NEIL YOUNG with CRAZY HORSE Everybody Knows This Is LP REPRISE 1969 UK RSLP 6349

	£		18
	$		24

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 THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).

The shipping cost from Italy to UK and Europe from 1 up to 5 albums

[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier 

[NOT for Norway, Russia, Ukraine,Switzerland, please ask for prices with registered letter],

 with a sturdy and well conceived box.

The shipping cost  also depends by the exchange euro/pounds. 

Still, starting from the 1st of December the Italian Post increased 

the price for the international & domestic shipment. 

We have done our best to absorb any handling fees in order 

to keep all international shipping rates as low as we can

PLEASE ASK FOR ANY INFORMATION

 NEIL YOUNG, RALPH MOLINA, DANNY WHITTEN, BILLY TALBOT

Eternally restless figure who pursued an idiosyncratic solo career touching on everything from noise-rock and synth pop to blues and rockabilly

"BROKEN ARROW"

Produced by David Briggs and Neil Young

1969        LP     REPRISE RECORDS    STEREO   RSLP 6349

MADE IN ENGLAND      ORIGINAL COPY BUT SECOND PRESSING

[The original UK pressing was with "Pop Series" steamboat label.]

LAMINATED (on front) SINGLE SLEEVE + FLIPBACK

This version: rim text on labels in two-perimetric-circular lines;

on back cover without boxed "Distributed by Pye Records..." on bottom, on this version the box is plain white

Barcode and Other Identifiers

Barcode: none

LABEL:  REPRISE - DARK YELLOW/TAN LABEL - BLACK TEXT

Catalog on cover: (spine & rear) RSLP 6349

Catalog on labels:

Side A: RSLP 6349 (RSLP 6349-A)

Side B: RSLP 6349 (RSLP 6349-B)

Matrix / Runout (A Side, Stamped): RSLP 6349A-1  ?T

Matrix / Runout (B Side, Stamped): RSLP 6349B-1  ?T

On labels: two lines rim text reads "A Warner Bros Record U.S.A. Recording""

and "All rights.............prohibited"

?1969     STEREO

Produced by David Briggs & Neil Young

(on Side A): ROBBINS (1-4)

(on Side B): ROBBINS (5-7)

On back cover: "Round & Round" features Robin Lane

"Running Dry" features Bobby Notkoff on violin

Extra thanks to The Rockets

WARNER BROS. SEVEN ARTS RECORDS LTD.

Printed and made by Garrods & Lofthouse Ltd. Patent No. 943.895

from my records collection

tracklisting

Side A: CINNAMON GIRL - EVERYBODY KNOWS THIS IS NOWHERE

ROUND & ROUND (It Won't Be Long) - DOWN BY THE RIVER

Side B: THE LOSING END (When You're On)

RUNNING DRY (Requiem For the Rockets) - COWGIRL IN THE SAND

grading

RECORD VG+ but (please, read above description)

SLEEVE VG(+) but (please, see pictures and read above description)

Neil Young's second solo album, released only four months after his first, was nearly a total rejection of that polished effort. 

Though a couple of songs, "Round Round (It Won't Be Long)" and "The Losing End (When You're On)," shared 

that album's country-folk style, they were altogether livelier and more assured. The difference was that, 

while Neil Young was a solo effort, Everybody Knows This Is Nowhere marked the beginning of Young's recording association 

with Crazy Horse, the trio of Danny Whitten (guitar), Ralph Molina (drums), and Billy Talbot (bass) that Young had drawn 

from the struggling local Los Angeles group the Rockets. With them, Young quickly cut a set of loose, guitar-heavy 

rock songs -- "Cinnamon Girl," "Down by the River," and "Cowgirl in the Sand" -- that redefined him as a rock & roll artist. 

The songs were deliberately underwritten and sketchy as compositions, their lyrics more suggestive than complete,

but that made them useful as frames on which to hang the extended improvisations 

("River" and "Cowgirl" were each in the nine-to-ten-minute range) Young played with Crazy Horse and to reflect 

the ominous tone of his singing. Young lowered his voice from the near-falsetto employed on his debut to a more 

expressive range, and he sang with greater confidence, accompanied by Whitten and, on "Round Round," by Robin Lane. 

Everybody Knows This Is Nowhere was breathtakingly different when it appeared in May 1969, 

both for Young and for rock in general, and it reversed his commercial fortunes, becoming a moderate hit...(AllMusic)