LFO amount is controllable by the Modulation Wheel
• Ultra-fast ADSR envelope and Modulation envelope
• Modulations amount of both envelopes can be controlled via key velocity
• LFO and modulation envelope control via the modulation matrix: pitch, oscillator mix, puls width, filter cutoff, resonance, volume, filter FM and LFO amount
• Lowpass filter with resonance and adjustable overdrive, 3 filter slopes (12, 18, 24 dB) and fat filter mode
• The filter cutoff can be modulated by the main oscillator with frequencies in the audio range (filter FM)
• An external audio signal can be routed through the ES1 filter/ synthesiser engine
• ADSR envelope (for filter and amplifier) gate with release, gate with attack and release (amplifier)

EVP88

General

• 12 authentic realtime replications and variations of legendary vintage electric pianos
• Original dynamics faithfully reproduced
• Fully polyphonic over 88 keys, up to 88 voices (computer dependent)
• Stylish retro-look, with ergonomic controls for detailed sound adjustment
• Up to 64 EVP88 units simultaneously*

Models

• The tone generation is based on a detailed physical simulation. It includes the movements of the various electric piano reeds, tines and tone bars in the electro-magnetic fields of the pikkups. It also synthesises the transients of the attack phase, as well as the hammer action and damper noises.
• Fender Rhodes models: Suitcase Mark I, Stage Piano Mark I/Mark II, Bright Stage Mark II, Hard Stage Mark II, Mark IV, Metal Piano (variation), Attack Piano (variation)
• Wurlitzer models: Wurlitzer 200 A, Soft Wurlitzer, Funk Wurlitzer (variation) Hohner model: Electra Piano

Modifying Tonal Characteristics

• All parameter changes can be stored as programs
• Parameters for detailed sound editing: model, voices, tune, decay, release, bell, damper, intensity, stretched tuning lower/upper, warmth
• Full MIDI control of all sound editing parameters

Effects Section (Parameters)

• Extensive and authentic vintage effects with Equaliser (Treble, Bass), Overdrive (Gain, Tone), Phaser (Rate, Color, Stereophase), Tremolo (Rate, Intensity, Stereophase) and Chorus (Intensity)

EVB3

General

• Authentic, realtime emulation of the Hammond B3 Tonewheel Organ including a realistic emulation of the Leslie Rotor Cabinet
• Full polyphony, up to 195 Voices per EVB3*
• Up to 64 EVB3 simultaneously*
• Stylish, intuitive user interface
• Adjustable to single or multiple keyboard setups
• Parameter changes can be stored as Settings

Tone Generation

• Realtime Hybrid Component Modeling
• Detailed simulation of all electromechanical components of the original B3 tone generation, including key click noises and crosstalk
• Detailed parameter set to modify the characteristical properties of the B3 sound
• Drawbar control system provides over 250 million combinations, 12 adjustable drawbar presets per manual with preset morphing for upper manual

Sound parameters

• Upper and Lower Manual feature two sets of 9 drawbars with 9 settings each
• Bass Pedal features 2 drawbars with 9 settings each
• Parameter to control: Click, Click Color, Crosstalk, Random FM, Drawbar Leakage, Filter Age, Stretch Tuning, Transpose and many more

Effects

• Rotor Cabinet emulation based on classic cabinet models with Chorale, Brake and Tremolo modes, selectable cabinet, adjustable microphone position and motor control
• Scanner Vibrato (6 Types) with Chorus
• 3 band EQ and Reverb
• Wah Wah effect with 6 classic filter types
• Tube Distortion with 3 distortion types
• Rotor Cabinet, Vibrato and Tube Distortion are available as separate plug-ins

EVD6

General

• Authentic, real-time emulation of the Hohner Clavinet D6
• Various selectable instrument models
• Up to 24 note polyphony per EVD6 unit*
• Up to 64 EVD6 units*
• All parameter modifications can be stored as Settings

Tone Generation

• Realtime Algorithmic Component Modeling
• Detailed simulation of the original electromechanical
• D6 tone generation including string properties and pickup simulation
• Detailed control over of the sound characteristics when striking and releasing the Clavinet keys
• High-resolution controls provide precise control over string Decay, Release, Damping, Tension Modulation, Stiffness, Inharmonicity, Pitch Fall
• Graphical editing of the pickup positions
• 4 pickup configurations
• Stereo Spread control for Pickups und key position
• Rocker switches for Filter section with Brilliant, Treble, Medium and Soft settings Damper control

Effects

• 3 integrated effects with selectable serial effect configurations
• Integrated Phaser/Chorus/Flanger with adjustable Rate and Intensity controls
• Integrated Wah Wah with adjustable Range and Envelope (AutoWah)
• 6 classic vintage Wah Wah filter models
• Wah Wah filter cutoff controllable via MIDI controller
• Integrated Distortion with adjustable Compression, Tone and Gain controls
• Separate Logic effect plug-in including Wah Wah and Distortion with additional parameters

****Also Upgradable to the latest version 7.1 from Apple.

Good Luck!