Metallica - Reload 2xLP Vertigo 536 409-1 1997 MINT VINYL
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Description
BobTheMusicMan – Vinyl, Music & Other Media auctions
Discogs information:
Metallica ?– Reload
Label: Vertigo ?– 536 409-1 Format: 2 × Vinyl, LP, Album, GatefoldCountry: UK & Europe Released: 17 Nov 1997 Genre: Rock Style: Alternative Rock, Hard Rock
TracklistHide Credits
A1 Fuel 4:29 A2 The Memory Remains Vocals [Additional] – Marianne Faithfull 4:39 A3 Devil's Dance 5:18 A4 The Unforgiven II 6:36 B1 Better Than You 5:21 B2 Slither 5:13 B3 Carpe Diem Baby 6:12 C1 Bad Seed 4:05 C2 Where The Wild Things Are Written-By – Newsted* 6:54 C3 Prince Charming 6:05 D1 Low Man's Lyric Hurdy Gurdy – David MilesViolin – Bernardo Bigalli 7:37 D2 Attitude 5:16 D3 Fixxxer 8:14Companies, etc.
- Recorded At – The Plant Studios
- Mixed At – The Plant Studios
- Edited At – Plantation Studios
- Mastered At – Sterling Sound
- Record Company – PolyGram International Music B.V.
Credits
- Artwork [Front Cover] – Andres Serrano
- Bass – Jason Newsted
- Design – Andie Airfix
- Drums – Lars Ulrich
- Edited By [Digital Edits] – Darren Grahn, Mike Gillies, Paul DeCarli
- Engineer [Additional] – Brian Dobbs
- Guitar – James Hetfield, Kirk Hammett
- Management – Q Prime Inc.
- Mastered By – George Marino
- Mixed By – Mike Fraser, Randy Staub
- Percussion [Additional] – Jim McGillveray
- Photography By – Anton Corbijn
- Producer – Bob Rock, Hetfield*, Ulrich*
- Recorded By – Randy Staub
- Technician [Assisting] – Bernardo Bigalli, Darren Grahn, Gary Winger, Kent Matcke
- Vocals – James Hetfield
- Written-By – Hetfield*, Hammett* (tracks: A1, A4, B1 to C1, D3), Ulrich*
Notes
Recorded between May 1995 and February 1996 & between July and October 1997 at The Plant Studios, Sausalito, CA, USA.Mixed between September and October 1997 at The Plant Studios, Sausalito, CA, USA.
Additional editing at Plantation Studio, Maui, HI, USA.
Mastered at Sterling Sound, New York, NY, USA.
Marianne Faithfull is thanked for her vocal contributions on 'The Memory Remains'.
Barcode and Other Identifiers
- Rights Society: BIEM/MCPS
- Other: PY 272
- Matrix / Runout: (SIDE1) MPO 536410-1-A1
- Matrix / Runout: (SIDE2) MPO 536410-1-B1
- Matrix / Runout: (SIDE3) MPO 536411-1-A1
- Matrix / Runout: (SIDE4) MPO 536411-1-B1
- Barcode: 731453640917
Our grading in condition section above.
Records graded to Record Collector guidelines, visually unless mentioned.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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