MC 5 KICK OUT JAMS RARE UNCENSORED 1968 ELEKTRA LP W/MOTHERF$#&ERS INTRO NICE

$

79

    
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·       MC5 - KICK OUT THE JAMS – 1968 ELEKTRA RECORDS STEREO LP EKS-74042

·       GENUINE  U.S. PRESSING

·       THIS IS THE RARE  UNCENSORED VERSION WITH  “KICK OUT THE JAMS MOTHER#!$&@S INTRO TO THE TITLE TRACK (KICK OUT THE JAMS)

·       VERY EARLY PRESSING CIRCA 1969/70 ON RED ELEKTRA LABEL WITH BIG WHITE "E" LOGO ON TOP OF THE LABEL

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Rather than try to capture their legendary on-stage energy in a studio, MC5 opted to record their first album during a live concert at their home base, Detroit's Grande Ballroom, and while some folks who were there have quibbled that Kick Out the Jams isn't the most accurate representation of the band's sound, it's certainly the best of the band's three original albums, and easily beats the many semiauthorized live recordings of MC5 that have emerged in recent years, if only for the clarity of Bruce Botnick's recording. From Brother J.C. Crawford's rabble-rousing introduction to the final wash on feedback on "Starship," Kick Out the Jams is one of the most powerfully energetic live albums ever made; Wayne Kramer and Fred "Sonic" Smith were a lethal combination on tightly interlocked guitars, bassist Michael Davis and drummer Dennis Thompson were as strong a rhythm section as Detroit ever produced, and Rob Tyner's vocals could actually match the soulful firepower of the musicians, no small accomplishment. Even on the relatively subdued numbers (such as the blues workout "Motor City Is Burning"), the band sound like they're locked in tight and cooking with gas, while the full-blown rockers (pretty much all of side one) are as gloriously thunderous as anything ever committed to tape; this is an album that refuses to be played quietly. For many years, Detroit was considered the High Energy Rock & Roll Capital of the World, and Kick Out the Jams provided all the evidence anyone might need for the city to hold onto the title.

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This is the album that brought notoriety to the political activism of the 1960, and the one that pretty much defines hi-octane, testosterone-driven rock. They don't make albums like this anymore (not politically correct, you know). This is the “offensive" MOTHERF#!$&*&^S! Version and not the "radio-friendly”, censored (edited) “brothers-and-sisters” version of the album.

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          UNCENSORED pressing of this title is much rarer, and by far more  preferable to its CENSORED counterpart.. We estimate that CENSORED copies of this album outnumber UNCENSORED pressings by a ratio of at least 15:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+ (VG+)

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         Cover shows some light yellowing on both sides, apparently from aging.  Yellowing is also noted on the INSIDE gatefold

-         Cover has a  cutout hole in one of the corners

-         Cover has some visible fraying/tattering on all three seams

-         Cover has all four corners slightly worn (nothing significant)

-         Cover has some writing on its FRONT side (name of the previous owner written in thin black marker, about 1/4 X 2 inches in size)

-         The gatefold cover has partially split seams on 3 out of 4 "legs" of the cover (about 2, 2 and 7 inches / 1 inch = 2.5 centimeters).

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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