MFSL Little Feat Sealed Mobile Fidelity Original Master Recording Audiophile
  $   75

 


$ 75 Sold For
Feb 16, 2014 Sold Date
Feb 9, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

MFSMFSL-1-075 - In The Court Of The Crimson King - KMFSL King Crimson Sealed Mobile Fidelity Original Master Recording Audiophiling Crimson [1982] L-1-075 - In The Court Of

 

MOBILE FIDELITY SOUND LAB

 

ORIGINAL MASTER RECORDINGS

 

 

These LP’s are one of the most sought after collectors items ever produced.  They paid homage to a wide variety of music and did it with style.  To own one of these LP’s is to hold a true masterpiece of reproduction.

 

 

ARTIST:     Little Feat

 

TITLE:       Waiting For Columbus

 

LABEL:      Mobile Fidelity Sound Lab

 

VINYL:       Sealed 2LP's

 

SLEEVE:    NM

 

 

 

 

STILL SEALED quality recording – LIMITED

EDITION RELEASE MFSL 2-013

ORIGINAL 1979 RELEASE


 

 

The Mobile Fidelity titles are becoming more

difficult to obtain, so take the opportunity

to add this one to your collection.

 

LIMITED EDITION


 

 

 

 

 

NO TEARS, CUTS OR SPLITS TO THE OUTER GATEFOLD SLEEVE.  THE OUTER THIN POLY  BAG IS SEALED BUT DOES HAVE A 3 INCH OPENING AT THE BOTTOM RIGHT CORNER AT THE MOUTH AS SHOWN IN PHOTO #3.   DOES NOT GREATLY DETRACT FROM THE OVERALL APPEARENCE.  CONTAINS A NEW UNPLAYED VINYL RELEASE WITHIN. 

 

 

A STILL SEALED QUALITY MOBILE FIDELITY VINYL THAT WOULD BE A GREAT ADDITION TO YOUR COLLECTION. 

 

RECORD WILL BE SECURELY PACKAGED FOR SHIPPING.

 

 

 

 

 

Waiting for Columbus is the first live album by the band Little Feat. The album was recorded during seven performances in 1977. The first four shows were held at the Rainbow Theatre in London on August 1–4, 1977. The final three shows were recorded in George Washington University's Lisner Auditorium on August 8–10 that same summer in Washington, D.C.. Local Washington radio personality Don "Cerphe" Colwell can be heard leading the audience in a "F-E-A-T" spellout in between the first "(Join the Band") and second ("Fat Man in the Bathtub") tracks.

The band were backed by the Tower of Power horn section with whom they had recorded in previous studio sessions.  The result was one of their biggest selling albums.

Many of their more well-known songs were either re-worked or extended. For instance, one of their signature songs, "Dixie Chicken", was heavily extended to include a lengthy piano solo by keyboardist Bill Payne, a Dixieland horn arrangement and finally a dual guitar jam between the band's two guitarists, Lowell George and Paul Barrere. In some cases, songs such as "Rocket In My Pocket" and "Mercenary Territory" were re-worked to include the horn section, and Little Feat additionally covered such tunes as "Don't Bogart That Joint" and "On Your Way Down". Mick Taylor makes a guest appearance playing slide guitar.

The band recorded and mixed enough material from these performances for a triple LP, but for marketing reasons kept it to a double album.




 

SHIPPING TO THE UNITED STATES

 




 

 

 

 

 

 

 

 

 


 

TRACK LISTING

 



Side one


"Join The Band"


"Fat Man in the Bathtub"


"All That You Dream"


"Oh Atlanta"


"Old Folks' Boogie"


 


Side two


"Time Loves a Hero"


"Day or Night"


"Mercenary Territory"


"Spanish Moon"


 


Side three


"Dixie Chicken"


"Tripe Face Boogie"


"Rocket in My Pocket"


 


Side four


"Willin'"


"Don't Bogart That Joint"


"A Apolitical Blues"


"Sailin' Shoes"


"Feats Don't Fail Me Now"







 

 

 

 

 

 

 

 

 

 

 

 

 

 

PLEASE SEE MY OTHER AUCTIONS FOR

ADDITIONAL QUALITY RECORDINGS.

 

ALL BIDS WILL BE CANCELLED BY THOSE WHO HAVE THEIR FEEDBACK LISTED AS PRIVATE.

 

 

PLEASE SUBMIT ALL QUESTIONS AT LEAST 24 HOURS

PRIOR TO THE END OF THE AUCTION

 

 

GRADING

 

Record conditions are determined using the tried and true "Goldmine" grading scale found in Tim Neely's Goldmine Record Album Price Guide. For your reference the grades are reprinted here:

Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. Should be used sparingly as a grade, if at all.

Near Mint (NM or M-): A nearly perfect record. Many dealers won't give a grade higher than this, implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. An LP jacket should have no creases, folds, seam splits or any other noticable similar defect. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in Near Mint condition looks as if you just got it home from a retail store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

Very Good Plus (VG+): Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that don't affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. LP inner sleeves will have some slight ring wear, lightly turned-up corners, or a slight seam split. An LP jacket may also have slight signs of wear and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. A synonym used by some collectors and dealers for "Very Good Plus" is "Excellent."

Very Good (VG): Generally worth 25 percent of the Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a Very Good disc. Surface noise will be evident on playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However it will not have all of these problems at the same time, only two or three of them.

Good (G), Good Plus (G+): Generally worth 10-15 percent of the Near Mint value. Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.

 

 

 

As no two individuals will grade the same record the same way, I put an honest effort on all grading.  As grading is an approximation, please view and consider each selection carefully.  Realize that vinyl listed as used is so and verify the grading it is given before placing a bid.  All grades given are visual unless otherwise noted as I do try to play grade the record if time permits.

 

If the record is STILL SEALED then I have no way of verifying the condition of the disc itself and can not guarantee its playability other than noting it is in a sealed state.

 

 

 

SHIPPING & INSURANCE

 

Item will be shipped to winning

bidders address only.

NO EXCEPTIONS!

 

**PayPal Payment Only**

 

**Winning bidder must submit

Payment within 3 DAYS of the sale

NO EXCEPTIONS

 

 

IF THE ABOVE TERMS ARE NOT ACCEPTABLE

IN ANY WAY, PLEASE REFRAIN FROM BIDDING.

 

 

 

 

 

 

 

 

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