PALACE BROTHERS - S/T LP (Vinyl, 1994, 'Days In The Wake', Will Oldham)

	£		23
	$		30

Great Condition original vinyl copy of Will Oldham's Palace Brothers eponymously titled 2nd LP. Also known as 'Days In The Wake'.

FORMAT: 12" Vinyl LP, 33rpm
RECORD LABEL: Domino
RELEASE DATE: 28th August 1994
CATALOGUE NO: WIGLP 14

(NOTE: I am now play-grading all my vinyl. I can't promise to play everything all the way through, but will be checking for any curving or warping and/or excessive surface noise - hiss, snap, crackles & pops. And if there are any dodgy looking areas with gouges, scratches, pit marks etc. I will double check that there is no skipping or sticking, and that playback is not adversely affected)

VINYL: Excellent
OUTER SLEEVE: Excellent (Plain paper inner)

POSTAGE: £3.00 UK. £4.00 EUROPE. £7.00 THE REST OF THE WORLD.

STORED OUT OF SUNLIGHT IN VERTICAL POSITION. FROM A PET, DAMP AND SMOKE FREE HOME.

ALL VINYL CAREFULLY CLEANED WITH ACC-SEES PRO VINYL LINT-FREE, ANTI-STATIC RECORD CLEANING CLOTH & GROOVESHINE RECORD CLEANING FLUID.

ANY QUESTIONS OR REQUESTS FOR MORE DETAILED PHOTOS ETC, PLEASE DO NOT HESITATE TO CONTACT ME.

I TRY & GRADE ALL SLEEVES AND VINYL AS FAIRLY & ACCURATELY AS POSSIBLE, BUT IF YOU FEEL I HAVE GRADED THIS RECORD INCORRECTLY, OR IF ANY OF THE ABOVE INFORMATION IS INCORRECT PLEASE TELL ME.

ALL VINYL WILL BE POSTED IN A GLASS CLEAR, VERY BEST QUALITY 450G PVC SLEEVE, IN A CARDBOARD RECORD MAILER, WITH CARDBOARD STIFFENERS, REMOVING ALL INNERS TO PREVENT SPLITTING TO THE SEAMS IN TRANSIT.      

 Tracklisting
A1         You Will Miss Me When I Burn        
A2         Pushkin        
A3         Come A Little Dog        
A4         I Send My Love To You        
A5         Meaulnes        

B1         No More Workhouse Blues        
B2         All Is Grace        
B3         Whither Thou Goest        
B4         (Thou Without) Partner        
B5         I Am A Cinematographer

LP Review

by Mark Deming

The second album from Palace Brothers would seem to barely qualify on either count -- at a shade over 27 minutes, Days in the Wake seems a bit skimpy in the era of the 80-minute CD, and only one song, "Come a Little Dog," clearly features any musicians besides Will Oldham and his rickety acoustic guitar. But the stark simplicity and audio vérité ambience of Days in the Wake builds on the already dramatic emotional power of There Is No-One What Will Take Care of You, and if Will Oldham's obsession with sin and retribution is less forcefully stated in these songs, that's not to say it isn't clearly present on most of these songs, especially the cautionary tale "You Will Miss Me When I Burn," the mournful but fiercely proud "No More Workhorse Blues," and "Pushkin," which begins with the declaration "God is the answer/God lies within," without making it sound like a concept in which Oldham can take much comfort. Oldham's lyrics would become increasingly cryptic from this point on, but while the literal meaning of songs like "Wither Thou Goest" and "I Am a Cinematographer" is elusive, the emotional power of these performances is as eloquent as anyone could hope for. Days in the Wake is the simplest work in the Palace canon, and among the very best. (Days in the Wake was originally released simply as Palace Brothers.)

Will Oldham Profile (courtesy of Allmusic.com)

by John Bush

Will Oldham, the brains and brawn behind releases as Palace Brothers, Palace Songs, Palace Music, and just plain Palace, is loosely grouped with the '90s anti-folk movement that also includes Bill Callahan of Smog, a labelmate of Oldham's on Chicago's Drag City Records. Often mistaken for an old man due to his cracking vocals, sparse guitar pickings, and biblical dialect, Oldham has recorded since 1992 with a variety of sidemen -- basically, any friends or acquaintances that can play an instrument.

Raised in Louisville, KY, Oldham first became involved in acting; he starred in John Sayles' 1987 mining film Matewan, playing -- with considerable ease -- a teenage preacher and miner. Two years later, he moved to TV for Everybody's Baby: The Rescue of Jessica McClure and returned to the cinema in 1991 for Thousand Pieces of Gold, another mining film. At the same time, Oldham was also involved in the fertile indie rock scene in Louisville, picking up his first technical credit for the photograph on the cover of Slint's 1991 classic, Spiderland.

Oldham the musical artist debuted in 1992 with the single "Ohio River Boat Song" on Drag City Records. Though he was credited as Palace Songs on the single, Oldham's debut album the following year was filed under Palace Brothers -- in part to denote the work of Todd Brashear. There Is No-One What Will Take Care of You introduced several of Oldham's continuing themes: drunkenness, sin in general, and the varied results of each.

Recording regularly during 1993-1994, Oldham released several singles and an EP (An Arrow Through the Bitch) before his second album -- self-titled but also listed as Days in the Wake -- was issued by Drag City in 1994. Again, Oldham followed with a string of limited-release singles and one EP, but mixed things up for late-1995's Viva Last Blues (as Palace Music); Oldham recruited a band, with guitarist Bryan Rich, organist Liam Hayes, and bassist Jason Loewenstein (from Sebadoh). The following year's Arise, Therefore found Oldham back in a largely solitary setting.

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