M4U-[LA DE DAS - Legend]-LP

	A$		59
	$		39

DESCRIPTION ITEM: VINYL LP
ARTIST: LA DE DAS
TITLE: Legend
COUNTRY: OZ
CAT No: EMI, EMA-309
COVER: Gatefold (Grade at EXCELLENT)
VINYL: (Grade at EXCELLENT)
TRACKS:
Side 1:
Gonna See My Baby Tonight [Borich]
Morning Good Morning [Borich-Key]
I Guess I'll Never Stop Loving You [Borich]
It's The Beginning [Borich]
Honky Tonkin' [Hank Williams]
Too Pooped To Pop [Chuck Berry]

Side 2:
Feel Like A Dog [Borich]
Sentimental Rose [Borich]
I'm In Love Again [Dave Bartholomew-Antoine Domino]
All Along The Watchtower [Bob Dylan]

COMMENT: Biography -"Find Us A Way": New Zealand 1964-67

Talented, sexy, sophisticated, adventurous, dynamic, innovative -- just some of the many tags that have been been attached to The La De Das' name. But one word was always associated with them more than any other - the La De Das were cool.
Their career spans the entire '64-'75 period, and we're fortunate that the story has been been documented in considerable detail, by Glenn A. Baker, who interviewed the band members for his extensive liner notes to the definitive double album retrospective Rock'n'Roll Decade in 1981, and then by New Zealand rock historian John Dix, who devoted a entire chapter to them in his seminal 1988 book Stranded In Paradise.
Formed in New Zealand at the very start of the beat boom, they were already major stars at home when they relocated across the Tasman a couple of years later. They're practically the only major group (on either shore) to emerge from the beat boom of 1964-65 who managed to ride out the massive musical changes of the Sixties and adapt to the new scene in the Seventies, emerging as one of Australia's most popular hard rock groups during the first half of the Seventies.
There are a lot of similarities to their Aussie contemporaries The Masters Apprentices. Both were touted as their country's answer to The Rolling Stones. Both survived for so long in that mercurial era because they had tons of talent, determination and the ability to adapt their sound and look to align with prevailing trends. Both groups went through major personnel changes - by the time the Masters split, singer Jim Keays was the only remaining original member, and by the time of their final 1973-74 'power trio' incarnation, only guitarist and singer Kevin Borich remained from the original La De Das lineup. Like the Masters, they started off as blues/R&B purists, and their original style leaned heavily on British R&B practitioners - The Rolling Stones, The Yardbirds and John Mayall's Bluesbreakers - and on the American originals like John Lee Hooker, Elmore James and Muddy Waters. They moved into their 'mod' period - with covers of Ray Charles, Motown and Northern Soul favourites, replete with tartan trousers, satin shirts and buckle shoes. Then they plunged headlong into psychedelia (the obligatory concept album, covers of songs from West Coast outfits like Blues Magoos, paisley shirts, sitars, long hair and moustaches). They almost came unstuck after the inevitable -- and ultimately futile -- attempt to "make it in England". But it's here that the stories diverge -- the Masters fell apart in England in 1972, but the Las De Das survived (just) limped back to Australia, regrouped, and bounced back with a mature and reinvigorated take on their R&B roots. Their final incarnation as a hard-rockin', no-frills, blues & boogie band carried them very successfully through to the mid-70s.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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NOTE: Double albums count as 2 LP’s

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Registered post covers insurance up to $100.00 AUD.
If you require insurance above $100.00 AUD please email me and I will provide the latest Australia Post cost. This is because Australia Post change many of their fees every 6 months.

OUTSIDE AUSTRALIA
If you require insurance please email me and I will provide the latest Australia Post cost. This is because Australia Post change many of their fees every 6 months.
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