Neil Young-Freedom-ORIGINAL 1989 US LP-NEAR MINT in Shrink-Reprise 25899-1
  $   75

 


$ 75 Sold For
Jan 4, 2022 Sold Date
Dec 29, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
save auction  

Description

Neil Young – Freedom Label: Reprise Records – 1-25899, Reprise Records – 9 25899-1 Format: Vinyl, LP, Album, Stereo, Specialty Press Country: US Released: 1989 Genre: Rock Style: Hard Rock, AOR, Pop Rock Tracklist Hide Credits A1 Rockin' In The Free World Guitar, Vocals – Neil Young Recorded By, Mixed By – Dave Hewitt* 3:40 A2 Crime In The City (Sixty To Zero Part I) Alto Saxophone – Ben Keith Baritone Saxophone – Larry Cragg Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Brently Walton, Gary Long, Tim McColm Guitar – Frank "Poncho" Sampedro* Guitar, Vocals – Neil Young Tenor Saxophone [Lead] – Steve Lawrence (4) Trombone – Claude Cailliet Trumpet – John Fumo, Tom Bray* 8:45 A3 Don't Cry Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Dary Sulich Guitar, Vocals – Neil Young 4:15 A4 Hangin' On A Limb Guitar, Vocals – Neil Young Recorded By – Tim Mulligan Vocals – Linda Ronstadt 4:18 A5 Eldorado Acoustic Guitar – Poncho Villa Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Dary Sulich Guitar, Vocals – Neil Young 6:04 A6 The Ways Of Love Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Alan Abrahamson*, Brently Walton, Tim McColm Guitar, Vocals – Neil Young Keyboards – Frank "Poncho" Sampedro* Pedal Steel Guitar – Ben Keith Vocals – Linda Ronstadt 4:30 B1 Someday Alto Saxophone – Ben Keith Baritone Saxophone – Larry Cragg Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second, A&M Studios] – Bob Vogt Engineer [Second] – Brently Walton, Gary Long, Tim McColm Guitar, Vocals – Neil Young Keyboards – Frank "Poncho" Sampedro* Tenor Saxophone [Lead] – Steve Lawrence (4) Trombone – Claude Cailliet Trumpet – John Fumo, Tom Bray* 5:39 B2 On Broadway Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Dary Sulich Guitar, Vocals – Neil Young Written By – Barry Mann/Cynthia Weil/Jerry Leiber And Mike Stoller Written-By – Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller 4:58 B3 Wrecking Ball Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Dary Sulich Piano, Vocals – Neil Young 5:08 B4 No More Acoustic Guitar – Frank "Poncho" Sampedro* Bass – Rick "The Bass Player" Rosas*, Tony Marsico Drums – Chad Cromwell Engineer [Second] – Alan Abrahamson*, Brently Walton, Tim McColm Guitar, Vocals – Neil Young Keyboards – Ben Keith 6:04 B5 Too Far Gone Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Alan Abrahamson*, Brently Walton, Tim McColm Guitar, Vocals – Neil Young Mandolin – Frank "Poncho" Sampedro* Pedal Steel Guitar, Vocals – Ben Keith 2:48 B6 Rockin' In The Free World Bass – Rick "The Bass Player" Rosas* Drums – Chad Cromwell Engineer [Second] – Alan Abrahamson*, Brently Walton, Tim McColm Guitar, Vocals – Frank "Poncho" Sampedro*, Neil Young Keyboards – Ben Keith 4:42 Companies, etc. Phonographic Copyright ? – Reprise Records Phonographic Copyright ? – WEA International Inc. Copyright © – Reprise Records Copyright © – WEA International Inc. Recorded At – Jones Beach Music Center Recorded At – Redwood Digital Recorded By – Record Plant Mobile Studio Recorded At – The Hit Factory Engineered At – Redwood Digital Edited At – A&M Records Mastered At – The Mastering Lab Lacquer Cut at – K Disc Mastering Pressed By – Specialty Records Corporation Record Company – Reprise Records Record Company – Warner Communications Published By – Silver Fiddle Music Published By – Screen Gems-EMI Music Inc. Credits Art Direction, Design – Gary Burden Artwork [Pictographics] – Don Brown (4) Crew [Equipment Manager] – Van Anonson Crew [Guitar Maintenance] – Larry Cragg Design Concept [Package Development And Design] – Don Brown (4) Edited By [Digital] – Dave Collins Engineer [Digital] – Tim Mulligan Engineer [Senior Technical] – Harry Sitam Lacquer Cut By – L* (tracks: Side B), KP* Management [Direction] – Elliot Roberts Management [Lookout Management] – Elliot Roberts, Frank Gironda Mastered By – Doug Sax Mastered By [Assisted By] – Alan Yoshida Mixed By – Niko Bolas (tracks: A2 to B6) Other [Physical Trainer] – Mike Johnson Photography By – Ebet Roberts Producer – Neil Young, Niko Bolas Producer [Production Assisted By] – Ben Keith, Frank "Poncho" Sampedro*, Tim Mulligan Recorded By – Niko Bolas (tracks: A2, A3, A5 to B6) Technician [Drum Technician] – Anthony Aquilato, Steve Onuska Transcription By [Computer Scribe] – Frank "Poncho" Sampedro* Written-By – Neil Young (tracks: A1 to B1, B3 to B6) Notes Specialty Records Corporation pressing denoted by "SP1-1" etches in runouts. Issued with black and white lyric / credit inner sleeve. 9 25899-1 on spine, 1-25899 on labels. Track A1 is a live recording of B6. Linda Ronstadt appears courtesy of Elektra/Asylum/Nonesuch Records Barcode and Other Identifiers Barcode (Text): 0 7599-25899-1 8 Rights Society (A1 to B1, B3 to B6): ASCAP Rights Society (B2): BMI 

