PASSENGERS: ORIGINAL SOUNDTRACKS 1, Eno, U2 PROMO USA EXCELLENT- LP

$

120

Passengers?– Original Soundtracks 1 Label: Island Records ?– 314-524 166-1 Format: Vinyl, LP Country: US Released: 1995 Genre: Electronic, Rock Style: Alternative Rock, Pop Rock, Experimental, Ambient Tracklist Hide Credits A1 United Colours Saxophone – David Herbert (2)Synthesizer – Larry Mullen Jr.* A2 Slug A3 Your Blue Room Narrator – Adam ClaytonOrgan – Edge, The A4 Always Forever Now Arranged By [Strings] – Paul BarrettSequenced By – Des Broadbery A5 A Different Kind Of Blue Vocals – Brian Eno A6 Beach Sequence Piano – Bono B1 Miss Sarajevo Arranged By [Strings] – Craig ArmstrongVocals – Luciano Pavarotti B2 Ito Okashi Vocals, Written-By – Holi (2) B3 One Minute Warning Synthesizer – Holger ZschenderleinVoice – Holi (2) B4 Corpse (These Chains Are Way Too Long) Saxophone – David Herbert (2)Vocals – Edge, The B5 Elvis Ate America Engineer [Assistant] – Fiach CoolingEngineer, Vocals [Call Vocal], Written-by – Howie B. B6 Plot 180 B7 Theme From The Swan B8 Theme From Let's Go Native Credits Artwork By [Apple Mapping]– Rob Crane Artwork By [Cutting Floor]– Richard Baker Artwork By [Front Cover Illustration]– Theodor Rotrekl Artwork By [Sleeve & Concept]– Brian Eno, Cally Bass– Adam Clayton Chorus, Sequenced By, Synthesizer, Other [Strategies, Treatments]– Brian Eno Drums, Percussion– Larry Mullen Jr.* Edited By– Brian Eno, Rob Kirwan Edited By [Digital]– Stewart Whitmore Engineer– Danton Supple (tracks: A1 to B4, B6 to B8) Engineer [Assistant At Metropolis]– Ruadhri Cushnan Engineer [Assistant]– Rob Kirwan Guitar, Chorus– Edge, The Mastered By– Arnie Acosta Mixed By– Brian Eno, Howie B. Other [Album Production Manager]– Anne-Louise Kelly Other [Assistant Album Production Manager]– Candida Bottaci Other [Studio Co-ordinator]– David Herbert Recorded By [Assistant On Original Recordings]– Lee Philips Scratches, Other [Treatmens]– Howie B. Technician [Post Production]– Cheryl Engels Technician [Studio Crew]– Dallas Schoo, Dennis Sheehan, Des Broadbery, Fraser McAlister, Rab McAllister, Rob Kirwan, Sam O'Sullivan, Stuart Morgan Vocals, Guitar– Bono Written-By– Adam Clayton, Bono, Brian Eno, Edge, The, Larry Mullen Jr.* Notes Original Soundtracks 1: 1: From The Film "United Colours Of Plutonium" 2: From "Slug" (Peter Von Heineken, Germany) 3: From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy) 4: End Titles From "Always Forever Now" (John Leng Qi, Hong Kong) 5: From "An Ordinary Day" (Lurlene Clewman, USA) 6: From From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy) 7: From The Film "Miss Sarajevo" (Bill Carter, USA) 8: From "Ito Okashi/Something Beautiful" (Rita Takashina, Fukushima) 9: From "Ghost In The Shell" (Mamuri Oshii, Japan) 10: From "Gibigiane/Reflections" (Aldo Gianniccolo, Milan) 11: From The Film "Elvis Ate America" (Jeff Koons, New York) 12: From "Hypnotize (Love Me 'Til Dawn)" (Peter Sedgeley, London) 13: From "The Swan" (Joseph Mamat, Hungary) 14: From "Let's Go Native" (Rodger Vuijkers, South Africa, Unreleased) Recorded and mixed at Westside Studios (London) and Hanover, Dublin.

USA PROMO PRESSING VINYL LP WITH ORIGINAL WHITE INNER SLEEVE.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources are currently available).

Many recent vinyl pressings claim to be mastered from ‘original tapes’ and are pressed on expensive 180g vinyl. Sonically, they frequently sound disappointing when compared to a decent condition first pressing. All too often, they sound like a CD pressed onto vinyl.

If you want the best analogue reproduction possible from vinyl, it is always a better investment to seek out original pressings in clean playing condition. They nearly always have more immediacy, presence and dynamics. The sound staging is wider, and subtle nuances are better placed with more spacious textures. Balances are firmer in the bottom end with the bass far tighter. Upper-mids shine, and the overall depth is more immersive. Inner details are clearer, and the music tends to sound more ‘alive’.

MATRIX NUMBERS IN RUN-OFF GROOVES: SIDE A: TML-M 314-524-166-1-AS/HS-1 NUBTV / SIDE B: TML-M 314-524-166-1-BS1HS-1.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER AND EDGE WEAR. SMALL PRICE STICKER MARK ON FRONT. REAR PROMO STAMP. INNER SLEEVE IS VERY GOOD+.

DISC: EXCELLENT MINUS. NO SCRATCHES AND NO NOTICEABLE SPINDLE WEAR, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS. A SPLENDID PLAYING COPY WITH SUPERB AUDIO.

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