NEIL YOUNG ON THE BEACH COMPLETE REPRISE UK FIRST PRESS

	£		55
	$		73

Thank you for visiting my listing. The section immediately below sets out information specific to the particular album / record offered in this listing. This is followed by my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular ‘mother’; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first ‘mother(s)’ and ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; it may have very slight changes, if they were made within the first production run or, if the album was issued with a choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

Condition & Grading: Regular visitors to my listings will know that I offer albums that range from very good to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is  outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual gradings and check that you are satisfied before placing your bid.

Album / Record Title: ON THE BEACH

Rarity: VERY RARE AS AN ORIGINAL UK FIRST PRESSING WITH ‘FLORAL’ PATTERNED INSIDE COVER AND THE ORIGINAL ‘SAND’ INNER SLEEVE AND MUCH RARER IN THIS EXCELLENT PLUS CONDITION – I am not going to repeat verbatim all of the information from Wikipedia or the ‘library’ of publications chronicling Neil Young’s biography because, although fascinating, you can read them without my help. However, for the purpose of explaining the rarity of this album I will précis in my own words. Following the enormous International commercial success of ‘Harvest’ in 1972 Neil Young found himself, in his own words, ‘in the middle of the road’. He says that he was not comfortable there so ‘I headed for the ditch’ – these are quotes from the cover notes of his triple album ‘Decade’ released in 1977 covering the albums he had released between 1966 and 1976. This coincided with a particularly bleak period for Neil Young with the loss of two close friends through drug abuse for which he felt in some ways personally responsible. A combination of the reaction to massive commercial success and crushing personal loss heralded a series of three albums which became known as his ‘Ditch Trilogy’, referred to by some as his ‘Doom Trilogy’; they were ‘Time Fades Away’, ‘On The Beach’ and ‘Tonight’s The Night’. As is often the case with great artists although they are now regarded as classics they were received at the time of release with a mixture of indifference, disapproval and controversy – indeed although recorded before ‘On The Beach’ Reprise refused to release ‘Tonight’s The Night’ at first on the basis that it was too ‘dark’ or not typical of his work – an argument which re-surfaced with Geffen on a later album. Consequently the original first pressing, first issues of these albums sold in small quantities to dedicated followers and collectors of Neil Young’s work, and are extremely rare today – in the case of this album only persistent demand from enthusiasts eventually persuaded a release on CD in 2003; and ‘Time Fades Away’ remains unreleased in that format – being described by Neil Young as ‘my least favourite record’. So, that’s the story in summary and explains why these early originals are so rare – basically it’s because there weren’t many sold in 1974 and there are many less in circulation now. This one is a COMPLETE UK ORIGINAL FIRST ISSUE & FIRST OR VERY EARLY PRESSING WHICH DELIVERS SUPERB AUDIO FROM AN EXCELLENT PLUS MID-WEIGHT VINYL. It has the UK ORIGINAL COVER WITH FLORAL PATTERNED / PRINTED INNER SURFACES AND THE ‘SAND’ INNER SLEEVE WITH CREDITS, TRACK TITLES AND ‘RUSTY KERSHAW’ LINER NOTES – ALL PRINTED AND MADE BY SHOREWOOD PACKAGING, ENGLAND - which only accompanied FIRST ISSUE albums. So, overall this is a bordering on NEAR MINT UK ORIGINAL ALBUM (many you will find are German or American pressings) with the REPRISE LIGHTLY TEXTURED TAN RIVERBOAT LABELS which do NOT HAVE THE ‘CIRCLED’ WARNER LOGO on the outer perimeter - this appeared on later on other Warner Company released albums. A scarce and outstanding opportunity to buy a great album that was rare on first release and is very much rarer now.

