PETER FRAMPTON, Frampton Comes Alive MASTERING LAB USA 1st pressing EXC- 2LP
$
50
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Description
Peter Frampton ?– Frampton Comes Alive! Label: A&M Records ?– SP-3703 Format: 2 × Vinyl, LP, Album, Terre Haute Pressing Country: US Released: 06 Jan 1976 Genre: Rock Style: Rock & Roll, Pop Rock Tracklist Hide Credits A1 Something's Happening Written-By – Peter Frampton 5:54 A2 Doobie Wah Written By – Peter Frampton, Rick Wills And John Headley-Down Written-By – John Headley-Down, Peter Frampton, Rick Wills 5:28 A3 Show Me The Way Written-By – Peter Frampton 4:42 A4 It's A Plain Shame Written-By – Peter Frampton 4:21 B1 All I Want To Be (Is By Your Side) Written-By – Peter Frampton 3:27 B2 Wind Of Change Written-By – Peter Frampton 2:47 B3 Baby, I Love Your Way Written-By – Peter Frampton 4:43 B4 I Wanna Go To The Sun Written-By – Peter Frampton 7:02 C1 Penny For Your Thoughts Written-By – Peter Frampton 1:23 C2 (I'll Give You) Money Written-By – Peter Frampton 5:39 C3 Shine On Written-By – Peter Frampton 3:35 C4 Jumping Jack Flash Written-By – Mick Jagger-Keith Richard* 7:45 D1 Lines On My Face Written-By – Peter Frampton 7:06 D2 Do You Feel Like We Do Written By – Wills-Gallagher-Siomos-Frampton Written-By – Siomos*, Gallagher*, Frampton*, Wills* 14:15 Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Recorded At – Winterland Recorded At – Marin County Civic Center Recorded At – Island Music Center Recorded At – State University Of New York, Plattsburgh Recorded At – Wally Heider Recording Recorded At – Fedco Audio Labs Remixed At – Electric Lady Studios Mastered At – The Mastering Lab Pressed By – Columbia Records Pressing Plant, Terre Haute Published By – Almo Music Corp. Published By – Fram-Dee Music Ltd. Published By – ABKCO Music, Inc. Credits Art Direction – Roland Young (3) Bass Guitar, Vocals – Stanley Sheldon Design – Stan Evenson Drums – John Siomos Engineer [Assistant] – Corky Stasiak, Dave Witman*, Frankie D'Augusta, Jay Messina, Neil Teeman* Engineer [Live Recording] – Chris Kimsey, Eddie Kramer, Ray Thompson Guitar, Vocals, Electric Piano [Fender Rhodes], Organ, Grand Piano – Bob Mayo Guitar, Vocals, Talkbox – Peter Frampton Liner Notes – Cameron Crowe Mastered By – Mike Reese Photography By [Except John Siomos] – Richard E. Aaron Photography By [John Siomos] – Mike Zagaris* Presenter [Announcer] – Jerry Pompili Producer [Produced By], Arranged By – Peter Frampton Remix [Remixed By] – Chris Kimsey, Peter Frampton
USA FIRST PRESSING DOUBLE VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL COMPANY INNER SLEEVES.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVES VERY GOOD+ WITH NO SEAM SPLITS.
DISCS: EXCELLENT MINUS. NO SCRATCHES, JUST TWO FINGERNAIL HAIRLINES THAT ARE NO SCRATCHES AND DO NOT SOUND. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $64.99 [EXCEPT CANADA, WHICH IS $54.99]. This is now the only reliable, tracked and insured way we can ship international packages.
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