MILT JACKSON 'MILT JACKSON' BLP 1509 BLUE NOTE RECORDS 1966 US MONO ISSUE
£
28
$
37
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Description
Milt Jackson With
John Lewis , Percy Heath,
Kenny Clarke, Lou Donaldson
And The Thelonious Monk Quintet
Milt Jackson With John Lewis, Percy Heath,
Kenny Clarke, Lou Donaldson
And The Thelonious Monk Quintet
Country:US Released:1966 Genre:Jazz Style:Bop
Tracklist
A1 Lillie A2 Tahiti A3 What's New A4 Bags' Groove A5 On The Scene A6 Willow Weep For Me B1 Criss Cross B2 Eronel B3 Mysterioso (Alternate Master) B4 Evidence B5 Lillie (Alternate Master) B6 Four In One (Alternate Master)Companies, etc.
- Recorded At – Apex Studios, New York
- Recorded At – WOR Studios
Credits
- Alto Saxophone –
- Lou Donaldson (tracks: A1 to A5),
- Sahib Shihab (tracks: A6, B1, B2, B6)
- Bass –
- Al McKibbon (tracks: A6, B1, B2, B6),
- John Simmons (tracks: B3, B4),
- Percy Heath (tracks: A1 to A5)
- Design [Cover] – Reid Miles
- Drums –
- Art Blakey (tracks: A6, B1, B2, B6),
- Kenny Clarke (tracks: A1 to A5),
- Shadow Wilson (tracks: B3, B4)
- Liner Notes – Leonard Feather
- Photography By [Cover Photo] – Francis Wolff
- Piano –
- John Lewis (tracks: A1 to A5),
- Thelonious Monk (tracks: A6, B1 to B6)
- Producer – Alfred Lion
- Recorded By [Recording By] – Rudy Van Gelder
- Vibraphone [Vibes] – Milt Jackson
Notes
Recorded at the Apex Studios, NYC, on July 2, 1948 (tracks B3, B4), at the WOR Studios, NYC, on July 23, 1951 (tracks A6, B1, B2, B6)and on April 7, 1952 (tracks A1, A2, A3, A4, A5, B5).
This pressing has New York address on labels ("BLUE NOTE RECORDS INC . NEW YORK USA"),
and RVG stamped in matrices.
- Matrix (Runout, stamped): RVG
- Matrix (Runout, etched): <Ear Symbol>
- Matrix (Runout A, etched): BN-LP 1509 A-1
- Matrix (Runout B, etched): BN-LP 1509 B-2
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- VERY GOOD+ to EXCELLENT
SMALL CREASE TOP RIGHT HAND CORNER
SOME LIGHT SPINE / EDGE WEAR
(SEE PHOTOS)
Vinyl:- EXCELLENT
Labels:- EXCELLENT +
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to The Record Collector's grading system.
This was originated by The Record Collector to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
price rating
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