Melvins Houdini LP Rare Reissue Sleep High On Fire Kyuss Eyehategod

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Melvins Houdini LP Rare Reissue Sleep High On Fire Kyuss Eyehategod

Melvins – Houdini

Label:

Third Man Records – TMR-295, Third Man Records – TMR295

Format:

Vinyl, LP, Album, Reissue, Remastered, Gatefold, 180g

Country:

US

Released:

Jun 24, 2016

Genre:

Rock

Style:

Doom Metal, Alternative Rock, Heavy Metal

TRACKLIST

A1 Hooch

A2 Night Goat

A3 Lizzy

A4 Going Blind

A5 Honey Bucket

A6 Hag Me

B1 Set Me Straight

B2 Sky Pup

B3 Joan Of Arc

B4 Teet

B5 Copache

B6 Pearl Bomb

B7 Rocket Reducer #62 (Rama Lama Fa Fa Fa)

Remastered directly from the original analog tapes.

Pressed on 180gram black vinyl in a gatefold jacket.

Comes in poly-lined inner sleeve.

B7 is an exclusive vinyl track.

Pressing plant and lacquer cut by uncredited, derived from matrix info. Manufacturer confirmed from label's website.

Catalog number TMR-295 on spine.

Catalog number TMR295 on disk labels.

Tracks are numbered sequentially regardless of side on back cover, and numbered with regard to side on disk labels.

Studios: Brilliant Studios/SF, Razors Edge/SF, Laundry Room/Seattle, Hyde Street Studios/SF, & Prarie [sic] Sun/Cotati,CA

Runouts are etched.

The Melvins weren't the first band to acknowledge the heavy metal influences that most left-of-center bands had been trying to shake off since punk rock broke in 1977 (that honor would go to Black Flag on their polarizing 1984 album My War). But no other band to emerge from the punk/alternative underground would mine Black Sabbath's slow, monolithic roar with greater effect than the Melvins, and they would prove to be wildly influential despite barely breaking out of cult status. The drop-D tunings and brontosaurus stomp of grunge icons such as Tad, Mudhoney, and Soundgarden would be unthinkable without the trails the Melvins blazed, and Kurt Cobain often sang their praises, helping them land their first major-label recording deal in 1993. They became a bridge between the edges of the punk and metal communities, who would find greater common ground from the '90s onward. (Their debut EP, 1986's 6 Songs, found them wavering between speedier punk-oriented numbers and full-on heaviness, but by 1991's Bullhead, the Melvins' trademark gargantuan sound was firmly in place.) While the Melvins proved as recognizable as any band of their day, they were also more creatively flexible than nearly all their peers, willing to experiment with different styles (the massive suite on 1992's Melvins [aka Lysol], the ambitious studio experimentation of 1996's Stag, the noisy soundscapes in 2017's A Walk with Love and Death), and a variety of musical configurations (multiple guest vocalists on 2000's The Crybaby, using two drummers on 2006's A Senile Animal, a rotating team of bassists on 2016's Basses Loaded, and adding pop and groove accents on 2022's Bad Mood Rising), all of which helped them remain productive and prolific more than three decades after they launched.

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