MINT ● THE KINKS ● VILLAGE GREEN PRESERVATION SOCIETY 1968 KINKS MASTERWORKS

$

153

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• MINTY CLEAN TOP COPY = PLAYS OUTSTANDING!
  
  RARE TWO-TONE FIRST PRINT! ..|/\|...............................................|/\|..
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• VILLAGE GREEN PRESERVATION SOCIETY
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• USA - (two-tone) REPRISE RECORDS - RS - 6327

1. ORIGINAL 1968 first print on the TWO-TONE Reprise label...One of the hardest of all Kinks to find ... a highly desired Lp by the KINKS and was recorded in 1968 then wrongfully ignored at the time...so many years later the public finally caught up with the greatness within
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3. It takes a Village Green Preservation Society to love 
4. The Kinks
5. The problem facing The Kinks when they released The Village Green Preservation Society in late November 1968 wasn't merely the competition-- Jimi Hendrix's Electric Ladyland, Led Zeppelin's debut, and the Rolling Stones' Beggars Banquet offered plenty-- but that this subtle, funny, surreal, and at times almost tender record could have been recorded on another planet. During the summer of 1968, stateside fans were hooked on a high-intensity diet that had them jonesing for aggressive, overstated fare like "Street Fighting Man" and "You Shook Me" and "Communication Breakdown". The disconnect between The Kinks and the rock world's rapidly narrowing palette could hardly have been more pronounced. Compare the Stones' bombastic, urban "Sympathy for the Devil" with understated work like "Village Green", bouncing along like a horse and buggy as Ray Davies paints the landscape: "Out in the country, far from all the soot and noise of the city..."
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1. Critics praised the album, the public ignored it, and Davies-- surveying the scene-- asserted that it wasn't created for public consumption. Intricately sketched and brimming with unusual arrangements, The Village Green Preservation Society was the first clear look at an iconoclastic, imaginative and sometimes brilliant artist as he came into his own. Audiences used to sizing up work on a scale created for rock gods and counter-culture icons were forced to consider this album as a piece of conceptual art. The Lennon-McCartney/Jagger-Richards duos towered over and shaped the sensibilities of a vast army; Davies explored a deeply personal world that confounded fans even as it provoked their curiosity.
   
   There's a clue to who he was in the song "Animal Farm", which opens with a cascade of chords played on a warm, acoustic 12-string guitar. "This world is big and wild and half insane/ Take me where the animals are playing," he sings, while looking back through the chaos of the day to find a simpler, safer world. It's also interesting to consider Village Green as a carefully sculpted product of Ray Davies' singular artistic vision. The album is commonly regarded as having the feel of solo work, but, The Kinks' playing here always serves the songs, and Davies' vocals in particular.
   
   The album-opening title cut begins with a simple groove built around acoustic guitars, over which Davies offers a bend pledge of allegiance to the mundane curiosities of modern life; in "Do You Remember Walter", he reminisces, perhaps as a geriatric adult; and on "Last of the Steam Powered Trains", he borrows and bends the first few bars of Willie Dixon's "Spoonful"-- an ode to the miseries of heroin.
   
   The Village Green Preservation Society has been declared the band's masterwork in some quarters, built around "You Really Got Me", "All Day and All of the Night" and "Tired of Waiting for You"
2.  A:
   
   The Village Green Preservation Society
   
   Do You Remember Walter?
   
   Picture Book
   
   Johnny Thunder
   
   Last of the Steam Powered Trains
   
   Big Sky
   
   Sitting by the Riverside
   
   B:
   
   Animal Farm
   
   Village Green
   
   Starstruck
   
   Phenomenal Cat
   
   All of My Friends Were There
   
   Wicked Annabella Monica
   
   People Take Pictures of Each Other
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   CONDITION:
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5. The cover: rated: near M-  Thick gatefold cover is sold all around. Usually highly wear-prone (most copies suffer from wear) - here is a really clean superior final collection worthy copy with NO upgrade necessary! Crisp, sharp, flat & square...Still has bright original colors ... no faded areas, no split seams, no writing and no bends or delete markings 

1. The vinyl: Rated: near M- clear glossy top copy, plays terrific all the way... both two-tone Reprise labels are clean