MIDNIGHT OIL DIESEL+DUST RARE ORIG '87 COLUMBIA PROMO DMM AUDIOPHILE LP 1A/1A NM
$
32
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Description
WE CURRENTLY HAVE MORE THAN 200 LISTED ITEMS
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· MIDNIGHT OIL – DIESEL AND DUST - ORIGINAL 1987 COLUMBIA RECORDS STEREO LP FC-40967
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE GOLD PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL RED COLUMBIA LABEL WITH “COLUMBIA” IN YELLOW LETTERS WRAPPED AROUND THE RIM OF THE LABEL (NO OTHER PRESSINGS OR LABELS EXIST)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER
· CLEAN, WEAR-FREE LABELS
· THIS IS A ►DIRECT METAL MASTERING (DMM) PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· THE RECORD HAS A 'STERLING' HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Midnight Oil frontman Peter Garrett has long been active in elective politics in Australia, and like any good politician, he knows that sometimes the most important thing is to get your message out to the masses, even it means speaking with a bit less force than might be your custom. While the hard edges and challenging angles of 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 and Red Sails in the Sunset made Midnight Oil bona fide superstars in Australia, they were little more than a rumor in most of the rest of the world, and for their sixth album, Diesel and Dust, Midnight Oil made some changes in their approach. On Diesel and Dust, there's less in the way of bruising hard rock like "Best of Both Worlds," nothing as eccentric as "Outside World," and very little as esoterically regional as "Jimmy Sharman's Boxers," while the production favors the tuneful side of the band's songwriting (which, truth to tell, was always there) and buffs away some of the group's harsher edges. As a result, Diesel and Dust isn't an album for hardcore Oils fans, but as a bid for a larger audience, it was both shrewd and well executed -- it was the group's first real worldwide success, going platinum in America and spawning a massive hit single, "Beds Are Burning." While the album lacks the kick-in-the-head impact of their earlier work, Diesel and Dust also makes clear that the bandmembers could apply their intelligence and passion to less aggressive material and still come up with forceful, compelling music, as on the haunting "The Dead Heart" and the poppy but emphatic "Dreamworld." And as always, there was no compromise in the band's forceful political stance -- most of the album's songs deal openly with the issues of Aboriginal rights (hardly an issue pertinent only to Australians), and one of Midnight Oil's greatest victories may well be writing a song explicitly demanding reparations for indigenous peoples, and seeing it top the charts around the world. And the closer, "Sometimes," may be the finest and most moving anthem the band ever wrote ("Sometimes you're beaten to the core/Sometimes you're taken to the wall/But you don't give in"). Diesel and Dust is that rarity, a bid for the larger audience that's also an artistic success and a triumph for leftist politics -- even the Clash never managed that hat trick this well.
(EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
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· CONDITION:
· THE RECORD
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.
(c) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 2 (back side)
- Cover has a few tiny wrinkles along the spine
- Visible shelf wear noted on the top and bottom seams
- Minor shelf wear noted on the spine (nothing significant)
- Cover has two corners slightly worn (nothing significant)
- Cover has a large silver original price sticker, which may be possible to remove with a little effort (we did not attempt to)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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