OTIS REDDING LOVE MAN RARE ORIG '69 ATCO LP/MONARCH WEST COAST PRESS BEAUTIFUL

$

51

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       OTIS REDDING - LOVE MAN – ORIGINAL 1968 ATCO RECORDS STEREO LP  SD-33-289

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW ATCO LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS (LATE 60’s STYLE)

·       VERY RARE WEST COAST PRESSING (MONARCH PRESSING PLANT, LOS ANGELES)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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While Otis Redding was already one of the biggest stars in soul music when he died in a tragic plane crash in 1967, as is some times the case his star rose considerably after his passing, and this 1968 release dusted off a set of unreleased tracks Redding had cut in 1967, one of which (the title cut) went on to become a sizable chart hit. Love Man doesn't hold together quite as well as Redding's best proper albums, such as Otis Blue and Complete and Unbelievable: The Otis Redding Dictionary of Soul, but it also manages to avoid sounding like a collection of out-takes and leftovers; as an album it's significantly stronger than the average R&B release of similar vintage, due to Redding's indefatigable energy and conviction as a vocalist and the ever-indomitable groove of Steve Cropper, Al Jackson, Jr., and the other members of the Stax Records studio crew. If Love Man is flawed, it's not a matter of execution so much as material; while Redding's originals are good, none are quite up to the standards of "Cigarettes and Coffee" or "My Lover's Prayer", and covers like "A Lover's Question" and "(Your Love Keeps Lifting Me) Higher and Higher" are not ideally suited to Redding's style. But even the flawed material helps prove just how strong Redding's work was, even under less than ideal circumstances, and Love Man makes it clear he never gave less than 110 percent in the studio.

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This was the next to the last "official" Otis Redding album, issued posthumously more than a year after his death and compiled from the frantic final recording sessions Otis had just days before he died in a plane crash. Otis Redding was fighting with his own demons, as well as effects of a major surgery on his larynx which rendered him inactive for most of his last summer (1967). As if he knew that his mortal hour was near, he poured his heart and soul in these, final sessions of November/December 1967. What he left was an abundance of material (not all of it top-notch) - which was lovingly compiled on three (3) posthumous albums by his label mate Steve Cropper (of Booker T & The MGs). Of the three albums which collect these, last session tracks, "Love Man" which came out next-to-the-last, was by far the "funkiest" and most energetic. Not as emotional or expressive as the "Immortal" album, this is nevertheless a slab of prime Otis Redding, not to be missed.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 3 (back side)

-        Cover has a small cutout saw-mark (an indent about 3-5 mm long ) on one of its seams.

-        Minor shelf wear noted on the seams (nothing significant)

-        Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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