Nine Inch Nails – The Fragile, 2017 3xLP vinyl, definitive edition, VG/VG+

$

26

Label:

Nothing Records – B0025682-01, Interscope Records – B0025682-01

Series:

NIN – Halo Fourteen

Format:

3 x Vinyl, LP, Album, Reissue, Remastered, Definitive Edition, 180g

Country:

US

Released:

2017

Genre:

Electronic, Rock

Style:

Industrial



A1 Somewhat Damaged Written-By, Guitar [Additional Guitars] – Danny Lohner Written-By, Guitar [Additional Guitars] – Danny Lohner 4:31 A2 The Day The World Went Away Backing Vocals [Backing Chants - Credited To The Buddha Debutante Choir] – Christine Parrish, Fae Young, M. Gabriela Rivas*, Heather Bennett, Judy Miller, Martha Wood, Melissa Daigle Choir – The Buddha Debutante Choir Backing Vocals [Backing Chants - Credited To The Buddha Debutante Choir] – Christine Parrish, Fae Young, M. Gabriela Rivas*, Heather Bennett, Judy Miller, Martha Wood, Melissa Daigle Choir – The Buddha Debutante Choir 5:04 A3 The Frail 1:54 A4 The Wretched 5:36 B1 We're In This Together Drums [Chorus] – Jerome Dillon Drums [Chorus] – Jerome Dillon 7:19 B2 The Fragile 4:32 B3 Just Like You Imagined Guitar [Additional Guitars] – Adrian Belew, Danny Lohner Piano – Mike Garson Guitar [Additional Guitars] – Adrian Belew, Danny Lohner Piano – Mike Garson 3:52 B4 Even Deeper Backing Vocals – Barbara Wilson, Di Coleman, Elquine L. Rice, Gary L. Neal, Leslie Wilson, Rodney Sulton, Stefani Taylor, Terry L. Rice, Traci Nelson, Tracy Hardin Mixed By [Mixing Assistance] – Dr. Dre Written-By, Drum Programming, Synthesizer [Additional Synthesizers] – Danny Lohner Backing Vocals – Barbara Wilson, Di Coleman, Elquine L. Rice, Gary L. Neal, Leslie Wilson, Rodney Sulton, Stefani Taylor, Terry L. Rice, Traci Nelson, Tracy Hardin Mixed By [Mixing Assistance] – Dr. Dre Written-By, Drum Programming, Synthesizer [Additional Synthesizers] – Danny Lohner 6:16 C1 Pilgrimage Choir [Chanting] – The Buddha Boys Choir Percussion [Additional Marching] – Steve Duda Trumpet – Cherry Holly Choir [Chanting] – The Buddha Boys Choir Percussion [Additional Marching] – Steve Duda Trumpet – Cherry Holly 3:41 C2 No, You Don't 3:36 C3 La Mer Cello – Willie Drums – Bill Rieflin* Vocals – Denise Milfort Cello – Willie Drums – Bill Rieflin* Vocals – Denise Milfort 5:10 C4 The Great Below Effects [Atmospheres] – Charlie Clouser Guitar [Ambiences] – Danny Lohner Guitar [End Melodic] – Adrian Belew Effects [Atmospheres] – Charlie Clouser Guitar [Ambiences] – Danny Lohner Guitar [End Melodic] – Adrian Belew 5:17 D1 The Way Out Is Through Piano – Mike Garson Written-By – Charlie Clouser, Keith Hillebrandt Piano – Mike Garson Written-By – Charlie Clouser, Keith Hillebrandt 4:17 D2 Into The Void Backing Vocals – Kim Prevost Drum Programming – Charlie Clouser Backing Vocals – Kim Prevost Drum Programming – Charlie Clouser 4:49 D3 Where Is Everybody? Guitar [End Melodic] – Adrian Belew Guitar [End Melodic] – Adrian Belew 5:40 D4 The Mark Has Been Made 4:46 E1 10 Miles High Mixed By [Reconstructed Mixed By] – Keith Hillebrandt Mixed By [Reconstructed Mixed By] – Keith Hillebrandt 5:09 E2 Please 3:31 E3 Starfuckers, Inc. Choir – The Buddha Boys Choir Vocals [Chanting - Credited To The Buddha Boys Choir] – Adam Persaud, Clint Mansell, Doug Idleman, Eric Edmonson, Keith Hillebrandt, Marcus London, Nick Scott (3), Nigel Wiesehan, Steve Duda Written-By – Charlie Clouser Choir – The Buddha Boys Choir Vocals [Chanting - Credited To The Buddha Boys Choir] – Adam Persaud, Clint Mansell, Doug Idleman, Eric Edmonson, Keith Hillebrandt, Marcus London, Nick Scott (3), Nigel Wiesehan, Steve Duda Written-By – Charlie Clouser 5:00 E4 Complication Guitar [Additional Guitars] – Danny Lohner Guitar [Additional Guitars] – Danny Lohner 2:27 E5 The New Flesh 3:42 F1 I'm Looking Forward To Joining You, Finally 4:20 F2 The Big Come Down 4:12 F3 Underneath It All 2:47 F4 Ripe Piano – Mike Garson Violin – Steve Duda Piano – Mike Garson Violin – Steve Duda 5:18

