NEIL YOUNG & CRAZY HORSE-Live Rust-D0-2xLP

	A$		50
	$		33

ITEM: VINYL 2x12” LP 33 1/3rpm
ARTIST: NEIL YOUNG & CRAZY HORSE
TITLE: Live Rust
COUNTRY PRINTED: OZ
CAT No: REPRISE, 2RX 2296
COVER: Gatefold (Grade at NEAR MINT-)
INNER COVER: 2 inner covers (Grade at MINT-)
LABELS: (Grade at MINT-)
VINYL:
Record #1: (Grade at NEAR MINT-)
Record #2: (Grade at MINT-)
TRACKS:
All tracks written by Neil Young, unless noted.

Side one
1."Sugar Mountain" * – 5:02
2."I Am a Child" * – 3:01
3."Comes a Time" * – 3:15
4."After the Gold Rush" * – 3:49
5."My My, Hey Hey (Out of the Blue)" * – 4:12

Side two
1."When You Dance I Can Really Love" – 3:42
2."The Loner" – 4:53
3."The Needle and the Damage Done" * – 3:06
4."Lotta Love" – 2:51
5."Sedan Delivery" – 4:50

Side three
1."Powderfinger" – 5:43
2."Cortez the Killer" – 6:19
3."Cinnamon Girl" – 3:22

Side four
1."Like a Hurricane" – 8:03
2."Hey Hey, My My (Into the Black)" (Young, Jeff Blackburn) – 4:37
3."Tonight's the Night" – 7:12
PERSONNEL:
?Neil Young: lead guitar, harmonica, piano, lead vocals
?Crazy Horse on all tracks except those marked (*)
Frank Sampedro: Guitar, keyboards, vocals
Billy Talbot: Bass, vocals
Ralph Molina: Drums, vocals
COMMENT: Wikipedia
Live Rust is a live album by Neil Young & Crazy Horse, recorded on October 22, 1978, at the Cow Palace, San Francisco and released in 1979.

Also included are some stage announcements from Woodstock and Jimi Hendrix' version of the "Star Spangled Banner" is used as the album's outro. Neil Young directed (under his directorial pseudonym "Bernard Shakey") a film of this show, called Rust Never Sleeps.

Biography: by Stephen Thomas Erlewine
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s until the late '90s, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults.

Just as importantly, Young continually explored new musical territory, from rockabilly and the blues to electronic music. But these stylistic exercises only gained depth when compared to his two primary styles: gentle folk and country-rock, and crushingly loud electric guitar rock, which he frequently recorded with the Californian garage band Crazy Horse. Throughout his career, Young alternated between these two extremes, and both proved equally influential; there were just as many singer/songwriters as there were grunge and country-rock bands claiming to be influenced by Neil Young. Despite his enormous catalog and influence, Young continued to move forward, writing new songs and exploring new music. That restless spirit ensured that he was one of the few rock veterans as vital in his old age as he was in his youth.

COMMENT: Biography by Greg Prato
Out of all the backing bands Neil Young has recorded and performed with during his long and illustrious career, the best-known of the bunch (and perhaps one of the greatest garage rock bands of all time) remains Crazy Horse. The band's roots lay in the obscure early '60s doo wop band Danny & the Memories, which contained future Crazy Horse members Danny Whitten, Billy Talbot, and Ralph Molina, among others. Although all three would later play instruments in Crazy Horse, the trio focused solely on vocals for this early band, as the group relocated back and forth from the East and West Coasts. After finally settling down in Laurel Canyon in 1966, the members picked up instruments (Whitten the guitar, Talbot bass, and Molina drums) and formed the Rockets.

Joining the trio were additional members Bobby Notkoff (violin), and two other guitarists, Leon and George Whitsell, who all played on the sextet's one and only record, 1968's self-titled debut. Shortly after the album's release, Whitten and Talbot met Neil Young, who had just left Buffalo Springfield and was about to launch a solo career. Young jammed with the Rockets at a gig at the famed Whisky A Go-Go, and immediately asked Whitten, Talbot, and Molina to play on a few new songs he'd written -- "Down by the River," "Cowgirl in the Sand," and "Cinnamon Girl." The trio accepted, playing on the three aforementioned songs and several others for what would become Young's sophomore effort, 1969's classic Everybody Knows This Is Nowhere, resulting in the trio breaking up the Rockets to sign on with Young full-time, under the new name Crazy Horse.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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