Milford Graves & Don Pullen In Concert at Yale University (Vinyl) 12" Album
  £   33
  $   44

 


£ 33 Sold For
Apr 20, 2026 Sold Date
Feb 28, 2026 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Description

Further Details

Title: In Concert at Yale University
Condition: New
Format: Vinyl
Genre: Jazz
EAN: 0857661008346
Edition: 12" Album
Record Label: Superior Viaduct
Artist: Milford Graves & Don Pullen
No Of Discs: 1
Country/Region of Manufacture: United Kingdom
Type: Avant Garde & Free Jazz
Release Date: 01/12/2023
MPN: SV194
Style: Jazz
Release Year: 2023
Description: The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early ’60s as a part of New York’s vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC’s loft era―he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, “This performance was something of a turning point for Graves. Until then he had been working in other people’s bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with NYAQ (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven.” Originally released on the artists’ own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves’ music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, “Time was always there, and the time I see is not the same as what man says time is. It works by impulsion.”

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