MOTT THE HOOPLE - THE HOOPLE. 12" VINYL LP RECORD ALBUM + INSERT. CBS S 69062.
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Description
MOTT THE HOOPLE
THE HOOPLE
12" VINYL STEREO LP RECORD ALBUM
COMPLETE WITH PRINTED INSERT
COVER IN EXCELLENT CONDITION
VINYL IN EXCELLENT CONDITION
CBS RECORDS
RED CBS "WALKING EYE" LABELS
S 65062
1974
FROM MY OWN PERSONAL COLLECTION
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE
I DO NOT USE MISLEADING STOCK PHOTOS
FREE UK POSTAGE
THANKS FOR LOOKING
The Hoople
Genre: Rock, Blues Style: Glam Year: 1974 Notes: First released on 29 March 1974, Mott The Hoople's 7th album peaked in the UK Albums Chart at No. 11, and in the US at No. 28. The LP sleeve shows a portrait of Kari-Ann Muller, who was also featured on the cover of Roxy Music's first album in 1972.The Hoople
Label: CBS ?– S 69062, CBS ?– 69062 Format: Vinyl, LP, Album, StereoCountry: UK Released: Mar 1974 Genre: Rock, Blues Style: Glam
TracklistHide Credits
A1 The Golden Age Of Rock 'N' Roll Backing Vocals – Barry St. John, Sue And Sunny*Baritone Saxophone – Jumpin' Jock*Bass – Overend WattsDrums – Dale GriffinHandclaps – Tippin's Toilet TrioLead Guitar – Ariel BenderPiano – Morgan FisherTenor Saxophone – Howie Casey, Rockin' Jock McPherson*Vocals, Rhythm Guitar – Ian HunterVoice [Alan Freed] – Dan LogginsWritten-By, Arranged By – Ian Hunter 3:23 A2 Marionette Baritone Saxophone – Jock*Cello – Mike HurwitzTenor Saxophone – Howie*, Jock*Voice [Voice Grotesques A La Quasimodo] – Ariel*, Ian*, Overend*Written-By, Arranged By – Ian Hunter 5:03 A3 Alice Backing Vocals [Fairy Dust] – Lynsey De PaulBass ["Leslie" Bass] – Overend*Organ, Synthesizer [Synthi] – Morgan*Saxophone – Howie*Written-By, Arranged By – Ian Hunter 5:26 A4 Crash Street Kidds Synthesizer [Synthi] – Morgan*Voice [Crash Street Kidds Gang] – Ian*Written-By, Arranged By – Ian Hunter 4:29 B1 Born Late 58 Lead Vocals, Twelve-String Guitar [Rickenbacker], Rhythm Guitar, Bass Guitar – Overend*Slide Guitar – Ariel*Written-By, Arranged By – Overend Watts 3:58 B2 Trudi's Song Backing Vocals – Barry*, Sue And Sunny*Backing Vocals [Echo Vamper], Acoustic Guitar – Ian*Piano ["Leslie" Piano] – Morgan*Written-By, Arranged By – Ian Hunter 4:25 B3 Pearl 'N' Roy (England) Baritone Saxophone – Jock McPhersonChorus [Picket Line Chorus] – Ian*, Mick Ralphs, Overend*Harmony Vocals – Overend*Tenor Saxophone – Howie*, Jock The Rock*Voice ["Cosh And Helmet" Saloon Bar Scene] – Blue Weaver, Mott*, Stan*Written-By, Arranged By – Ian Hunter 4:25 B4 Through The Looking Glass Arranged By [Orchestra], Conductor [Orchestra], Tubular Bells – Graham Preskitt*Backing Vocals – Barry*, Sue And Sunny*Written-By, Arranged By – Ian Hunter 4:44 B5 Roll Away The Stone Backing Vocals – ThunderthighsLead Guitar – Ariel*Piano – Ian*Rhythm Guitar – Michael Geoffrey Ralpsh*Synthesizer [Synthi] – Morgan*Tenor Saxophone – Howie*Voice [Chat Sequence] – Ian*, Lynsey De PaulWritten-By, Arranged By – Ian Hunter 3:08Companies, etc.
