NEIL YOUNG WITH CRAZY HORSE, Zuma USA 1st pressing EXCELLENT- LP

$

30

Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.

Neil Young \u0026 Crazy Horse - Cortez the Killer ( live 1991 ) HD

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  Neil Young With Crazy Horse* ?– Zuma Label: Reprise Records ?– MS 2242 Format: Vinyl, LP, Album, Stereo, Santa Maria Press  Country: US Released: 10 Nov 1975 Genre: Rock Style: Pop Rock, Country Rock, Hard Rock Tracklist Hide Credits A1 –Neil Young With Crazy Horse Don't Cry No Tears Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – David Briggs, Neil Young Rhythm Guitar – Frank Sampedro 2:34 A2 –Neil Young With Crazy Horse Danger Bird Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – David Briggs, Neil Young Rhythm Guitar – Frank Sampedro 6:54 A3 –Neil Young Pardon My Heart Bass – Tim Drummond Instruments [All Other Instruments] – Neil Young Producer – Neil Young, Tim Mulligan Vocals – Billy Talbot, Ralph Molina 3:49 A4 –Neil Young With Crazy Horse Lookin' For A Love Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – Neil Young, Tim Mulligan Rhythm Guitar – Frank Sampedro 3:17 A5 –Neil Young With Crazy Horse Barstool Blues Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – David Briggs, Neil Young Rhythm Guitar – Frank Sampedro 3:02 B1 –Neil Young With Crazy Horse Stupid Girl Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – David Briggs, Neil Young Rhythm Guitar – Frank Sampedro 3:13 B2 –Neil Young With Crazy Horse Drive Back Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – David Briggs, Neil Young Rhythm Guitar – Frank Sampedro 3:32 B3 –Neil Young With Crazy Horse Cortez The Killer Bass, Vocals – Billy Talbot Drums, Vocals – Ralph Molina Producer – David Briggs, Neil Young Rhythm Guitar – Frank Sampedro 7:29 B4 –Neil Young With Crosby, Stills & Nash Through My Sails Bass – Steve Stills* Congas – Russ Kunkel Featuring – Crosby, Stills & Nash Guitar – Neil Young Producer – Neil Young, Tim Mulligan 2:41 Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Record Company – Reprise Records Record Company – Warner Bros. Records Inc. Record Company – Warner Communications Published By – Silver Fiddle Music Credits Co-producer [With] – Tim Mulligan Cover – Mazzeo*  Management [Direction] – Elliot Roberts Mastered By – George Horn Producer – David Briggs, Neil Young Written-By – Neil Young Notes Columbia Records Pressing Plant, Santa Maria pressing denoted by "S" etch in runouts. Issued with custom inner sleeve. Cover and inserts printed on textured paper. "Mastered by George Horn" on labels. 

USA FIRST PRESSING VINYL ALBUM IN TEXTURED SLEEVE WITH ORIGINAL PRINTED INNER SLEEVE BUT NO LYRIC INSERT.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

• 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.

          


• 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $69.99 [EXCEPT CANADA, WHICH IS $59.99].  This is now the only reliable, tracked and insured way we can ship international packages.
     

Add $12.00 for each additional LP [$10 to Canada] purchased at the same time

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