MUSIC FROM THE MOTION PICTURE TRAINSPOTTING 2 x 12" VINYL LP RECORD DOUBLE ALBUM
  £   35
  $   46

 


£ 35 Sold For
Mar 26, 2022 Sold Date
Mar 22, 2022 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Description

TRAINSPOTTING

MUSIC FROM THE ORIGINAL MOTION PICTURE

20TH ANNIVERSARY 2016 UK PRESSING ON 180G HEAVYWEIGHT BLACK VINYL

2 x 12" STEREO VINYL RECORD DOUBLE ALBUM

VINYL IN NEAR MINT CONDITION

COVER IN EXCELLENT CONDITION

EMI/PARLOPHONE RECORDS

0190295919948

2016

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

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Trainspotting (Music From The Motion Picture)

Label: Parlophone – 0190295919948, Parlophone – EMC37391A Format: 2 x Vinyl, LP, Compilation, Reissue, 20th Anniversary Edition, 180g Country: UK, Europe & US Released: 11 Nov 2016 Genre: Electronic, Rock, Stage & Screen Style: Leftfield, Soundtrack, Techno, Ambient, Britpop

Tracklist

Hide Credits A1 Iggy Pop– Lust For Life Producer – Bewlay Bros. Written-By – David Bowie, Iggy Pop Producer – Bewlay Bros. Written-By – David Bowie, Iggy Pop 5:11 A2 Brian Eno– Deep Blue Day Producer – Brian Eno, Daniel Lanois Written-By – Brian Eno, Daniel Lanois, Roger Eno Producer – Brian Eno, Daniel Lanois Written-By – Brian Eno, Daniel Lanois, Roger Eno 3:56 A3 Primal Scream– Trainspotting Producer – Andrew Weatherall Written-By – Andrew Innes, Bobby Gillespie, Martin Duffy, Robert Young (2) Producer – Andrew Weatherall Written-By – Andrew Innes, Bobby Gillespie, Martin Duffy, Robert Young (2) 10:33 B1 Sleeper (2)– Atomic Producer – Stephen Street Written-By – Deborah Harry, Jimmy Destri Producer – Stephen Street Written-By – Deborah Harry, Jimmy Destri 5:08 B2 New Order– Temptation Producer – New Order Written-By – Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Morris Producer – New Order Written-By – Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Morris 6:59 B3 Iggy Pop– Nightclubbing Producer – David Bowie Written-By – David Bowie, Iggy Pop Producer – David Bowie Written-By – David Bowie, Iggy Pop 4:12 C1 Blur– Sing Producer – Blur Written-By – Alex James (2), Damon Albarn, David Rowntree*, Graham Coxon Producer – Blur Written-By – Alex James (2), Damon Albarn, David Rowntree*, Graham Coxon 6:00 C2 Lou Reed– Perfect Day Producer – David Bowie, Mick Ronson Written-By – Lou Reed Producer – David Bowie, Mick Ronson Written-By – Lou Reed 3:43 C3 Pulp– Mile End Producer – Chris Thomas Written-By – Doyle*, Cocker*, Webber*, Banks*, Senior*, Mackey* Producer – Chris Thomas Written-By – Doyle*, Cocker*, Webber*, Banks*, Senior*, Mackey* 4:30 C4 Bedrock Featuring KYO– For What You Dream Of (Full On Renaissance Mix) Featuring – KYO Producer, Arranged By – Digweed/Muir* Written-By – Carol Leeming, John Digweed, Nick Muir Featuring – KYO Producer, Arranged By – Digweed/Muir* Written-By – Carol Leeming, John Digweed, Nick Muir 6:24 D1 Elastica (2)– 2:1 Producer – Elastica (2), Marc Waterman Written-By – Donna Matthews, Elastica (2) Producer – Elastica (2), Marc Waterman Written-By – Donna Matthews, Elastica (2) 2:32 D2 Leftfield– A Final Hit Producer – Leftfield Written-By – Barnes*, Daley* Producer – Leftfield Written-By – Barnes*, Daley* 3:15 D3 Underworld– Born Slippy (NUXX) Producer – Emerson*, Hyde*, Smith* Written-By – Karl Hyde, Rick Smith Producer – Emerson*, Hyde*, Smith* Written-By – Karl Hyde, Rick Smith 9:43 D4 Damon Albarn– Closet Romantic Producer – Stephen Street Written-By – Damon Albarn Producer – Stephen Street Written-By – Damon Albarn 3:08

Companies, etc.

