Maria Bethania - Passaro Proibido

Rare Original 1976 Brazil Pressing "Philips 6349 188 Stereo" LP

Gatefold Sleeve

Acoustic Guitar – Caetano Veloso, Gilberto Gil

Backing Vocals – As Gatas, Caetano Veloso, Gilberto Gil

Bass – Moacyr Albuquerque, Sergio Barroso 

Drums – Enéas Costa

Flute – Tuzé Abreu

Guitar – Gabriel O'Meara, Perinho Albuquerque

Percussion – Bira Da Silva, Cream Crackers 

Accordion – Dominguinhos

Piano – Antonio Adolfo, Perna Fróes

Tracks :

A1 Maria Bethânia– As Ayabás

Written-By – Caetano Veloso, Gilberto Gil

6:37

A2 Maria Bethânia– Mãe Maria

Written-By – Custódio Mesquita, David Násser

2:54

A3 Maria Bethânia– Balada Do Lado Sem Luz

Written-By – Gilberto Gil

3:22

A4 Maria Bethânia– A Bahia Te Espera

Written-By – Chianca De Garcia, Herivelto Martins

1:41

A5 Maria Bethânia– Pecado

Written-By – Pontier, Bahr, Francini

2:18

B1 Maria Bethânia– Olhos Nos Olhos

Written-By – Chico Buarque

4:37

B2 Maria Bethânia– Festa

Written-By – Gonzaga Junior

2:28

B3 Maria Bethânia– Amor, Amor

Written-By – Cacaso, Sueli Costa

3:48

B4 Caetano Veloso– Pássaro Proibido

Written-By – Caetano Veloso, Maria Bethânia

4:12

Enlarge Pictures For All Details/Tracks

Condition Vinyl   :        VG ++ / light marks 

Condition Sleeve  :      EX

*Condition is based on visual grading - Please Read scale below 

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Gradings : (*Condition is based on visual grading)
 
Mint - The record is in brand new condition With no surface marks or deterioration in sound quality. The cover & any extra items (inserts, etc) are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent - The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging may have slight wear and / or creasing.

Very Good - The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

Good - The record has been played so much that the sound quality has noticeably deteriorated, may have some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.