MERCEDES SOSA EN ARGENTINA EN VIVO TEATRO OPERA New Reissue 2 LP Sealed Vinyl AR
  $   40

 


$ 40 Sold For
Aug 17, 2022 Sold Date
Dec 3, 2020 Start Date
1 Number Of Bids
  Argentina Country Of Seller
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Description

Mercedes Sosa started an unforgettable series of concerts at the Opera Theater in 1982. Her return broke an enormous silence: it was a milestone in the history of Argentine popular music, and also had significant political projection. Mercedes Sosa had not sang live in Argentina for less than four years (her last appearance had been in 1978). On the day of the debut, as 2,500 people packed the Teatro Opera, several hundred stood outside challenging the No more seats sign with others begging I pay any price for a ticket.
Side A A1 Soy Pan, Soy Paz, Soy Mas Written-By – Piero A2 Drume Negrita Written-By – Bola De Nieve A3 Suenio Con Serpientes Written-By – Silvio Rodríguez A4 Maria Va Accordion, Backing Vocals – Antonio Tarrago RosWritten-By – A. Tarrago Ros A5 Al Jardin De La Republica Written-By – Virgilio Carmona Side B B1 Gracias A La Vida Written-By – Violeta Parra B2 Alfonsina Y El Mar Piano – Ariel RamirezWritten-By – A. Ramirez*, F. Luna B3 El Cosechero Accordion – Raúl BarbozaWritten-By – Ramón Ayala B4 Como La Cigarra Written-By – María Elena Walsh B5 Solo Le Pido A Dios Side C C1 La Flor Azul Written-By – A. R. Villar*, M. A. Gallo C2 Los Hermanos Written-By – Atahualpa Yupanqui C3 La Arenosa Written-By – G. Leguizamón*, M. J. Castilla C4 Anios Written-By – Pablo Milanés C5 Los Mareados Bandoneon – Rodolfo MederosWritten-By – E. Cadícamo*, J. C. Cobian Side D D1 Cuando Ya Me Empiece A Quedar Solo Piano, Backing Vocals – Charly GarciaWritten-By – Charly Garcia D2 Volver A Los 17 Written-By – Violeta Parra D3 Fuego En Anymana Written-By – A. Tejada Gomez*, C. Isella Polleritas (4:32) D4a Pollerita Colorada Written By – J. Espinosa D4b Carnavalito Del Duende Written By – Gustavo Leguizamon, Manuel Jose Castilla D4c Pollerita Written By – Raul Shaw Moreno D5 Cancion Con Todos Written-By – A. Tejada Gomez*, C. Isella
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