PETER VAN RIPER Sound To Movement: New Music For Saxophones LP NM/VG+, 1979
$
25
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Detroit-born American composer and saxophone player (1940 - November, 1998).
Peter Van Riper has been a graduate of the University of North Carolina, and continued in arts at Tokyo University, and the University of Michigan.
Van Riper has performed extensively in Japan, including a USIS tour, in the U.S. at the San Francisco Museum of Modern Art and at And/Or in Seattle, and in New York City at St .Marks Church, Experimental Intermedia, The Kitchen Center for Music, and The Museum of Modern Art. Notable collaborations include performances with Simone Forti, Eugenia Balcells, and Sha Sha Higby.
Van Riper has also been a member of "Editions, Inc." from 1967-1970, an Ann Arbor (Michigan) gallery, operated by Lloyd Cross.
Peter Van Riper ?– Sound To Movement: New Music For Saxophones
Label: VRBLU ?– 12 Format: Vinyl, LPCountry: US Released: 1979 Genre: Classical, Electronic, Jazz Style: Experimental
Tracklist
A Big Room 34:02 B1 Circle Song 3:14 B2 Double Sound 4:28 B3 Doppler Piece 3:36 B4 Long Note 4:20 B5 Keys Sound 1:15 B6 Bonnie And Jeff 2:34 B7 Moku Gyo 5:17Credits
- Engineer – Gene Tyranny* (tracks: B1 to B3, B6)
- Soprano Saxophone, Saxophone [Sopranino], Artwork By [Cover] – Peter Van Riper
Notes
"Big Room" performed live at Museum of Modern Art, Oxford, England; a collaborative performance of sound and movement with dancer Simone FortiOther pieces recorded at Center for Contemporary Music and live at Museum of Modern Art, San Francisco, California.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
price rating
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