- Recorded At – Advision Studios
- Recorded At – Air Studios
- Remixed At – Air Studios
- Overdubbed At – Air Studios
- Phonographic Copyright (p) – CBS Inc.
- Published By – April Music
- Published By – H & H Music
- Published By – Island Music
- Made By – Shorewood Packaging Co. Ltd.
Credits
- Backing Vocals – Barry St. John, Sue And Sunny*
- Bass, Vocals – Overend Watts
- Crew [Equipment By] – Phil*, Ritchie*
- Crew [Our Man Half-way Up Somewhere] – Stan Tippins
- Design Concept [Sleeve], Design [Sleeve] – Roslav Szaybo
- Design, Typography – Mary Winton
- Drums – Dale Griffin
- Engineer [Advision Studios] – Mike Dunne, Paul Hardiman
- Engineer [AIR Studios] – Bill Price, Gary Edwards, Peter Swettenham, Sean Milligan
- Keyboards, Synthesizer – Morgan Fisher
- Lead Guitar, Vocals – Ariel Bender
- Management – H And H Enterprises
- Photography By – John Brown (5)
- Producer – Dale Griffin, Ian Hunter, Overend Watts
- Recorded By – Alan "Madswitcher" Harris* (tracks: B5)
- Supervised By – Dan Loggins
- Technician [Here, There and Everywhere] – Alan "Madswitcher" Harris*
- Tenor Saxophone – Howie Casey
- Tenor Saxophone, Baritone Saxophone – Jock McPherson
- Violin, Orchestrated By – Graham Preskitt*
- Vocals, Rhythm Guitar – Ian Hunter
Notes
Light blue lyrics sheet included.Ariel Bender appears by courtesy of Island Records Ltd.
Recorded at Advision Studios, London W.1. January 1974.
Re-mixed and dubbed at AIR (London) Studios 2 and 3 February 1974.
B5 recorded at AIR (London) Studios No. 2 by Alan "Madswitcher" Harris, May/June 1973
Equipment by Ritchie, Phil, and Eddie.
Model: Kari-Ann.
Lynsey De Paul appeared courtesy of MAM Records and the Triumph Motor Co. Ltd.
Barry, Sue and Sunny appeared with Howie, Johnny and Alec
Mick Ralphs appeared to be in Bad Company
A1 to B4 published by April Music / H & H Music. B5 Published by Island Music
Shorepak by Shorewood Packaging Co. Ltd. England
? 1974 CBS Inc. B5 ? 1973.
Made in England.
Barcode and Other Identifiers
- Other (Lyrics sheet, "side two", lower right corner): P637
- Matrix / Runout (Side A stamped, variant 1): CBS S 69062 A3
- Matrix / Runout (Side B stamped, variant 1): CBS S 69062 B2
- Matrix / Runout (Side A stamped, variant 2): CBS S 69062 A2
- Matrix / Runout (Side B stamped, variant 2): CBS S 69062 B3
- Matrix / Runout (Side A stamped, variant 3): CBS S 69062 A2 V C1
- Matrix / Runout (Side B stamped, variant 3): CBS S 69062 B2 V C1
- Matrix / Runout (Side A stamped, variant 4): CBS S 69062 A2 V C
- Matrix / Runout (Side B stamped, variant 4): CBS S 69062 B2 V C
- Matrix / Runout (Side A stamped, variant 5): CBS S 69062 A3
- Matrix / Runout (Side B stamped, variant 5): CBS S 69062 B3
- Matrix / Runout (Side A stamped, variant 6): CBS S 69062 A2 1 7 E
- Matrix / Runout (Side B stamped, variant 6): CBS S 69062 B2 C1 B
"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."
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