New Order Substance Fact 200 2 LP Pressed 'Max' 1987
  £   40
  $   53

 


£ 40 Sold For
Aug 13, 2015 Sold Date
Jul 12, 2015 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

~ Ultra Rare ~ New Order ~ Substance ~ Fact 200 ~ 2 LP ~ Pressed 'Max' ~ 1987 ~  Quick Post ~

For sale I have an incredibly rare record, it is the 'Max' Stamped copy of the classic Factory 200 record - This is a 12" double LP in its original Embossed Picture sleeve. With both inner sleeves also in tact and VG+ Condition.
This is an original U.K pressing from 1987 - a rare and collectible item. Especially with the specific information etched into the run-out of these two records.
The record Is graded as: EX Overall and has been visually inspected to provide this grading. 
This record is on the Factory Records Label and the catalogue number is Fact 200.
Please Read Below - This is what makes this Record so unique:


Tracklist

A1 Ceremony Producer – Martin HannettWritten-By – Joy Division A2 Everything's Gone Green Producer – Martin Hannett A3 Temptation Engineer – Michael Johnson B1 Blue Monday B2 Confusion Engineer – Michael JohnsonWritten-By – Arthur Baker B3 Thieves Like Us Written-By – Arthur Baker C1 The Perfect Kiss Producer – Michael Johnson C2 Subculture Remix – John Robie C3 Shellshock Written-By – John Robie D1 State Of The Nation D2 Bizarre Love Triangle Remix – Shep Pettibone D3 True Faith Written-By, Producer – Stephen Hague

Companies etc

  • Phonographic Copyright (p) – Factory Communications Ltd.
  • Mastered At – The Town House
  • Published By – Fractured Music
  • Published By – Zomba Music Publishing Ltd.
  • Published By – Be Music (2)
  • Published By – Warner Bros. Music Ltd.
  • Published By – Shakin' Baker Music
  • Published By – Indulgent Music
  • Published By – Cut Music
  • Published By – MCA Music Ltd.

Credits

  • Design [Sleeve] – Peter Saville Associates, Trevor Key
  • Mastered By [Metalwork] – Max*
  • Producer – New Order (tracks: A3 to D3)
  • Written-By – New Order (tracks: A2 to D3)

Notes

Jacket has embossed raised lettering. 
Not pressed by MPO. 

A1 published by Fractured Music/Zomba Music Ltd. 
A2 to B1, C1, C2, D1, D2 published by Bemusic/Warner Brothers Music Ltd 
B2, B3 published by Shakin' Baker Music/Bemusic/Warner Brothers Music Ltd 
C3 published by Bemusic/Warner Brothers Music Ltd/Indulgent Music. 
D3 published by Bemusic/Warner Brothers Music Ltd/Cut Music/MCA Music Ltd. 

? 1987 Factory Communications Limited

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A): FACT-200-A1 * C MAX "GOODBYE DAVY PILS 27.12.78-5.6.87 TOWN HOUSE DMM
  • Matrix / Runout (Runout side B): FACT-200-B1 * C MAX "THE PLEASURE AND THE PAIN.... TOWN HOUSE DMM
  • Matrix / Runout (Runout side C): FACT-200-C * C MAX OF AN EXTENDED CHILDHOOD" TOWN HOUSE DMM
  • Matrix / Runout (Runout side D): FACT-200-D1 * C MAX "STEVEN WON'T GO TO STOCKPORT" TOWN HOUSE DMM

All of my gradings are conservative and in line with the record collectors guide (shown at the bottom of this listing).
Please note this item is listed elsewhere and may be withdrawn from sale should it sell.
I will provide free shipping within the U.K and am happy to post internationally at buyers expense.
If you have any queries regarding this item please let me know.
I am open to sensible offers so please don't leave it too late before making an offer.
I will also be happy to discuss a discount on multiple item purchases or purchases of significant value.
Please note this item is also listed in numerous other trading sites. Including Discogs.

Visit My Shop: Where Is My Mind Music

We grade in accordance with - The Record Collector’s Guide (Sleeve / Disc)

Record Collector Magazine's Grading Guide:

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."




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