Miles Davis-Workin' w/The Davis Quintet-RVG-dg-PRLP7166

$

305

"Miles Davis"

-Workin' With The Miles Davis Quintet"-

#7166-Prestige-RVG-dg

Up for your Consideration is this 1956 Used 33-1/3 LP Jazz Album by “Miles Davis” titled “"Workin' With The Miles Davis Quintet"” Originally released in 1956 on Prestige Record Label …with a product number of Original Prestige pressing, #7166…Mono- Pressing LP Vinyl: in NM Condition : NO surface marks on side A and side B has  2 small surface marks…the quality is superb …NO scratches, none of the marks are noticeable when being played…No snap, crackle or pops … The original luster is intact, and the vinyl shines and sparkles almost like new...Paper Sleeve:  Reads Prestige Records Inc, 203 So. Washington Avenue Bergenfield, New Jersey...Labels: both Side are in NM- Condition, some tiny bit of paper gone from the hole... Black and Yellow –With Deep Groove (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings) label Reads “Prestige Records Inc, 203 South Washington Ave. Bergenfield, NJ "   Run off or Dead Wax reads “RVG” inscribed on both sides… Album Cover: is in NM Condition, it looks like the shrink wrap is still on it but it is just the luster of the high gloss cover… 3 corners have little tiny dings on them...  the back reads “Prestige Records Inc., 203 So. Washington Ave, Bergenfield, N.J... There is ”Audition Copy” Stamped at the opening in Red Ink…overall what I see is a Used 33RPM Album in NM Condition … I have listed a rating chart below... I inspect everything under bright spot light and state what I see, plus I have the album played for sound quality... Please look at all of the pictures since they are a part of the description also... All of my LP’s come with a clear plastic protective sleeve and are mailed out in a standard size heavy Album Mailing Box that holds up to 3-4 Albums…I love to combine to save you money on shipping… thank you for looking and good luck on your bidding…<><

Record has been visually graded

MN:

RECORD: Never Played

COVER:   Never Opened

NMN

RECOR: has been played NO surface marks, NO scratches or loss of sound quality.

COVER: NO signs of wear

EX:
RECORD: Some signs of being played with maybe 1 or 2 surface marks or small scratch extremely little if no loss of sound quality.
COVER: Slight wear maybe faint surface ware or ring.
VG:
RECORD: Obviously been played with noticeable surface marks & the occasional

Light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear Slight writing/ stains.

+ (PLUS) / - (MINUS):
Slightly up or down in condition as appears in the comments above

Song List

1    In Your Own Sweet Way 

2    Trane's Blues 

3.   It Never Entered My Mind 

4.   Four 

5.   The Theme, I 

6.   The Theme, II 

Personnel

 Miles Davis (trumpet)

 John Coltrane (tenor sax),

 Red Garland (piano),

 Paul Chambers (bass

 Philly Joe Jones (drums)

History

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one — as mythology would claim — but two massively productive recording sessions in May and October of 1956, respectively. Contradicting the standard methodology of preparing fresh material for upcoming albums, Davis and company used their far more intimate knowledge of the tunes the quintet was performing live to inform their studio recordings. As was often the case with Davis, the antithesis of the norm is the rule. Armed with some staggering original compositions, pop standards, show tunes, and the occasional jazz cover, Workin' is the quintessence of group participation. Davis, as well as Coltrane, actually contributes compositions as well as mesmerizing performances to the album. The band's interaction on "Four" extends the assertion that suggests this quintet plays with the consistency of a single, albeit ten-armed, musician. One needs listen no further than the stream of solos from Davis, Coltrane, Garland, and Jones, with Paul Chambers chasing along with his rhythmic metronome. Beneath the smouldering bop of "Trane's Blues" are some challenging chord progressions that are tossed from musician to musician with deceptive ease. Chambers' solo stands as one of his defining contributions to this band. In sly acknowledgement to the live shows from which these studio recording sessions were inspired, Davis concludes both sets (read: album sides) with "The Theme" — a brief and mostly improvised tune — indicating to patrons that the tab must be settled. In this case, settling the tab might include checking out Steamin', the final Miles Davis Quintet recording to have been culled from these historic sessions.

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