The key features are listed below:

• COMPLETE ORIGINAL UK ALBUM FIRST PRESS AND FIRST ISSUE
• FIRST UK MATRICES VERY EARLY MOTHERS AND STAMPERS
• SUPERB MID-WEIGHT VINYL IN EXCELLENT TO PLUS CONDITION
• STEREO RECORDING FORMAT DELIVERING SENSATIONAL AUDIO
• ORIGINAL REPRISE TAN RIVERBOAT NO ‘WB’ LOGO LABELS
• FIRST SHOREWOOD COVER FLORAL PATTERN INNER SURFACES
• FIRST ‘SAND’ INNER WITH TITLES, CREDITS & KERSHAW LETTER
• SERIOUSLY HARD TO FIND AS EXCELLENT PLUS TO NEAR MINT

Artiste(s): NEIL YOUNG with Tim Drummond, Ben Keith, Ralph Molina. Guests: David Crosby, Graham Nash, Billy Talbot, Levon Helm, Joe Yankee, Rick Danko, George Whitsell, Rusty Kershaw.

Produced By: Neil Young all tracks with variously David Briggs, Mark Harman, Al Schmitt

Disc Format & Playing Speed: 12” LP & 33 1/3 r.p.m.

Recording Format: STEREO

Record label: ORIGINAL REPRISE TAN ‘RIVERBOAT’ LIGHTLY TEXTURED & BLACK PRINT - NO WARNER ‘BLACK BALL’ LOGO ON PERIMETER

Catalogue Number: K 54014

Country of origin and first published date: MADE IN UK 1974

Vinyl ‘run off’ matrices side 1: K 54014 A-4

Vinyl ‘run off’ matrices side 2: K-54014 B-5

Vinyl ‘run off’ mother / stamper side 1:  C   6

Vinyl ‘run off’ mother / stamper side 2:  C   1

Vinyl ‘run off’ initials / cryptic / other side 1:  none visible

Vinyl ‘run off’ initials / cryptic / other side 2:  none visible 

N.B. Please note that all matrices, mothers and stampers quoted in my listings are machine imprinted except where I state an alternative method next to them.

Track listing as per label: SIDE 1: WALK ON / SEE THE SKY ABOUT TO RAIN / REVOLUTION BLUES / FOR THE TURNSTILES / VAMPIRE BLUES / SIDE 2: ON THE BEACH / MOTION PICTURES / AMBULANCE BLUES

Background and summary of condition: I have covered the background to the album in the leader paragraph above, and my opinion of the importance and virtuosity of Neil Young’s work is well documented, so I will just sum up the condition. This particular example is not too far short of near new condition and it would certainly sit comfortably alongside some of the best I have ever seen or heard. COMPLETE UK ORIGINAL PRESSINGS LIKE THIS ARE EXTREMELY SCARCE ESPECIALLY WHEN THEY HAVE THE POTENTIAL TO SATISFY THE EXCELLENT PLUS TO NEAR MINT COLLECTORS – HIGHLY RECOMMENDED.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2008’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either a PLUS or a MINUS to indicate slight variations either side of a grade). I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Vinyl Visual side 1: EXCELLENT PLUS, just a few light superficial surface lines and marks caused by bag movements, no tangible depth and no significant audio consequence.

Vinyl Visual side 2: EXCELLENT PLUS, just a few light superficial surface lines and marks caused by bag movements, no tangible depth and no significant audio consequence.

Label Visual side 1: NEAR MINT, maybe a few light spindle lines but no marks, no scuffs, no tears, no noticeable spindle hole wear.

Label Visual side 2: NEAR MINT, maybe a few light spindle lines but no marks, no scuffs, no tears, no noticeable spindle hole wear.

Outer Cover: EXCELLENT TO PLUS, the original single slip cover of mid-weight card construction printed by Shorewood Packaging Co. Ltd. England, with a key feature being the internal surfaces which are printed with a floral pattern which mimics the pattern on the beach chairs and parasol on the front cover. This cover has a plain surface printed non-laminated finish which renders it vulnerable but this one has only slight evidence of minor wear. There is just a tiny amount of rub wear at the corners and edges, light discolouration through handling towards the edges at the front and back, a vague trace of the top edge of the vinyl in a short arc on the front and two tiny blue tick marks in the top right corner and a few mini-dents at the leading edge where the vinyl enters – but none of this is significant; it’s not unused but at a glance you would be hard pressed to realise that; but please take a look at the super-sized photographs and make your own assessment as well.