Companies, etc.

• Distributed By – Universal Music Distribution
• Manufactured By – Pallas USA
• Phonographic Copyright ℗ – Interscope Records
• Copyright © – Interscope Records
• Recorded At – Electrical Audio
• Recorded At – Nothing Studios
• Mixed At – Nothing Studios
• Remastered At – Baker Mastering
• Lacquer Cut At – Golden Mastering
• Pressed By – Schallplattenfabrik Pallas GmbH – 43731
• Pressed By – Schallplattenfabrik Pallas GmbH – 43733
• Pressed By – Schallplattenfabrik Pallas GmbH – 43734
• Published By – Hillebrandt
• Published By – Hypercube Music
• Published By – Leaving Hope Music
• Published By – Leaving Hope Music, Inc.
• Published By – PolyGram International Music Publishing, Inc.
• Published By – Quackenbush Music Limited
• Published By – TVT Music, Inc.
• Published By – Warner-Tamerlane Music
• Published By – Wish It Away

Credits

• Art Direction, Design, Photography By – David Carson
• Art Direction, Supervised By [Reissue Art Supervision] – John Crawford (6)
• Booking – Marc Geiger
• Booking [Marc Geiger For] – WME
• Edited By [Provided Final Continuity And Flow] – Bob Ezrin
• Engineer [Additional] – Dave 'Rave' Ogilvie*, Leo Herrera
• Engineer [Second] – Brian Pollack
• Lacquer Cut By – JG*
• Legal [Legal Necessities, Ross Rosen For] – Ross B. Rosen & Associates, LLC
• Legal [Legal Necessities, Zia Modabber For] – Katten Munchin Rosenman LLP*
• Legal [Legal Necessities] – Ross Rosen, Zia Modabber
• Liner Notes – Bob Ezrin
• Management – Silva Artist Management
• Management [Business Management, William Harper And Michael Walsh For] – Gelfand, Rennet & Feldman*
• Management [Business Management] – Michael Walsh (6), William Harper (2)
• Mastered By – April Golden
• Photography By – Alexei Hay, Rob Sheridan (2), Robert Hale (3)
• Producer, Engineer, Mixed By – Alan Moulder
• Programmed By [With] – Clinton Bradley, Paul DeCarli
• Programmed By [With], Sound Designer [Additional Sound Design] – Steve Duda
• Programmed By, Sound Designer [Additional Sound Design] – Charlie Clouser, Keith Hillebrandt
• Recorded By [Supplemental Drum] – Steve Albini
• Remastered By – Tom Baker (3)
• Written-By, Performer, Producer, Programmed By – Trent Reznor

Notes

2017 Definitive Edition. Includes bundled download card.

From the NIN store description:
“High resolution download available immediately
The definitive version of the Fragile, meticulously prepared by Trent Reznor and NIN Art Director John Crawford.
Remastered from the original sources in 2016 on 180-gram Vinyl, with lots of details that you may never notice, but we care about.”