  • Phonographic Copyright ℗ – Parlophone Records Ltd.
  • Copyright © – Parlophone Records Ltd.
  • Record Company – Warner Music Group
  • Published By – James Osterberg Music
  • Published By – BMG VM Music Ltd.
  • Published By – Tintoretto Music
  • Published By – RZO Music, Inc.
  • Phonographic Copyright ℗ – Thousand Mile, Inc.
  • Licensed To – Virgin Records America, Inc.
  • Licensed From – Universal International Music B.V.
  • Published By – Opal Music
  • Published By – Upala Music Inc.
  • Phonographic Copyright ℗ – Virgin Records Ltd.
  • Published By – EMI Music Publishing Ltd.
  • Published By – Complete Music Ltd.
  • Phonographic Copyright ℗ – Creation Records Ltd.
  • Published By – Monster Island Music Publ'g Corp.
  • Published By – BMG Monarch
  • Published By – Chrysalis Music Ltd.
  • Phonographic Copyright ℗ – Indolent Records
  • Phonographic Copyright ℗ – BMG Records (UK) Ltd.
  • Published By – Vitalturn Co Ltd.
  • Published By – Universal Music Publishing Ltd.
  • Phonographic Copyright ℗ – Warner Records 90 Ltd.
  • Published By – Bug Music
  • Published By – Jones Music America Inc.
  • Published By – Screen Gems-EMI Music Inc.
  • Published By – Warner Chappell Music Ltd.
  • Published By – Wixen Music UK Ltd.
  • Phonographic Copyright ℗ – RCA Records
  • Record Company – Sony Music Entertainment Ltd.
  • Published By – Universal Island Music Publishing Ltd.
  • Phonographic Copyright ℗ – Island Records
  • Record Company – Universal Music Operations Ltd.
  • Published By – Peermusic (UK) Ltd
  • Phonographic Copyright ℗ – Stress Recordings Ltd.
  • Licensed From – Stress Recordings Ltd.
  • Phonographic Copyright ℗ – Deceptive Records Ltd.
  • Licensed From – DGB Records
  • Licensed From – Deceptive Records Ltd.
  • Published By – Hard (UK) Hands Publishing Ltd.
  • Phonographic Copyright ℗ – Hard Hands Ltd.
  • Phonographic Copyright ℗ – Columbia Records
  • Record Company – Sony Music Entertainment (UK) Ltd.
  • Published By – Mute Song Ltd.
  • Phonographic Copyright ℗ – Junior Boy's Own
  • Published By – Warner Chappell Ltd.
  • Pressed By – MPO

Notes

Sticker on shrink: "20th Anniversary Limited Edition"

℗ 1996 The Copyright in this compilation is owned by Parlophone Records Ltd.
© 2016 Parlophone Records Ltd.
This label copy information is the subject of copyright protection.
© 2016 Parlophone Records Ltd., A Warner Music Group Company
Printed in the EU.

Tracks:
A1 - Published by James Osterberg Music/BMG VM Music Ltd./Tintoretto Music/RZO Music Inc.
℗ 1977 The copyright in this sound recording is owned by Thousand Mile Inc., under exclusive license to Virgin Records America Inc.
Licensed courtesy of Universal International Music B.V.
A2 - Published by Opal Music, London (PRS), except N. America and Canada by Upala Music Inc.
℗ 1983 The copyright in this sound recording is owned by Virgin Records Ltd.
Licensed courtesy of Universal International Music B.V.
A3 - Published by EMI Music Publishing Ltd./Complete Music Ltd.
℗ 1996 The copyright in this sound recording is owned by Creation Records Ltd.
B1 - Published by Monster Island Music Publishing Corporation/BMG Monarch/Chrysalis Music Ltd.
℗ 1996 The copyright in this sound recording is owned by Indolent Records Ltd./BMG Records (UK) Ltd.
B2 - Published by Vitalturn Co. Ltd./Universal Music Publishing Ltd.
℗ 1987 The copyright in this sound recording is owned by Warner Records 90 Ltd.
B3 - Published by Bug Music o/b/o James Osterberg Music/Jones Music America Inc./Screen Gems-EMI Music Inc./Screen Gems-EMI Music Inc.
℗ 1977 The copyright in this sound recording is owned by Thousand Mile Inc., under exclusive license to Virgin Records America Inc.
Licensed courtesy of Universal International Music B.V.
C1 - Published by Warner Chappell Music Ltd./EMI Music Publishing Ltd./Wixen Music UK Ltd.
℗ 1990 The copyright in this sound recording is owned by Parlophone Records Ltd.
C2 - Published by EMI Music Publishing Ltd.
℗ 1972 The copyright in this sound recording is owned by RCA Records, a division of Sony Music Entertainment Ltd.
C3 - Published by Universal Island Music Publ. Ltd.
℗ 1996 The copyright in this sound recording is owned by Island Records, a division of Universal Music Operations Ltd.
Licensed courtesy of Universal International Music B.V.
C4 - Published by Peermusic (UK) Ltd.
℗ 1993 The copyright in this sound recording is owned by Stress Recordings Ltd.
Licensed courtesy of Stress Recordings Ltd.
D1 - Published by EMI Music Publishing Ltd.
℗ 1995 The copyright in this sound recording is owned by Deceptive Records Ltd.
Licensed courtesy of DGB Records and Deceptive Records Ltd.
D2 - Published by Hard (UK) Hands Publishing Ltd./Chrysalis Music Ltd.
℗ 1996 The copyright in this sound recording is owned by Hard Hands Ltd. and Columbia Records by arrangement with Sony Music Entertainment (UK) Ltd.
D3 - Published by Mute Song Ltd.
℗ 1996 The copyright in this sound recording is owned by Junior Boy's Own.
D4 - Published by Warner Chappell Ltd.
℗ 1996 The copyright in this sound recording is owned by Parlophone Records Ltd.

Barcode and Other Identifiers

  • Barcode (Text): 0 190295 919948
  • Barcode (Scanned): 0190295919948
  • Label Code: LC 0542
  • Rights Society: GEMA/BIEM
  • Matrix / Runout (Etched runout Side A): MPO 0190295919948 A
  • Matrix / Runout (Etched runout Side B): MPO 0190295919948 B
  • Matrix / Runout (Etched runout Side C): MPO 0190295919948 C
  • Matrix / Runout (Etched runout Side D): MPO 0190295919948 D
Record Collector Magazine's Grading Guide

    "MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

    EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

    VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

    GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

    FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

    POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

    BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."


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