Neil Young Crazy Horse Ragged Glory Vinyl Lp Rare 1st pressing Ex
  A$   38
  $   25

 


A$ 38 Sold For
Oct 4, 2015 Sold Date
1 Number Of Bids
  Australia Country Of Seller
eBay Sold at
 
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Description

For sale

Vinyl LP

Hard to find copy of one of Neily Young's finest moments

Neil Young + Crazy Horse  ?– Ragged Glory
Label: Reprise Records ?– 7599-26315-1, Reprise Records ?– WX 374
Format:Vinyl, LP, Album
Country:Europe
Released:1990

Love this Record
Vinyl Ex no marks beautiful copy.
Sleeve VG+ small 3cm tear back cover never noticed it before and appears stick stain on front cover that has cause slight discolour on top corner.
inner sleeve mild creasing vg+.
Awesome record maybe Neils best .. 
Please see pic as they form part of this description.


 Tracklist

A1     Country Home     7:04
A2     White Line     2:59
A3     F*!#in' Up     5:53
A4     Over And Over     8:27
A5     Love To Burn     10:03
B1     Farmer John     4:12
B2     Mansion On The Hill     4:46
B3     Days That Used To Be     3:50
B4     Love And Only Love     10:18
B5     Mother Earth (Natural Anthem)

(P) & (C) 1990 Reprise Records
Made in Germany

Printed inner sleeve with credits.

Ragged Glory is the nineteenth studio album by Canadian musician Neil Young, his sixth with Crazy Horse, released on September 9, 1990. It was voted album of the year in the annual Pazz & Jop critics' poll[6] and in 2010 was selected by Rolling Stone as the 77th best album of the 1990s.[7]

The album revisits the hard-rock style previously explored on Everybody Knows This Is Nowhere and Zuma. The first two tracks are songs Young and Crazy Horse originally wrote and performed live in the 1970s with "Country Home" notably being performed on their 1976 tour. "Farmer John" is a cover of a 60s song, written and performed by R&B duo Don and Dewey and also performed by garage band The Premiers.[4] Young revealed that the song "Days that Used to Be" is inspired by Bob Dylan's "My Back Pages". The album features many extended guitar jams, with two songs stretching out to more than ten minutes.

The album was very well received by critics with Kurt Loder in Rolling Stone raving that it was "a monument to the spirit of the garage - to the pursuit of passion over precision" and calling it "a great one"



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All The Best Clinton Rooney

 


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