"NOW " THE RABBLE 1969 ORIG "GIVE US BACK ELAINE" CRAFTED INFECTIOUS PSYCH ROCK
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- RARE! 1969 'TRANS-WORLD' ORIGINAL
- UNDERGROUND INFECTIOUS POPSIKE
..|/\|...............................................|/\|.. - THE RABBLE
- "GIVE US BACK ELAINE"
- ..|/\|...............................................|/\|..
- CANADA-TRANSWORLD Records-TWS 6707 stereo
RARE ... Recommended artifact LP by a gifted rock band:
The SECOND "RABBLE" album delivers a crafty style of tuneful grooves, growing with repeat plays. "Give Us Back Elaine" signed and produced ONLY in Canada, remains very hard to come by and is as solid track -for-track as any of the top level Canadian rock rarities or just under the likes of album rarities by Plastic Cloud, Reign Ghost, Haunted and a few elite pieces.
The Rabble's follow-up and (sadly) last effort, ‘Give Us Back Elaine’, was recorded through the end of 1967 into early 1968 and released in 1969 on Trans-World, same label as The Haunted. By this time the band had played The New Penelope Coffee House and touring throughout greater Montreal, Quebec City, Ottawa, Toronto, Kingston, Canada
In April of 1968 The Rabble substituted for "Cream", who had canceled at the last minute, at The Paul Sauve Arena in Montreal to 5,000 fans. Despite the band’s unrehearsed show, they impressed the crowd with an hour-long set of songs consisting of their wonderful singles and album material.
The Rabble, a criminally obscure assortment of self composed underground rock from Montreal's western suburbs, were riding a wave of popularity in 1967 after having scored locally with their well crafted 'The Rabble Album' first LP, as well as having secured a U.S. contract for their excellent first album the previous year. Ever changing Rabble minds at play follow-up, with "Give Us Back Elaine!" , tossing off their blues-rock edges, in favor of a focused rhythmic brand of catchy psych-rock ala
"A Passing Fancy." As guitarist Mike Harris remembers it, "We made a point of not following trends, with so many bands getting into the heavy acid sound that we'd already been doing on stage for a year, we wanted to try something different, something new that no one else was doing at the time." As well, there was that business of selling records, "We channeled our creativity into weighty infectious approach, in hopes of getting airplay."
Much of "Give Us Back Elaine!" sounds like little else happening in the world of rock at the time. The guitar led and well irresistible tunes are an attempt to recapture the carefree beauty of their very popular 1967 single 'Golden Girl'.
'Candy' and 'Here's Your Mourning' are gorgeous popsike hooks, the latter especially with its clash of buttery-sweet arrangement fun-zones dominated by discordant guitar works.
'Butter Cup Blue' flourishes with a near-perfect guitar hook that in hindsight could have been exploited up into the music charts. Though nothing quite scales the heights of 'Golden Girl', the Rabble had clearly made their point in direction and by this, their second album, they'd honed their craft to a point where there's nothing but worthy tracks on this under appreciated/overlooked creation.
The RABBLE had built up a solid fan base in the Montreal/Ottawa region ( with "individualists, nonconformists and trend-setters"), but that rock-hard juggernaut south of the border in the U.S. proved just too tough to crack. Harris laments, "We met obstacles in trying to break into the U.S. market, and there was no future for us playing the same Canadian local venues over and over." As well, Montreal's always-hot night club scene was in transition. "The coffee houses disappeared, clubs that once featured live bands were now playing records - then going awful 'disco' - and radio stations once promoting local talent began restricted their playlists to international acts. These major international acts used to have local bands open for them, but after 1968 they brought their own opening acts. A lot of creative Canadian bands were wiped out by these monopoly kinds of things." Including sadly the mighty Rabble, who are remembered by two great albums
Miss Money Green
Here’s Your Mourning
Emerald Red
Candy
Nowhere Ride
Butter Cups Blue
Too Bad
Put It Down To Magic
Please Set Me Free
Why Am I Lonely
There’s So Many Things
- CONDITION:
- The cover: rated: VG++ ongoing 57 years, very thick colorful original pressing having acceptable very passive minor contact visuals not at all pronounced, back group cover "EX" (excellent)
having no delete marks, no split seams, no bends, and no writing ...
- The vinyl: Rated: M- thick rigid "Trans world" '69 pressing reflects tremendous glossy shine with NO scuffs, no scratches or any issues, playing to perfection, and both "Trans world" labels are clean
SEE: SELLERS OTHER ITEMS
(((similar grooves for "head" people...)))
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