MINT AEROSMITH DRAW THE LINE SHRINKWRAP LP RECORD ALBUM

$

51

MINT

AEROSMITH

DRAW THE LINE

THIS ALBUM STILL HAS THE SHRINKWRAP ON IT

COLUMBIA RECORDS 34856

ALL OF OUR ITEMS ARE ACTUAL PICTURES OF THE ALBUM

WE DO NOT USE STOCK PHOTOS

WHAT YOU SEE IS WHAT YOU GET

THIS RECORD IS FROM MY PERSONAL COLLECTION AND WAS PLAYED ONCE TO RECORD ON CASSETTE TAPE THEN STORED IN AN UPRIGHT POSITION NOT LAYING FLAT

THIS IS AN ORIGINAL 1977 PRESSING NOT A RE-ISSUE

This reissue includes new deluxe packaging with original release liner notes, photos, and artwork.
Aerosmith: Steven Tyler (vocals, piano); Joe Perry (guitar, background vocals); Brad Whitford (guitar); Tom Hamilton (bass); Joey Kramer (drums).
Additional personnel: Paul Prestopino (banjo); Stan Bronstein (saxophone); Scott Cushnie (piano); Karen Lawrence (background vocals).
Recorded at The Cenacle, Aromnk, New York and The Record Plant, New York.
All tracks have been digitally remastered.
Limited-edition Japanese reissue.
Aerosmith's fifth album was released at a time when the band was at the height of its '70s fame (hence the Al Hirschfeld-penned caricature on the album cover) and caught in an exhausting album-tour-album cycle made worse by intense personal problems within the band. Despite this chaos, the boys from Beantown rebounded with a record that contained songs thick in the usual sexual innuendo ("Get It Up"), a resurrected blues cover from the pre-Aerosmith days (Kokomo Arnold's "Milk Cow Blues"), and some of Joe Perry's finest slide guitar playing ("Draw the Line"). Another Perry highlight is "Bright Light Fright," a jagged number penned and sung by the guitarist that was inspired by the reckless energy of the Sex Pistols.
The bulk of DRAW THE LINE finds Aerosmith maintaining its trademark hard-rock swagger on powerful numbers like the incendiary shuffle "Sight for Sore Eyes," the sweeping "Kings and Queens," and "Critical Mass," a harp-driven nugget overflowing with backwards-masked guitar.

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

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