Matrix / Runout 

Side 1: 1-25899-A-SR1 RE-1 DMM SP1-1 KDISC KP 

Side 2: Kdisc DMM L 1-25899-B-Re1 SR2 DMM SP1-1 

This is the ORIGINAL 1989 U.S. LP.

Vinyl is NEAR MINT!

The cover is NEAR MINT!

The lyric inner sleeve is included!

If you have any questions or need to contact us for anything, including multiple item shipping discounts, Priority Mail rate, etc... Please email us before auction ends.
PLEASE NOTE: With 30 years of experience selling/collecting vinyl, we make every effort to detail sealed records to the best of our ability. We've sold thousands of sealed LP's over the years and our feedback on them is impeccable. However, we can NEVER be certain of the contents. Most people choose not to open sealed LP's. Sealed items CANNOT be returned if buyer opens them. If you are looking for a guaranteed mint play copy, PLEASE search for an open one.
Office Hours: Monday-Thursday       9:30AM - 4:00PM ET
If you email us at any other time, we will get back to you when we return to the office. 
   GRADING: Since vinyl collecting is a new hobby for some of you, and grading seems to vary greatly between dealers, here is an overview of our grading system:
We use a modified version of the Goldmine grading system. Our system adds a few additional grades for better precision.
Please note: unless otherwise stated, our products are VISUALLY graded. With thousands of items available we just don't have the time or staff to play grade everything. We grade VERY conservatively, which makes for thousands of happy customers all around the globe! All flaws worth noting to potential buyers (scratches, MINOR warps, cut out holes, saw marks, split cover seams, writing, etc.) WILL be listed in the item descriptions.
Still Sealed: When the item is still wrapped and unopened from the time it was originally manufactured. We do our best to ensure the items are not re-sealed before we acquire them for sale.
Mint: We NEVER grade any item "MINT"! Even brand new and untouched items, no matter how perfect they appear at first glance will have flaws. The flaws may be insignificant to most people, but a truly MINT item is absolutely perfect. This grade is THE MOST OVERUSED of all, primarily by sellers without much experience. If you see the word "MINT" used often, beware!
Near Mint (NM): Our highest grade. The item looks new/unused. With vinyl, it may have never seen a turntable. Covers are bright and crisp. NO splits or writing. Posters have NEVER been hung!
Near Mint Minus (NM-): An item that has VERY little (if any) use. The item looks NEARLY new. Vinyl may have LIGHT paper scuffing (light surface discoloration visible under the light caused by either contact with the paper inner sleeve or sometimes a minor pressing flaw; SCUFFS DON'T AFFECT PLAY). Covers may have a minor flaw such as a small wear spot or mark, but look otherwise NM. Usually these small imperfections will not bother anyone but the most discerning collector.
VERY GOOD PLUS PLUS (VG++): Also known as Excellent Plus (EX+): An item with a more noticeable flaw, such as a scuff line on vinyl (a LIGHT surface mark that can be seen, but NEVER heard) or MINOR ring wear on the cover. Again, flaws that are minor and perfectly acceptable to most collectors.
VERY GOOD PLUS (VG+): Also known as Excellent (EX): Items that have been played, but cared for. Vinyl may have multiple scuffs or some LIGHT scratches that cannot be felt by lightly brushing with the fingernail. Vinyl should still play fine, usually with no noise. Covers may have light ring wear or edge wear. They may have minor writing or creasing. Still, flaws should not stop the collector from enjoying the item.   VERY GOOD (VG): Items show wear. Records may have light scratches. They should PLAY THROUGH with NO skips or repeats, but MAY have some popping, ticking or background noise. Covers may have heavy ring wear,  light staining, writing,etc., but will still be intact. VG records are good filler copies for collectors to fill a gap, or good copies for the less discerning record buyers. VG records are NOT trashed COPIES!
VERY GOOD MINUS (VG-): These items usually look rough. The only items we list in this condition are rare titles that someone may want to own, regardless of condition.
Check out all our auctions and our eBay store--we've got lots more cool stuff!  New items added weekly!
Listing and template services provided by inkFrog


price rating