MICKEY BAKER WILDEST GUITAR ULTRA-RARE ORIG '59 MONO LP

$

45

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·       MICKEY BAKER – WILDEST GUITAR – ORIGINAL 1959 ATLANTIC RECORDS MONO LP 8035

·       ORIGINAL U.S. PRESSING

·       DEEP GROOVE PRESSING

·       ORIGINAL BLACK ATLANTIC MONO  LABEL WITH SILVER PRINT.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH,  SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

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Despite Baker's well-deserved reputation as one of the most influential guitar players of early rock & roll, The Wildest Guitar was one of the few chances he really got to strut his stuff as a solo artist. This entirely instrumental set features keening, sharp, bluesy riffs in much the same distinctive style that gained him fame on "Love Is Strange" and other tunes with Mickey & Sylvia. The choice of material, though, is a bit surprising, favoring some surprisingly cornball standards: "Third Man Theme," "Autumn Leaves," "Lullaby of the Leaves," and Cole Porter's "Night and Day." Baker (who also arranged the album) manages to invest all of these with a snazzy R&B feel and biting solos. And he does actually write four of the 12 tunes himself, on which he fashions the kind of straightforward R&B that one would more likely to expect. This is a pretty good showcase to hear Baker's unadorned virtuosity. But he's really better-appreciated within the context of stronger material, either as half of Mickey & Sylvia or on the innumerable '50s R&B cuts (many on Atlantic) that feature his session work.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

THIS IS A RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          CAUTION! The vinyl is only VERY GOOD (-)- TO GOOD+, with multiple, numerous, small scuffs and scratches which are BOTH visible AND audible. The record plays with light and tolerable BUT AUDIBLE surface noise and occasional pops and clicks. The record plays without skipping throughout. This record WAS play-graded.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL LAMINATED COVER)

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Minor discoloration (color fading) noted along the spine; (nothing significant); apparently, the album’s spine was facing the sunlight.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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