Spine: NEAR MINT, physically in almost perfect shape, well formed with well defined square shoulders, the print / text is offset toward the back shoulder and it’s clean, clear and fully readable – you are unlikely to see a better one.

Printed Inner Sleeve: EXCELLENT PLUS, the original ‘sand’ inner sleeve printed with track titles, credits on one side and liner notes by way of a letter from Rusty Kershaw – would be near mint but I have lowered the grade to take into account the neat ‘lettraset’ style reference number printed in black on the back in the top left corner.

Vinyl Warp: none visible when eye tested on a moving turntable.

Vinyl Weight: 123 grammes (a remarkable REPRISE mid-weight)

Play Grade: I consider all aspects of an albums condition and grading to be highly important and I place particular emphasis on the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. It is quite possible with vinyl to experience great ‘clarity’ and reality without the sound being exceptionally ‘clean’ - that’s ok with me, but it may not satisfy the audiophile. So, a NEAR MINT & NEAR MINT will be the best grade with VERY GOOD PLUS & VERY GOOD PLUS or better being highly satisfactory.

For CLARITY the audio from this vinyl grades: EXCELLENT PLUS

For CLEANLINESS the audio from this vinyl grades: EXCELLENT TO PLUS

Audio Performance: A BRILLIANT, APPROACHING NEAR MINT, AUDIO PERFORMANCE OF OUTSTANDING CLARITY, CLEANLINESS AND QUALITY – ALONGSIDE THE BEST I HAVE HEARD SINCE I BOUGHT MY NEW ONE ON FIRST RELEASE IN 1974. THERE IS ONLY THE SLIGHTEST UNDERLYING SURFACE SOUND CERTAINLY NOTHING INTRUSIVE OR WHICH DETRACTS FROM THE PLEASURE OF LISTENING TO THIS SUPERB CLASSIC ALBUM. I ALWAYS ASK VISITORS TO MY LISTINGS TO BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, OCCASIONALLY A LITTLE CRACKLE, WHICH IS OFTEN LIGHT STATIC, OR EVEN A RANDOM SOFT TICK - BUT THIS IS A VINYL WHICH DELIVERS SOME GREAT SONGS THE BEST WAY POSSIBLE AND TO THE HIGHEST STANDARD OF AUDIO DELIVERY; NEIL YOUNG AND FELLOW MUSICIANS DOING WHAT THEY DO BEST - MAKING OUTSTANDING MUSIC WHICH IS STIMULATING, CAPTIVATING AND COMPELLING.

Other: A very scarce opportunity to buy a complete UK original example of a compelling classic album in a near mint condition which you are unlikely to match, and almost definitely not surpass, at any time in the future.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: This has become something of a ‘fashion accessory’ for many of the albums listed on eBay and, as with fashion, there are many imitators. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings but otherwise this was not usually the case. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test pressings so the commercial releases started at ‘2’, are well documented now but there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. This weight difference can also be indicative where different symbols were used in the matrices. For example some record companies first denoted early pressings with A61 & B61 and then soon after changed to A // 1 & B // 1, in these cases weight of the vinyl is often very helpful with identification. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Finally: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play the ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. Unless the prospective bidder / buyer states a preference I always quote Airmail as Surface Mail does not usually cost much less and takes a long time (again more risk of damage or loss I think). Also please note that for British Pounds £3.30 extra you can have an International Signed for service which includes insurance up to £32. Insurance quotations to a value you specify in advance of shipping are available on request.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. I will always try to be fair with buyers on p&p costs but if you do not want to pay the prices on the listings or quotations please do not bid.  I am not interested in hearing from successful bidders afterwards questioning and complaining about cost of packing and postage! I always keep proof of posting but unless you pay for Recorded Delivery, International Signed For, Special Delivery or Full Insurance I may not be able to assist you with recovery of the item or any of the costs.

Where postal insurance is included it is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance or premiums to cover increased values are available on request.

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs below to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Larger Picture’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.