Recorded and mixed at Nothing Studios, New Orleans.
Supplemental drums recorded at Electrical Audio.
Remastered at Baker Mastering.
Vinyl mastering at Golden Mastering.

A spurious credit appears on the release for "additional vocals" on the Quiet version of 'The Day The World Went Away', a track found not on this release, but rather on The Day The World Went Away.
Some photographs in bundled essay credited to Nothing Studios.

℗©2017 Interscope Records.

Written by T Reznor ©1999 Leaving Hope/TVT Music Inc (ASCAP) administered by Leaving Hope Music Inc, except -
A1, B4: Written by T Reznor, D Lohner ©1999 Leaving Hope/TVT Music Inc (ASCAP) administered by Leaving Hope Music Inc/Wish It Away (ASCAP).
D1: Written by T Reznor, K Hillebrandt, C Clouser ©1999 Leaving Hope/TVT Music Inc (ASCAP) administered by Leaving Hope Music Inc/Hillebrandt/Hypercube Music/Warner Tamerlane Music (BMI).
E3: Written by T Reznor, C Clouser ©1999 Leaving Hope/TVT Music Inc (ASCAP) administered by Leaving Hope Music Inc/Hypercube Music/Warner Tamerlane Music (BMI)/Quackenbush Music Limited (ASCAP) administered by Polygram International Music Publishing Inc. Contains elements from 'Shout It Out Loud' performed by Kiss used courtesy of Mercury Records under license from Universal Music Special Markets Inc.

Hype sticker on front:
The definitive vinyl edition of the Fragile, meticulously prepared by Trent Reznor and NIN art director John Crawford. Remastered 2017 audio on 180-Gram Vinyl, remastered artwork and more.
halo fourteen
Original release date: September 21, 1999
Shipping Multiple orders can be combined to reduce shipping costs. Contact me when you are finished purchasing and I will send a combined invoice with this consideration.

Vinyl Preparation and Handling

All vinyl records are safely cleaned using vacuum cleaner and stored in anti-static sleeves before offering for sale. Original sleeves, inserts, etc. are never discarded and always included if they are present. Records are removed from jacket to reduce wear during shipping. Vinyl and sleeves are separated, and package is wrapped securely and shipped in Whiplash Mailer box designed for shipping LPs. Shipping USPS Media Mail from a non-smoking household.

How my Records are Graded  

Mint (M) Factory sealed or otherwise perfect condition.

Near Mint (NM/M-) A nearly perfect record. The vinyl will play perfectly, with no imperfections during playback. The sleeve will have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. 

Excellent (EX) A record that is almost Near Mint but may have a couple of light scuffs that do not affect play. The sleeve will almost be Near Mint but may have a very slight bend in the corner or show minor shelf wear and/or ring wear.

Very Good Plus (VG+) Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect listening experiences. Slight warps that do not affect the sound may be present. Sleeves will have some slight wear, lightly turned up corners, or a slight seam split and/or ring wear.

Very Good (VG) Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches that will affect the sound with pops or clicks. Sleeves will have more pronounced defects than VG+ and may be marred by writing or have tape or stickers (or their residue) attached.

Good (G) Surface noise will be evident upon playing but will not overpower the music. Groove wear will be noticeable, as with scratches that will affect the sound with pops or clicks. Sleeves will have more pronounced defects than VG and may be affected by seam splits, tears, surface tears, or more significant tape or stickers attached.

Fair (F) Surface noise will be prevalent upon playing. Groove wear will be prevalent, as with scratches that will affect the sound with constant pops and clicks. Sleeves will have more pronounced defects than G and will be affected by seam splits, tears, surface tears, evidence of water damage, etc.