MC5 HIGH TIME ORIG 1971 ATLANTIC GATEFOLD LP NM PROTO-PUNK/HARDCORE RARE
$
26
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Description
MC5~HIGH TIME~ORIG 1971 ATLANTIC GATEFOLD LP~NM~PROTO-PUNK/HARDCORE~RARE!!
Product Description
ANOTHER LP FROM THE AMAZING COLLECTION OF 10,000+ LPs THAT WE ARE OVERJOYED TO HAVE PURCHASED!
THE VAST MAJORITY OF THE ALBUMS IN THIS COLLECTION HAD BEEN HORDED OVER A PERIOD OF 30 YEARS STARTING IN THE MID-1980s AND CONTINUING UP THROUGH 2014!
TO SAY THAT THE PREVIOUS OWNER WAS OBSESSED WITH COLLECTING WOULD BE AN UNDERSTATEMENT.
MC5 ?? High Time
Atlantic ?? SD 8285
RARE ORIGINAL PRESSING FROM 1971 - 44 YEARS AGO!!
GATEFOLD COVER IS NEAR MINT EXCEPT FOR A TEAR ON THE BACK AT THE TOP.
ALL SEAMS ARE STRONG AND UNWORN!
VINYL IS NAER MINT WITH ONLY LIGHT WEAR AND A FEW PRESSURE MARKS FROM BEING STORED FOR 4 DECADES.
INCLUDES THE ORIGINAL INNER SLEEVE, TOO!
MC5 were nearing the end of their long and bumpy trail when they cut High Time in 1971, and it was widely ignored upon initial release. While it lacks the flame-thrower energy and "off the man!" politics of Kick Out the Jams or the frantic pace and "AM Radio of the People" sound of Back in the USA, High Time sounds like MC5's relative equivalent to the Velvet Underground's Loaded, their last and most accessible album, but still highly idiosyncratic and full of well-written, solidly played tunes. Fred Smith's "Sister Anne" and "Skunk (Sonically Speaking)" bookend the album with a pair of smart, solidly performed hard rockers (bolstered by fine horn charts), and Wayne Kramer's "Poison" ranks with the best songs he brought to the band (he later revived it for his solo album The Hard Stuff). For a group that was apparently on the verge of collapse, MC5 approach this material with no small amount of skill and enthusiasm, and Geoffrey Haslam's production gives the band a big, punchy sound that suits them better than the lean, trebly tone of Back in the USA. It's interesting to imagine what MC5's history might have been like if High Time had been their first or second album rather than their last; while less stridently political than their other work, musically it's as uncompromising as anything they ever put to wax and would have given them much greater opportunities to subvert America's youth if the kids had ever had the chance to hear it.
Tracklist
Sister Anne 7:25
Baby Won't Ya 5:33
Miss X 5:11
Gotta Keep Movin' 3:26
Future/Now 6:23
Poison 3:25
Over And Over 5:15
Skunk (Sonicly Speaking) 5:31
PLEASE READ CAREFULLY:
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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